Chapter II Law
Rules, the pole of Fiona Fang; The way of heaven and earth, the rules of operation. Everyone knows there are rules, but they don't know the
Chapter II Law
Rules, the pole of Fiona Fang; The way of heaven and earth, the rules of operation. Everyone knows there are rules, but they don't know the meaning of husband rotation. The world binds people to the law. The method of human service in Mongolia, although busy with the method of congenital and acquired, will eventually be unreasonable. Therefore, it is impossible to do the law, but it is also a legal obstacle. The ancient and modern laws cannot be blocked, and the reason for a painting is unknown. Draw clearly, the obstacles are not in front of you, painting can be born from the heart, painting can be born from the heart, and the obstacles are far away. A painter, shaping everything in the world, can't give up pen and ink? Ink is influenced by the weather, dried and moistened, then waved, waved and dyed. In ancient times, people did not aim at law, but if they could not, the world would be infinite. Being a painter is not infinite and limited, and there is no law to limit it. There are no obstacles in the law, and there are no obstacles. The method draws its life, and the obstacle draws its retreat. You don't participate in legal obstacles, but Gan Xuankun's escape is carried out clearly and vividly.
Chapter III Change
The ancients had tools of knowledge. Those who change things know their tools and learn from them. I have never seen my wife since ancient times. People who regret not being familiar with it will also be arrested. Knowledge is limited by appearances, and a gentleman can only borrow the past to open up the present. Again: I can't do it. If you can't do it, you can't do it, but this is the supreme law. Everything has power when it comes to scripture, and there is law when it comes to law. Knowing its classics will change its strength, and knowing its laws will become it. Fu painting, the flexible solution of the world, the essence of mountains and rivers, the influence of ancient and modern creation, the popularization of yin and yang tolerance, and the writing of everything in the world with pen and ink are also mine. People today don't know anything about this, but when they move, they say: So-and-so can stand on its feet. Unlike scenery, it can't last long. A family is clear and can be built. Not as smart as a family, but only enough to entertain people. I work for a family, not for myself. It's no use forcing me to eat the leftovers of a family like a family! Or there is a saying in Yue: Some families are rich in me, and some families are about me. In what portal, in what class, in what comparison, in what effect, in what dyeing, in what enamel, in what situation, I can be ancient, and ancient is me. If it is, knowing the ancient times does not know that there is me. I am me, and I am here. An ancient man could not have been born on my face; The old heart can't enter my stomach. I spontaneously felt my heart and exposed my eyebrows. Even if I meet a family sometimes, it's just me, but it's not me, so it's a family, so naturally I have to give it to me. Why didn't I learn it in ancient times and turn it into something?
Chapter four of honor
Know what you have received, and then know what you have received. Accept it when you know it, or not. People from ancient times to modern times to the Ming Dynasty know what they have accepted and learned through their own knowledge, but there is only one thing they can do. His little knowledge also failed to expand the right to know about a painting. Yi Fu's paintings contain everything. Painting is influenced by ink, ink by pen, pen by wrist and wrist by heart. Such as the creation of heaven and the creation of earth, which is also the reason why it is affected. But it is important for people to respect their suffering, not to give up on themselves, and to get their paintings without binding them. Painted by my husband, we must respect and keep it, use it forcefully, and have no interest at home. Yi said, "Heaven is strong, and gentlemen are constantly striving for self-improvement." That's why I respect it.
Pen and ink Chapter 5
In ancient times, there were people with pen and ink, people with pen and ink, and people with ink and no author. Non-mountains and rivers are limited to a deviation, but human endowment is unpopular. Splashing ink is also spiritual, so is the ink of a pen. Murphy's upbringing is invalid, and his pen is not life. Being able to be influenced by the spirit and not knowing the God of life is pen-less ink. Being able to accept the God of life without changing the spirit of being nurtured is a pen without ink. Everything in the mountains and rivers is concrete, with opposites, sides, convergence and divergence, proximity and distance, inside and outside, emptiness and reality, discontinuity and connection, layering, detachment, richness and vagueness. This is the grand ending of life. Therefore, the recommendation of everything in the mountains and rivers is people-oriented, and people have the right to survive. If not, how can we make the pen and ink have bones, be useful in opening and closing, be tangible and powerful, arch and stand upright, squat and jump, lurk, soar into the sky, be majestic, rugged and steep.
