Designing a complete hand-painted POP poster mainly includes main title, subtitle, text, illustrations, decorative patterns and other elements. The design of hand-painted POP posters needs composition, highlighting the key points of the posters, and decorating and beautifying them with appropriate small illustrations. The following are your recommended design considerations for pop posters.

1. Title text of hand-painted POP poster design

Title text is an important visual communication. If the headline text can't attract customers, customers will never read the explanatory text again, so the content of the headline should be explosive, or there must be an outline. Different from descriptive text, the title text does not need to be arranged too neatly, and it can be wavy, V-shaped, curved, inclined left and right, etc. , but the distance between them should not be too far. After the grid lines are drawn, write according to the basic strokes. Title text can be written in bright colors, or it can be changed like explanatory text.

There are many ways to modify the title text, such as adding shadows, adding boxes, adding cores, overlapping and so on. You can choose one or two, and don't make it too complicated. A clean picture will make people feel more comfortable.

2. The text of the hand-painted POP poster design.

① Description text of hand-painted POP poster design. When writing descriptive words, you can change the strokes of points into circles or add circular reflections; You can also exaggerate closed parts, such as "mouth", "sun" and "eye"; Or you can dip down. But when writing, the colors should be clear and the strokes should be clear. Don't change the color word by word. Change the color of one line of text at most. If the text exceeds five lines, it is best to use one color to the end, so as to avoid glare and increase the trouble of reading.

②POP writing must have the following three basic points: striking, concise and easy to understand. First of all, in order to make POP stand out, we should find a way from the size and color of the paper. Second, simplicity. POP is a means to attract customers' attention to goods. It summarizes the characteristics of goods into items, which is convenient for customers to read and understand goods. The third point is easy to understand. The language of introducing goods should be clear to customers at a glance, not vague or obscure.

3. Hand-painted popular poster design illustrations

The illustration of hand-painted POP poster design needs attention: in general, the illustration in the poster layout should not exceed one third, and the illustration is a foil, so don't pretend to be the owner; Try to combine pictures and texts, not pictures and texts; Because there are not as many colors as crayons, some colors will be distorted if you draw them by hand. So it is suitable for drawing simple illustrations; If you are not sure about hand-painting, you can use other paper materials to cut and paste, and it is safer to cut it to the right size before pasting it.

4, hand-painted POP poster design also needs to pay attention to the use of markers.

After conceiving the POP poster, you need to use the marker skillfully. This is also the basic requirement for a beginner hand-painted POP poster designer. Markers are different from pens written by the public. First of all, you must master the writing strokes and scribble evenly before you can write various POP fonts. In one go, it is important to use broken pens as little as possible, because the messy fonts caused by uncomfortable strokes are the taboo of hand-painted POP. Font depends on strokes, and the main body of the whole hand-painted POP mostly lies in the expression of font, so the main body of hand-painted POP can only be reflected when the font is written. After mastering the marker, it is easy to draw small illustrations with POP. Some hand-painted POPs are not only for writing and drawing, but also for selecting paper and cutting and pasting. In short, the picture should not be chaotic, it should be as exquisite as computer printing, it should have a hand-painted feeling, and the layout effect should be concise and clear. Also, try not to use more than four colors in the whole POP font, otherwise it will be dazzling.

How to design the layout of pop posters

Layout design, that is, composition, refers to conveying commodity information clearly and quickly to people in a relatively short period of time, so as to achieve the purpose of profit. The content displayed in the poster needs to be dealt with in reality, proportion and tone to achieve the publicity effect. The most important thing for a beautifully made poster is the layout design, that is, the advertising content is reasonably and vividly made on a certain size and size of the layout, so as to attract consumers' attention and achieve better sales purposes.

Layout design is to reasonably arrange the relationship between primary and secondary content and color. In composition, we should make full use of visual laws to highlight key points, give posters a sense of direction and order, and guide consumers to look at what first, then what, and what is the key point. Pay attention to the blank space in the poster. The general ratio is 3: 7 or 4: 6. Composition is also a division to achieve the ideal layout effect. Image segmentation mainly depends on lines or surfaces. An excellent poster work is mainly reflected in the coordination and change of each part after the picture is divided. Usually, the layout segmentation of posters is divided into horizontal segmentation, vertical segmentation, vertical and horizontal cross segmentation, variability segmentation and so on.

