In the early days of Xiao Qiang's debut, Xiao Qiang always played a pure beauty in Taiwanese dramas, among which ancient costumes were particularly amazing. Wang Lvping, a sensitive and fragile "sick beauty" in A Curtain of Dreams (96th Edition) and Lin Shiyin, an incomparable Bai Yueguang in Xiao Li Flying Knife, became the most representative figures in Xiao Qiang. Small and exquisite facial features and fair skin, with a little coquetry between eyebrows and eyes, make you feel poor when you cry.
With the growth of age, her image in film and television dramas has gradually changed from a pure beauty to a sexy woman. At the same time of style change, Xiao Qiang's appearance has gradually become enchanting. The original small and full face, under the accumulation of fillers, becomes very unnatural swelling. The eye distance has been narrowed again and again, and the slightly inclined lips and heavy makeup make people afraid to recognize each other. Xiao Qiang, who has always had a strong obsession with beauty, is now out of shape, which really makes people sigh.
Irene Wan 198 1 year, Irene Wan, who was still studying, was discovered and made his first film, Lonely Fifteen. At the same time, she was nominated for the Oscar for Best Newcomer Award for this film. At that time, Irene Wan's face was still full of baby fat, but she had already begun to look beautiful.
10 years later, Irene Wan became a fashionable and beautiful urban woman in the movie Wild Fairy Tales. Black hair, shining eyes, concave and convex figure, Irene Wan gestures are all amorous feelings.
Irene Wan's most impressive role is Su Daji in the 0 1 version of the list of gods. This charming legend, played by Irene Wan, is even more beautiful.
Shortly after starring in "The List of Gods", Irene Wan entered the marriage hall with wealthy businessman He Zuguang, and then faded out of the entertainment circle. Back on the screen, the audience found that Irene Wan had changed.
In addition to the rhinoplasty surgery that she has already checked in, there is unnatural edema on her face. With the blessing of heavy make-up, the eyes have become very different from before, losing their agility and brilliance. But after middle age, Irene Wan's wardrobe changed its early intellectual temperament into a more gentle style. In those days, the style beauty tried to seize the youth that she couldn't stay, but lost herself.
Liu Xiaoqing Liu Xiaoqing has played the role of Cixi in film and television works for many times. Cixi, played by her, is beautiful and biting, and can be called the originator of the film and television drama "Beauty and Disaster". Every movement has a shrewd beauty and a solemn atmosphere of a country's mother. At that time, Liu Xiaoqing was the idol of the whole country.
Subsequently, the beautiful image left by Liu Xiaoqing in the TV series "Wu Zetian" is unforgettable. At that time, 40-year-old Liu Xiaoqing would still persuade the audience to play 14-year-old girl Wu Zetian. If the eyebrows are far away, the eyes are like a god, and the little face is always full of affection, which is a kind of innocence and shyness of a girl.
I have to say that Liu Xiaoqing used to be a frozen beauty. But she always believed in this until she was 60 years old, and when she wanted to play a girl in a TV series, she was ridiculed. Since then, we can see that Liu Xiaoqing's appearance has changed a lot. It's not collagen, it's an unnatural filler, the facial features become tight and strange, and the lips also have traces of medical beauty.
Not long ago, Liu Xiaoqing posted a short video on social platforms, which shocked everyone. Some netizens sneered, "It's like wearing a human skin mask."
Conclusion These female stars were absolute beauties when they were young, each with its own dazzling features. But maybe that sentence came true, "The more beautiful a woman is, the less she can accept that she is old." Therefore, at the most beautiful moment, they try to keep their looks.
No matter how advanced the technology is, it can't match the erosion of time. After all, youth cannot be sandwiched between four seasons. Sometimes the more you want to go against the sky, the more you want to stay beautiful, but the effect is counterproductive.