Wrist badge number six
Or: painting spectrum and training, chapter invention, pen and ink, fine everywhere. Since ancient times, there has never been love between mountains and seas. If you want to be a big boy, your sex score is too high. You should legislate in the world and disdain to start from the shallow side. It's different, too. Be swayed by considerations of gain and loss, and get close to it. Knowledge is close at hand, and service is far away. A painter, painting and calligraphy are also shallow. Those who change the painting also use the simple method of pen and ink. Mountains and the sea, a high mountain and a valley are shallow and close to Zhangben. His feelings, Wei's shallowness. If you know Yu Fang's knowledge, you will have a Yu Fang. For example, there are mountains and peaks in the square corner, and the Sri Lankan people also have a mountain, and they have always painted a peak. It's a mountain and a peak. Turn off the bottle and carve it in the hands of the Sri Lankan. Can't it? Moreover, the situation remains the same, we only know the fur of cymbals; The painting method remains unchanged, only knowing the rigidity of the situation; If you don't get a good education, you will only know the knots of mountains and rivers, but the mountains will not be prepared, and you will only know the emptiness of Zhang Ben. If you want to change these four things, you must first start with your wrist. Wrist Xu Ruo spirit, painting can be folded; I'm not stupid when my pen is broken. In fact, the wrist is deep and penetrating, and the wrist is empty and dancing melody. The wrist is straight and hidden, and the wrist is inclined to the extreme. Manipulate when your wrist is sick, and be affectionate when your wrist is late. It's natural to change your wrist, but strange to change your wrist. Wrist wonder is magical, and wrist god recommends it.
Chapter VII
Pen and ink meet for slapping. It is for the sake of chaos that we are indistinguishable from each other. Whoever creates chaos will give up a painting! Painting is spiritual in the mountains, moving in the water, living in the forest, and escaping in people. It is wise to get the brush and ink, to understand the difference between slapping and slapping, to make trouble, to go all over the world and become a family. No carving, no rot, no mud, no involvement, no divorce, no unreasonable troubles. In the ink sea, the spirit is firm. Life is decided by the pen, hair and bones are removed from the ruler, and light is released in chaos. Even if I don't write, ink or draw, I'm here. Cover with ink, not ink; Fuck my husband's pen, not a pen; Remove the husband's fetus, not the fetus. From one to ten thousand, from ten thousand to rule one. If one thing is transformed into another, the world can do anything.
Shan chuan Zhang ba
It is also the nature of mountains and rivers that has done the theory of Kun. Those who get the brush and ink also decorate mountains and rivers. It is dangerous to know its decoration but not its reason. Knowing that its nature is illegal, its law is powerless. Therefore, the ancients knew the danger and must gain something. When there is an unknown, everything is blocked. If you know nothing, everything is in harmony. The principle of painting is the method of writing, but so is the quality and decoration of heaven and earth. Mountains and rivers are also beautiful. The wind and rain are gloomy, and the mountains and rivers are meteorological; The density is far-reaching, and the path of mountains and rivers is also; Vertical and horizontal throughput, the rhythm of mountains and rivers; Yin of Yin and Yang, the concentration of mountains and rivers; Water clouds gather and disperse, and mountains and rivers are also connected; Squat down and jump on your back and the mountains and rivers will hide. The wise have the right to heaven; Rich and generous, there is plenty of land. During the storm, the sky is bound by mountains and rivers; Water and stone, the earth jumps over mountains and rivers. It is not the balance between heaven and earth that can change the mountain river accident. Although bound by the storm, we can't wait for the nine districts to be the same model; Although the water and rocks jump, we can't ignore the situation of mountains and rivers. And the mountains and rivers are vast, including Li, Wan Li and Luo Feng. At a glance, Fei Xian may not be able to cope with it, but judging from a painting, he can practice in heaven. Measure the potential of mountains and rivers, measure the breadth of the earth, judge the density of peaks and mountains, and know the obscurity of clouds and smoke. Being thousands of miles away, evil is heavy, which belongs to the balance of heaven and earth. Heaven has power and can become the spirit of mountains and rivers; There are scales in the ground, which can carry the veins of mountains and rivers. What I have is a painting that can penetrate the shape of mountains and rivers and the gods. Fifty years ago, this was not born out of mountains and rivers, nor did it spoil their mountains and rivers, but made them selfish and let them come to mountains and rivers. Mountains and rivers come from giving, and giving comes from mountains and rivers. Looking for a strange peak and writing, mountains and rivers meet with gods and trace. Therefore, this is ultimately due to Dida.
