Xiao Tuan Tuan is a lovely female anchor, and she rarely shows her face when she broadcasts live. Although she is really good-looking, she usually doesn't open the camera because of the style of live broadcast, but sometimes she wears a mask to communicate with fans in order to better interact with them. In a recent live performance, a small group accidentally took off her mask, so her face was exposed to fans. She expressed the hope that fans would not take screenshots. In fact, she is a very lovely girl.

At the beginning, she was an appearance anchor, but her popularity was not particularly high. She has been confused in this industry for some time, so she wants to give up. When a small group was ready to do other work, her leg was broken because of an accident and she could never return to the live broadcast industry. Moreover, the content of her live broadcast has also changed, from the initial live singing to the live competition.

The same platform, a small group and a good partner are all Chen's dead dogs. They were not very enthusiastic at first, but they always supported each other. Up to now, both of them are very hot, so they are the people who accompany each other out of the trough. Although the popularity is still very high, a small group rarely shows its face. Although she is really beautiful, she doesn't want to win more popularity with this stunt.

Many people attacked her on the grounds that she didn't show her face, and there was a rollover incident of Joe Robbie before, so many people privately thought Tuan Tuan was a tank. Such an attack can be said to be very bad for a girl, but a small group never cares about such a statement. On the contrary, the first time she turned on the camera, it was also for the live broadcast of goods in Wuhan. Such a girl really deserves everyone's love, so her success is taken for granted.

It is not uncommon to analyze the allusions of cross talk "jumping the door" in history. What other rules are there in modern times?

Crosstalk is a very interesting industry. On the one hand, they emphasize the importance of learning from teachers and pay attention to respecting teachers. On the other hand, they are also very popular with informal apprentices such as "Della's brother". It's been half a century since Master passed away, and there are still new disciples under his name. Like Li De and Zhang Shouchen, their masters Enxu and Jiao Dehai are not short of apprentices.

On the one hand, the crosstalk industry pays attention to the importance of mentoring, and there is also a saying that disciples have to put on a big banquet. On the other hand, the disciples of the Oral Union and the goalkeeper also accepted it correctly. Placing knowledge has become a decoration, and there are more people in the cross talk industry who don't know than who know.

Therefore, the majority of crosstalk enthusiasts do not have to be too rigid about the so-called rules of the crosstalk industry. Take the teacher in Yang Shaohua as an example. Those who question his teacher are all netizens, and the cross talk industry is basically recognized. Yang Yi doesn't even have a tutor. It is different from attending the cross talk industry conference and giving an impassioned speech.

Today I want to talk about another cross talk industry rule. You don't have to take it too seriously, that is, "jumping out of the door", that is, an apprentice jumps out of the master's door and becomes an apprentice in other industries.

Now many netizens are particularly sensitive to the word "jumping the door". They jump as soon as they say it, as if it were a minefield. In fact, the so-called "jumping the door" is not the same as bullying the teacher and destroying the ancestors. This is a normal phenomenon that has always existed in the cross talk industry. Although tripping is not encouraged in the industry, it is generally the default and acquiescence to the events that have happened.

In the history of cross talk, "jumping the door" is not frequent, but it can often be seen. Ma and Hou, three recognized crosstalk masters, said that their disciples all jumped out of this door.

Disciples of Zhu, Kang and Mu Xianglin used to have masters. Later, they went to Tianjin to develop. It is very important to find a good backer to make a living in Tianjin. Therefore, Zhu and all of them jumped out and did not cause any waves in the industry. After all, everyone knows how difficult it is to make a living.

Ma is an apprentice, Ban Degui is a master, and, and, all are touts. He jumped the door, too. The original owners were: Ban Degui's stage names were Ban Songxia and Ma's Ban Xiaoxiao. Moreover, Ban Degui belongs to the demotion jump door. He used to live a long life, but after worshipping horses, he became a treasure again.

Shi is a close disciple of Hou. He studied under Zhu when he was young, and became attached to Hou after becoming famous. Of course, Hou is also a little taboo about the word "jumping the door". He deliberately inquired about the attitude of his peers and finally accepted it. After Shi jumped out of the door, he was still thinking about Zhu Lai. He always said that he had two masters.

Other famous artists, such as Wang Shichen, jumped off a building, while Liu Baorui was suspected of jumping off a building, because even his daughter didn't know whether Liu Baorui had formally studied stand-up comedy with Chong Shoufeng.

Therefore, in the history of cross talk, jumping the door is not a heinous act, and there is no charge of deceiving the teacher and destroying the ancestors. As long as there is no big objection from peers (generally no objection), it is normal to tacitly but not advocate jumping the queue.

Degang Guo's door jump caused controversy, not because of it. When he danced in 2004, he had no movement in the phonological world. Later, he caused controversy in 2006. At that time, he wrote an article attacking Yang Zhigang on his blog, which aggravated the contradiction and then caused the so-called jumping controversy. Without the lawsuit in 2006, the job-hopping of Shi, Ban Degui, Zhu and others has already become an established fact in the industry, and has not caused any waves.

Someone has been asking this question on the Internet, saying, "Degang Guo went to Beijing without learning from others. Why doesn't he learn from Zhang Wenshun and Fan Zhenyu, who have a good relationship with his teachers? "

This question is very interesting, but it is not difficult to answer. Of course, this is not because Hou and Shangbeizi were destined to wait for each other.

