Song Huizong's calligraphy strokes are thin and hard. He studied under Huang Tingjian at first, then under Chu Suiliang, Xue Ji and Xue Yao, and mixed with other schools to learn from each other's strong points and express their opinions, and finally created a unique "thin gold book" style, which had great influence.
Calligraphy in Song Dynasty is good at rhyme and interest, and Evonne's "The Book of Thin Gold" embodies similar aesthetic interest of the times, which is called "the beauty of heaven and bones is beautiful, and the interest is dull"; It also has a strong personality color, the so-called "such as bending iron and breaking gold." ?
This calligraphy style has never appeared in previous calligraphy works. Chu Suiliang's fine brushwork is only a small part of the same, but most of them are different. Compared with Xue Yao's ci in Tang Dynasty, it is the closest.
Perhaps Evonne came from Xue Yao's poem Shi Li, but his writing is obviously much more mature than Xue Yao's. This is a very mature calligraphy style, and Evonne gave full play to its artistic personality.
This kind of thin, crisp and elegant calligraphy style, with a side like orchid bamboo, requires extremely high calligraphy skill and self-restraint, as well as a calm mind to complete. Of course, it is not easy for others to imitate. There are many descendants who learn from his books, but few who get his bone marrow are like the morning star.
Jin Zhangzong once wrote the famous calligraphy and painting of Song Dynasty in Ming Chang Neifu, like You Chuntu, the wife of Zhang Xuan, which was copied, with delicate brushwork and poor form and quality.
Extended data:
Representative works of hand strength style:
1, "thousands of words in regular script"
At the age of twenty-three, Evonne wrote "Thousand-Character Works" to Minister Tong Guan. At this time, the thin gold pen has begun to take shape. His pen originated from Chu and Xue, and it was written in detail. The closing gesture was written in Huang Tingjian's big script, which was very imposing.
This set of Qian Zi Wen is 44.6 cm long and 19.8 cm wide, with four lines in each line and 25 pages of * *. The cover is Qian Zi Wen in regular script, with one page inscribed by Guo Moruo and 28 pages of * *.
2. "house stone"
This big and thin gold book is a silk book, with 20 lines and two words in each line, totaling 40 words. His writing style is unique, thin and hard, rich in elegant demeanour, and his silver hook and iron paintings are heroic, which shows the calligrapher's profound artistic foundation. This work is 27.7 cm long and 340 cm wide.
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