Chapter 9 of the law
What is a pen to you? It opens a new face. If a mountain is shaped like a million things, its open face is not one end. Everyone knows it, but it's humiliating. Even so, what's in the mountains? Or stone or soil, only write its stone and soil, this angle is also awkward, not mountains and rivers. If mountains and rivers have their own ridges, there are peaks with different names, strange faces and different shapes, so the ridges are different. There are cirrus chopping, axe chopping, Pima chopping, Jie Suocun chopping, ghost chopping, skull chopping, firewood chopping, sesame chopping, resplendent chopping, bomb nest chopping and alum chopping. It must be due to the difference of peak body, the peak surface is born, the peak is combined with phlegm, and phlegm is born from the peak. Peaks can't transform, they can shape, and they can make sounds. It is impossible to know how the peak changes or how it appears. The change and invariability of the peak lies in the presence or absence of the peak. Famous, there are peaks. Such as Tianzhu Peak, Xingxing Peak, Lotus Peak, Renxian Peak, Wulao Peak, Qixian Peak, Yuntai Mountain, Tianma Peak, Lion Peak, Emei Peak, Langya Peak, Jinlun Peak, Luxiang Peak, Xiaohua Peak, Pilian Peak and Yan Hui Peak. Even the peak is in its shape and its face is open. However, why do you want to have a peak view when you transport ink and pens? As soon as a painting falls off the paper, many paintings follow, one reason is talented, and many reasons pay for it. It makes sense to judge the coming and going of a painting. The feelings of mountains and rivers can be determined, and the laws of ancient and modern times are different. The landscape of mountains and rivers is painting, which is bred in ink. The life of ink is operation, and the function of operation is holding. Good at sports, solid internal and external space, because the principle of one painting should be all-round, so there is no paradox. There are also empty inside and solid outside, and because of the transformation of law, without thinking, the shape has existed but not included. Therefore, the ancients were moderate in reality and reality, both inside and outside, and their paintings were well prepared and flawless. The spirit being nurtured and the God being used are regular, positive, ambiguous and biased. If the husband's face is covered with dust and obstacles, there is no hatred for the creator!
Chapter ten of the kingdom
It is divided into three floors in Xinjiang, as if the landscape has been lost. But there are also those who do not suffer, such as those who naturally divide Xinjiang, those who go to Wujiang, and those who cross mountains and mountains. Every time I write about mountains and rivers, I have no life. I will know it when I see it. Three stacks of people, one floor of land, two floors of trees and three floors of mountains, look at the distance and write this three-fold Xi wing seal. In the two sections, the scenery is below, the mountains are above, and the customs are in the middle, which is clearly divided into two sections. To this end, we must first exchange needed goods, and we should not stick to the division of Xinjiang. You have to suddenly act on your hands to see the brushwork. That is, there are thousands of peaks and valleys, and there is no common trace. Because of this, if the three are confused, it doesn't matter, and it won't hinder you.
Chapter 11 Road
There are six ways to write a painting: the scenery is not right for the mountain, the scenery is not right for the mountain, the scenery is reversed, the scenery is borrowed, cut and steep. These six items must be determined. The scenery is not straight, the mountain looks like winter, the scenery is like spring, and it is not straight. Trees are as simple as winter and mountains as simple as spring, which is not good for mountains. If the tree falls, the stone falls, the stone falls, the tree falls, and all the scenery falls. Such as empty mountains, no ecology, sparse willows and tender bamboo, bridge grass pavilion, is also a scene. Cut off people, no vulgarity, landscape trees, cut off the head and tail, pens and pens everywhere, all cut off. The method of truncation is not the loosest pen, so it can't get in. Steep people can't get there, and they can't get in. Such as islands, mountains and Bohai Sea, Penglai square pot, which is not inhabited by immortals, is also measured by the world and steep. If the painting is steep, it is only on the steep peaks and cliffs. You must see that this pen is great.
Chapter XII Forests and Grassland
The ancients wrote trees, or three, five, nine, and ten. Anyway, they looked different and vivid. The way I write Cooper Cooper, such as three or five plants, is like a hero dancing, pitching and squatting, stumbling, hard or soft, mostly written on stones. Five fingers, four fingers, three fingers, all turn with their wrists, stretch with their elbows, and unite into a force. The pen is extremely heavy, but it must be held on paper to get rid of anger. So it is thick or light, empty and spiritual, empty and wonderful. The same is true of mountains, and the rest are not enough. It's not necessary to eat spicy food raw if you want to break it.