When people look at a certain visual point, their eyes will soon focus on this point and remain motionless. Using the principles of emphasis and attraction, contrast and blank, balance and change, movement and rhythm, the layout of posters is scientifically designed. The contents of the poster mainly include: title, text, illustrations, borders, etc. Its manufacturing steps are usually three steps: typesetting, drawing and coloring.

The subtitles in Popper's works are very important visual communication, so it is necessary to outline the most important subtitles in his works. Usually, poster POP fonts include movable type, orthographic type, soft type, chubby type and hollow type. In order to highlight the theme, you can do some artistic design on the font, such as adding borders, color contrast, deformation and so on. When highlighting the preferential price of a product, we can make a strong contrast between the original price and the current price in size and color, thus attracting consumers.

Six steps and skills of making hand-painted POP posters Six steps and skills of making hand-painted POP posters

Hand-painted POP is a kind of POP advertisement, which is mainly used to stimulate and guide consumption and enliven the store atmosphere. Because of its low production cost, bright colors and taciturn sales staff, it is favored by the retail industry. So, how to make hand-painted POP posters? What are the skills? Please have a look together.

Six steps and skills of making hand-painted POP posters 1

General process of hand-drawn POP production

Step 1: Collect the content related to the activity or product.

Step 2: Refine the title and simplify the text.

Step 3: Choose a suitable layout.

Step 4: Choose the right color scheme.

Step 5: Select relevant illustrations.

Step 6: Make POP according to the format requirements.

Tips for making hand-painted POP

Practice hand-drawn POP orthography or movable type first.

Words are the basis of posters. Beginners are advised to buy a copybook and practice calligraphy with markers and calligraphy practice grids.

Second, master several commonly used font modification methods.

The title is the soul of a poster. A good inscription can not only highlight the theme, but also make the picture more vivid. However, there are many ways to modify the title, and beginners may not find the direction. You might as well find several decorative ways you like in practice, so that you can not only master the techniques easily, but also learn them better. At the same time, it can shorten the production time and quickly improve the quality of students' hand-painted POP posters.

Third, pay attention to the layout in typesetting.

The simplest typesetting is horizontal arrangement. Beginners would rather seek stability than expect life and change. At this time, you can use decorative lines or color blocks in the decoration to distinguish the text from the title text, so that they are different from each other, but echo each other. Other typesetting layouts are as follows:

Leave the four sides of the poster blank.

This is also called the external "qi stagnation" of POP posters. If there is no stagnation of qi, the content written on the poster will be pushed in all directions, making people feel suffocated and stuffy in their chests. The specific width of blank space will vary according to the size of the poster, and 3 ~ 5 cm of blank space should be left on the four sides of 2-open (530cm×760cm)POP paper; 4-inch (390cm×543cm) POP should have 2 ~ 4 cm blank on four sides; Generally, 0.5 ~ 1 cm is left blank on the four sides of the card.

Line spacing is greater than word spacing.

As long as the content of POP has more than 2 lines (including 2 lines), it should be noted that the line spacing of each line of text is greater than the word spacing. The specific line spacing is generally between 1/3 and 1/2. The requirement of word spacing is that words are next to words, but generally they cannot be connected together, so a certain gap should be left.

Title, illustration and text each occupy about 1/3 of the poster area.

The title and subtitle of a POP should add up to 1/4 to 1/2 of the whole POP area. Usually the title accounts for about 1/3 of the poster area. (When the POP text content is less, the title can account for about 1/2 of the poster area; When there is a lot of text, the title can also be compressed to 1/4. )

Fourth, don't mix too many colors.

A poster with 3~5 theme tones is enough. Too many colors are easy to get confused, and too few can't highlight the key points. For this reason, the author suggests that the title text can be written in 1~3 colors, the body text can be written in one color (that is, the key contents (such as "delivery", price and date) can be written in another color.

Fifth, the choice of illustrations should be related to the product.

For example, the picture below shows a slim young woman, which is easily reminiscent that Besunyen's target customers are young women, and her slim figure can better reflect the slimming effect of the product.

Sixth, the production of activity posters.

Generally speaking, the main titles of event posters are relatively direct, so people can know what the event is at a glance, or the main titles are more interesting and the subtitles are more straightforward.

There are usually two types of activity poster body templates.