First of all, Degang Guo had a tutor when he came to Beijing. When he went out, he met his companions and told them all about Bai Quanfu's disciples. Because Bai Quanfu was born in Beijing, the eight strange clouds of Tianqiao two generations belong to their White House. He Hou is a friend of life and death and a lifelong companion of Chang Baoting. So he is well-known and well-connected in Beijing, and no one bullies him because he has to face his family. Besides, he is a tramp. Why bully him? Lang Gankun, a society ruled by law, cannot talk nonsense.

as soon as...

Because there were teachers in Degang Guo at that time, there was no need to learn from Zhang Wenshun and Fan Zhenyu, and there was no better relationship with Jin Wensheng. You should know that Zhang Wenshun, Fan Zhenyu and Jin Wensheng are not ordinary people. Zhang Wenshun's master is (or Guo Qiru's), Fan Zhenyu's master is Ma, and Jin Wensheng's master is Wang Fengshan. It is not painful for Degang Guo to worship them. He doesn't worship because he has a teacher.

Many people say that they later jumped to seek asylum, which is not accurate. Don't forget that his new teacher was June 5438 +2004 10. Before this, Deyun Society became a climate, not only moved to Tianqiao Music, but also sold out.

The fundamental reason is that many people ignore the truth hidden behind the frequent door-jumping incidents in the cross talk industry in those years, that is, joining the Quyi Troupe.

At that time, there were several famous folk art groups in Beijing. Besides the rap group of China Central Radio, Beijing Folk Art Troupe, Railway Art Troupe and Coal Art Troupe are all very good. I don't know when it started. These Quyi troupes have an unwritten rule that if they want to join Quyi troupes, they must learn from the pillars of the troupes.

For example, Degang Guo wanted to join the Beijing Quyi Troupe, and the Quyi Troupe asked him to learn from Li Jindou, and Degang Guo agreed. But then it went away, and Degang Guo didn't become Li Jindou.

In fact, if Degang Guo learns from Li Jindou, it will be the same as Ban Degui's demotion, but compared with joining the Beijing Quyi Troupe, it is still worthwhile, and the industry also acquiesces.

For example, Ying Ning, Zhao Xiaolin's apprentice, wants to join the Coal Art Troupe and let him learn from Wang Qianxiang in the regiment, which also belongs to demotion and jumping out of the door. Zhao Xiaolin and Ma have no objection at all for their future. So Ying Ning stepped down and jumped out of the door.

And the strange story that we are familiar with. In 2000, in order to join the Railway Art Troupe, Hou, the head of the rap troupe of the Railway Art Troupe, also jumped down from Nagato.

Therefore, the main purpose of following Hou Xueyi is to join the railway art troupe, which is a necessary procedure for joining the league, and such a way of jumping the door is acquiesced by the industry. You know, in those days, Qizhi's fame was far greater than Degang Guo's, and he didn't mind being demoted to the entry industry. In addition, Degang Guo was just a nobody, or a noble. Of course, there is no opinion in the industry.

Later, Degang Guo naturally became a signing actor of the Railway Art Troupe, and followed the Railway Art Troupe to perform everywhere. In March 2006, Hou announced that he had signed a contract with the Railway Art Troupe for one and a half years, which will be formally incorporated in the near future. From this sentence, we can know that as soon as Hou became an apprentice, he signed the railway art troupe, which is also the origin of what he said in cross talk, "I will go to the railway if I don't leave me anywhere." Only later, due to the withdrawal of CCTV competition and the subsequent death, did not formally join the formation of the railway art troupe.

In recent years, Quyi Troupe is no longer the pie of the year. On the contrary, some private crosstalk clubs, such as Deyun Club, have flourished, so some crosstalk artists have jumped out of this door for their own future. For example, Li Lishan's original apprentice Li Gen was banished to Degang Guo and became Li Yuntian. Li Lishan is not opposed to this, after all, for the sake of the future of the apprentice. Moreover, the crosstalk industry has not caused any criticism.

In addition, in order to gain a foothold in the railway art troupe, Deyun Society took the initiative to jump from the living master to the late Hou, and this operation was also acquiesced by the industry. Also, for example, Li Wei, a disciple, became a Degang Guo dancer, and Sun Yue danced because of the divorce of Ma. , all happened in recent years, there is no dispute.

Therefore, the so-called jumping door and waiting for jumping door are trivial matters in the industry. The purpose is to join the railway art troupe, which was also an open secret that year. It's meaningless to argue about whether there is a jump at the door and who denies it first. This is already a recognized fact in the industry. The key point is that this kind of door jump is also acquiesced in the industry. Later, it was not the jump, but a lawsuit.

Jumping doors, there used to be, there is now, and there will be more in the future. This is not a shameful thing. Some netizens should not fight for such a trivial matter.

YP means "hard disk", which means "external disk" in Shanghai dialect. Nowadays, it is generally used to describe foreigners. The latest explanation of "hard disk" comes from the "Tuan Tuan Men" incident of Shanghai Radio Station Xiaojun. In this incident, Xiaojun, the radio anchor, interpreted "hard disk" as a foreigner who could not integrate into Shanghai's social life normally because of his own lack of efforts or ability. Especially those foreigners who can't adapt to life in Shanghai and are still scolding Shanghai.