Haitao Chapter 13
There are rapids in the sea and lurks in the mountains. The sea has a throughput, and the mountain has an arch. The sea can recommend the spirit, and the mountain can transport the pulse. There are many mountains, deep valleys and steep cliffs, and the smoke is exposed. The arrival of smoke clouds is like the torrent of the sea and the throughput of the sea. This is not the recommendation of the sea, but the mountain itself is in the sea. The sea can also pose as a mountain, and the non-mountain poses as a sea. Mountains and seas confuse the real with the fake, but people also have visual people. Such as Yingzhou Yuen Long, Weak Water Penglai and Xuanpu Square Pot. Even if the chess is scattered, it can be inferred from Long Mai. If you get from the sea, you lose from the mountain, you get from the mountain, you lose from the sea, this is also a mistake. I suffer, the mountain is the sea, and the sea is the mountain. I know from the mountains and seas that all the hardships I have suffered are in people's romantic love.
Four Seasons Chapter 14
When writing four-point scenery, the flavor is different, rain or shine is uncertain, so we should judge the situation. The ancients attached great importance to poetry. Spring said, "Where sand and grass grow, water and clouds grow." He said that in summer, "the ground under the tree is often cool, and the wind by the water is the coolest." In autumn, he said, "Look at that cold city. Peace and Chu are just plains." In winter, he said, "pen first, cold ink in the pool is more round." There are also those whose winter is out of season. Their poems say, "It's not cold in snow, and the years have been lengthened recently." Although there seems to be no chill in winter, there is also a poem that says: "It is easy to dawn in the twilight, and it is snowy and rainy." On painting with two poems, "lack of cold" and "adding length" are easy to understand, and "snow" is copied. Not only in winter, but also at three o'clock, each has its own instructions. There are also people who are half sunny and half cloudy, such as "a cloud and a bright moon are dark, and it is sunny when it rains." There are also people who seem sunny and cloudy. "Don't worry about the sunset, the sky is light and the clouds are light." Give a poem, thinking that painting is not timely. Clouds are everywhere and change at any time. It can be seen that painting is what poetry likes, and poetry is not Zen in painting.
Far dust Chapter 15
Man-made things are covered, but they come into contact with dust. If people make things happen, their hearts will be bitter. Self-destruction with painting, self-restraint with pen and ink. This game will hurt people, but it is useless and will eventually offend people. I cover things with things, and dust meets dust, so my heart is ineffective, so I have paintings. Painting is owned by people, and a painter is unprecedented. Husband's painting is expensive. If you want to write one thing, it will be subtle and unpredictable if you draw quickly. I think the ancients may not have said this sentence, but it is particularly profound.
Free from vulgarity Chapter 16
Fools and ordinary people know the same thing. Ignorance is wisdom; It will be clear when it is vulgar. Vulgarity is due to ignorance, and stupidity is due to ignorance. Therefore, people can't help but reach out and be unknown. Achievement is changing, and understanding is also changing. The sick are invisible, while the shapeless are invisible. If the ink does, the pen does nothing. Rulers are in charge of all things in the world. If they are light-hearted, they will be wise and foolish, while vulgarity will be bright.
Part-time Chapter 17
Ink can cultivate the shape of mountains and rivers, and pen can subvert the trend of mountains and rivers, which cannot be limited. Ancient and modern figures are well known. Will make Mohai ambitious, brush mountain control, and then widely used. Therefore, the face of octupole, the change of nine soils, the respect of five mountains, the width of the four seas, nothing outside, nothing inside. There is no law enforcement in the world, and there is no law enforcement in heaven. It is obvious not only in painting, but also in writing. Characters and painters have two ends, and their functions are integrated. A painter has a foundation in painting and calligraphy. Calligraphy and painting, the right to paint the day after tomorrow. Those who know the classics and forget the source of painting are lost to future generations. He who knows the past and the present, but forgets that merit is not in people, also loses his talent from everything. Heaven can teach people the law, not merit. God can teach people to draw, but not to change. People can either abandon the law or change things. Not in people, but in nature. Although there are calligraphy and paintings, they will not be scattered. Heaven teaches people because they can teach, and they also know a lot and teach a little. Therefore, ancient and modern calligraphy and painting are naturally perfect. God-given people, who know more but know less, all have the method of painting and calligraphy, and those who are wide are also. So, I have a theory of these two words.
