Three billboards outside Ebin, Missouri

The story is wonderful, and everyone has his own obsession.

Life has left scars on everyone. In the magnified chaotic world of hatred and anger, anger is the motivation for the mother to live in the film. The thin body hides a flame that is lit at any time, and the only smile in the whole film locks Oti.

First-class script+bursting acting skills, extremely precise details, tenderness and sadness that can't be hidden in madness and paranoia.

The hero's good and evil are constantly subverted with the turning point again and again. It is in this process of constant subversion and re-subversion that I was suddenly shocked by this unexpected absurdity and irony.

She tried on the edge of evil, hiding her softness in her heart and pinning it on her dead daughter. Her obsession has nowhere to escape, and active confrontation is the only way for her to see hope. Rebelling against the police and fighting back against neighbors, as long as they violate her obsession, have become her opposites. When she became a mother, she became a soldier.

Three red-hot billboards, three people and three letters. It is pitiful for the woman to lose her daughter, but she dares to set fire to the police station. The sheriff looks dignified, but he is like a child in the face of illness. Just like in the police station, the two were tit for tat a second ago, and the director accidentally vomited blood and blurted out "baby". The whole movie is full of such an unexpected and heartbreaking turning point.