1. Time and place type. Just like writing a composition when I was a child, explaining "when, where and who happened", this kind of activity poster can tell you the time, place and other things that need to be notified.

2. There are prizes and temptations. "There must be brave people under the grand prize". If your competition is rich in prizes, why don't you tell everyone? Perhaps, the number of participants will double and the atmosphere of the event will be even higher.

Of course, it is more attractive to match it with a related cartoon illustration.

Six steps and skills of making hand-painted POP posters II

Draw according to photos

For beginners, learning to draw by hand is more helpful than drawing according to photos, which lays a solid foundation for outdoor sketching and creation in the future. If a novice goes directly to the field to sketch, he will generally feel that he doesn't know where to start, either the proportion is wrong or too biased, and he is obsessed with a detail and stuck in the performance of light and shadow. Therefore, it is relatively easy to cover the picture according to the photo, and students don't have to be distracted by light, shadow, color and proportion. The key point is to understand the general levels of black, white and gray. The performance of black is not a rigorous sketch performance, but mainly emphasizes the general expression and understands the rhythm of the picture. So it is very necessary to practice montague's hand painting. We must keep practicing, understand the organizational language of the picture, and learn to choose.

Problems needing attention in painting

First, selective painting

Every photo we choose can't be perfect and needs to be re-composed. The most important principle is to choose the visual center and focus of each photo, that is, the theme of the photo itself, and the rest are secondary links, which should be appropriately deleted. Can generalize painting, boldly omit generalization according to the needs of the picture, and make necessary subjective treatment. You don't need any object to cover everything, you need to shift, change things and add scenery according to the picture, all to set off the needs of the theme.

Second, strengthen contrast.

Strengthen the contrast of light and dark changes, make the light brighter, darker and darker, and get through the layers. Strengthen the contrast between the density of the picture, emphasize the difference of the material by expressing the material of the object, and properly density it, so as to truly achieve the state of being sparse and impermeable.

Third, grasp the body.

In montage, we should not only grasp the shape, but also present a clear structure, so that the pen can be in place, and the trend of the pen should also follow the structure of the object to achieve twice the result with half the effort. Don't ignore the thickness and volume of the object, and dig these details patiently, so that the picture can bear looking.

Fourth, the technique of expression

There are many forms of painting according to photos, which are not limited to the relationship between the density of lines to express the picture effect. We can also lighten the color with a pen or render it with rich colors to make the picture more vivid and energetic. In the process of coloring, we should pay attention to go from shallow to deep, go deep at different levels, start from the whole, draw a contrast, highlight the main body and portray it carefully. Finally, the practice of Mongolian drawing is helpful to improve our highly unified generalization ability and predictive control ability of bright, gray and dark pictures, which is helpful for beginners to enter the state quickly and is one of the shortcuts to learn hand drawing.

Six Steps and Skills of Making Hand-painted POP Posters (3)

Gouache is an opaque watercolor pigment, which was used to draw architectural drawings long ago. Because of the strong coverage, painting techniques are easy to master. Here are some techniques for gouache rendering and halo removal.

In architectural drawing, vignetting is the key to express light and shadow. The main difference between gouache and watercolor rendering lies in the way of brushwork and the method of covering. Ordinary brushes are not suitable for large area uniformity. It is necessary to quickly apply a thick gouache pigment on the drawing paper with a small brush and brush it repeatedly. If the area is not large, you can draw the color on the paper with a gouache pen. In the process of dizzy pen, according to the characteristics of different brushes, multiple pens can be used at the same time, achieving good results.

There are several ways to eliminate dizziness with gouache:

(a) direct method or continuous coloring method

This vignetting method mostly adopts small area rendering. This painting method is to directly adjust the pigment, emphasizing the use of brush strokes rather than letting the color flow downwards. Large-scale gouache rendering is to use a small board brush, brush back and forth, and add color to make it appear dizzy. The paper must be kept wet.

(2) Imitate the rendering method of "washing" in ink watercolor.

Gouache is thicker than ink painting and watercolor painting, but as long as the slope of the board is steep, it can slowly flow down the board. So you can use the method of "washing" to render a large area of vignetting. The method is exactly the same as ink painting and watercolor painting. I won't repeat it here.