Title Chapter 18
The ancients put their interest in pen and ink, but pretended to be mountains and rivers. Don't change, adapt, and govern by doing nothing. Being famous for not being dazzling, because of the merits of being nurtured, the practice of life is carried around the world and influenced by the quality of mountains and rivers. If you look at it with ink, you will be edified. If you look with a pen, you will be subject to life. If you look at the mountains and rivers, you will be pregnant. If you look with a brush, you will be influenced by painting. Looking at the sea is subject to heaven and earth. Judging from the depression class, I will accept my fate soon. If you take it lightly, you will be responsible for it. Looking at it with one painting, it is subject to ten thousand paintings. If you look at it with your wrists empty, you stand out from the crowd. If anyone is appointed, he must be appointed before he can apply it to the pen. If you don't invest, you will be shallow and humble, and you will do whatever you want. The fate of heaven is endless in the mountains. The mountain is suitable, the spirit of the mountain is also in God, the change of the mountain is also changing, the benevolence of the mountain is also in benevolence, the vertical and horizontal direction of the mountain is also moving, the lurking of the mountain is also quiet, the arch of the mountain is also in ceremony, the ring of the mountain is also in harmony, the virtual spirit of the mountain is also in wisdom, the pure show of the mountain is also in writing, and the squatting and jumping of the mountain is also in force. This mountain is made by heaven, and that mountain is made by heaven. People can be appointed by heaven, not by mountains. It can be inferred from this that the mountain can remain as it is and cannot be moved as it is. Therefore, the benevolent does not move benevolence, and Leshan also. The mountain is responsible, but the water is not? Water is not inaction, no responsibility. The husband Wang Yang, Guang Ze Ye, Xian Ye, humble courtesy, righteousness, endless tide, courage, law, used for leveling, surplus, kindness, east and stability. Those waters that meet between Ying Chao and Bohai Sea, if they don't do this, how can they surround the mountains and rivers of the world and connect the blood of the world? Those who stay in the mountains and are not in the water are still immersed in the sea and do not know their shore or their sea. It is an old friend who knows his shore and dies on the river, listening to his source and enjoying his water. Without the responsibility of the mountain, we can't see the vastness of the world; Without water, it is not enough to see the world. If it is not a mountain, it is not enough to look at the flow around it; Ren Shan without water is not surrounded by sight. Where there are no mountains and rivers, there is no reason to flow around. If you can't surround yourself with the traffic around you, your life will be very bad. If there is exercise in raising life, then there is a reason for the flow around. There is a reason for the surrounding flow, and the mountains and rivers are closed. We are allowed to make a landscape, even if it is not wide; If you are not in the mountains, let it be. It's quiet. If there is no water, let it move. If you are not in ancient times, you will let it be barren; If you are not here today, you can make it clear. Therefore, ancient and modern times are not chaotic, and pen and ink last forever. Because of its harmony, it is only a matter of time. But this incumbent sincerely put forward the principle of being a man, with one being ten thousand and one being ten thousand. Not for mountains, not for water, not for ink, not for ancient and modern times, not for saints, not for wealth.
Over the mountains
Zhao Yi, the grandson of Song Wang, is a vegetarian, and his paintings are always wonderful. Quality is not important to painting, but painting is good for quality. Wu Song, who lives in seclusion in Chenguang Town, has no interest beyond mountains and rivers, no sustenance beyond poetry and wine, and no ignorance beyond old age. Loneliness and purity are like dragons in clouds and cranes in clouds. Stay away from them. Today's great polyester, not yesterday's Zhai Yi? People are the same, their movements are the same, and their shoes are no different. After Gai Yi lent, a Zhai Yi will be restored. Hundreds of years later, you can inherit the incense emblem and live in seclusion. Two gentlemen's hidden virtues, I know that the hungry man in Xishan is of course an ear. And its vast and graceful mind, one in the pen and ink, the so-called high quality, rhyme is better than itself. My views on Didazi's painting theory are mysterious and profound, and only express my thoughts. Wennai is of primitive simplicity and has no clue. Straight is a son, and there is no lack of understanding in the sea. When you don't take the rest of the words as river people.
In the sixth year of Yongzheng, Wu Shen, in autumn and July, Yuan wrote an afterword "Fear of the Luhe River".
X
Login ... E-mail:
Password: I forgot my password.
Remember me on this computer.
& gt has not been registered. ...