(3) stippling rendering method

This method is to use a small pen tip to compose a composition, which takes a long time and uses different gouache pigments patiently and carefully to make its layers different. The sky, trees, pools and lawns can all be colored by stippling, and the displayed objects are rich in color and strong in light.

(4) spray plastering method

Spraying is to spray gouache or a special pigment from the nozzle of the spray gun with compressed air to form a granular fog. Before spraying, you need to prepare a carved mask to cover it. Therefore, this method is complicated, time-consuming and troublesome.

In a word, the purpose of architectural performance is to better express the architecture and express the architect's design intention. As for which expression to choose, it depends on everyone's mastery and preference. Architectural expression is only a "description" of the architect's works.

Six steps and skills of making hand-painted POP posters 4

First, compare.

Contrast is the basic stereotyped skill of art design. Comparing two different things, shape and color is called contrast. Such as Fiona Fang, old and new, size, black and white, depth, thickness and so on. Put two obviously opposite elements in the same space, and through design, make them both opposite and harmonious, contradictory and unified, get sharp contrast in strong contrast, and get complementary and satisfying effects.

Second, harmony.

Harmony means harmony. On the premise of meeting the functional requirements, coordinate the combination of shape, color, light and quality of various objects in the room and become a very harmonious and unified whole. Harmony can also be divided into harmony between environment and modeling, harmony of material texture, harmony of color tone, harmony of style and so on. Harmony can make people feel peaceful and satisfied visually and psychologically.

Third, symmetry.

Symmetry is a traditional technique of formal beauty and the earliest law of formal beauty mastered by human beings. Symmetry can be divided into absolute symmetry and relative symmetry. Up and down, left and right symmetry, isomorphism, homochromatic and homogeneous pairs are called absolute symmetry. In the interior design, it is symmetrical. Symmetry gives people the feeling that order, solemnity and neatness are the beauty of harmony.

Fourth, balance.

In life, the golden rooster is independent, and the actor walks a tightrope, which gives people a stable visual art enjoyment from the balance of power, so that people can obtain a psychological balance of vision. Balance is to configure different shapes, components and colors according to the central axis and center point. Compared with the symmetrical form, the balanced form is lively, vivid, harmonious and beautiful.

Fifth, the level.

A decorative composition, to distinguish levels, so that the picture has depth, breadth and richer. If you lack a sense of hierarchy, you will feel mediocre, and interior design should also pursue a sense of spatial hierarchy. For example, the color changes from cold to warm, the lightness from bright to dark, the muscle reasons from complex to simple, the shape from big to small, from square to round, the composition from gathering to scattering, and the muscle reasons from single to diverse can all be regarded as rich changes. Hierarchical changes can achieve extremely rich visual effects.

Sixth, echo.

Echo and shadow go hand in hand. In interior design, ceiling, floor, desktop and other parts will play a corresponding role by adopting echo methods and dealing with the shape. Echo is a kind of balanced formal beauty and a common technique in various arts. Echo also has the theories of "corresponding symmetry" and "relative symmetry". The artistic effect of echo is generally obtained through image correspondence, virtual reality, momentum and other means.

Seven. Continue.

Continuity means continuous extension. People often use the word "image" to refer to the external shape of all objects. If an image moves up and down regularly, it will continue to move from left to right. This continuation technique is used in space, which gives the space a sense of expansion or guidance, and even deepens people's impression of key scenery in the environment.

Eight, concise.

Concise or concise. Refers to the indoor environment without gorgeous decoration and redundant accessories. Reduce interior decoration to a minimum with the principle of less but better. Think that "less is more, simplicity is richness". Simplicity is one of the methods worth advocating in interior design, and it is also a very popular trend in recent years.

Nine, unique.

Unique is also called special. Unique is to break through the original law and stand out from the crowd. In nature, "a little red in the evergreen tree and a piece of green land in the desert" are all unique manifestations. Uniqueness comes from contrast and exists in mutual comparison. In interior design, breakthrough imagination is especially respected to create individuality and characteristics.

X. tone

Color is one of the important factors that constitute plastic arts design. Different colors will make people feel different colors visually. For example, red, orange and yellow have a warm feeling, which is called warm color system, while blue-green has a cool and quiet feeling, which is called cold color system. In interior design, various colors can be used, and there are many colors, which can generally be summarized as "same color, similar color, adjacent color, contrasting color" and so on. , and can be used flexibly according to different environments.