Some female writers' creations also show obvious lyrical characteristics and increasingly obvious female consciousness. More prominent are Zhang Jie, Wang,,,, and so on. In 1980s, Jason's prose collection "The Shepherd, the Shepherd, the Shepherd, the Shepherd, the Shepherd, the Shepherd, the Shepherd, the Shepherd's Sheep" The complex mentality of women's consciousness recovery is manifested in such texts as Tangible and Invisible, No Time to Worry, What Have I Lost and People Who Can't Write Autobiography. Thaung Myint's Flowers for Girls uses daffodils to predict whether to have a boy or a girl as an emotional carrier, and expresses the delicate feelings as a woman in a gentle way. Women writers in the 1990s paid little attention to and thought about life, society and history, and tended to dig poetry from subtle daily life and express their delicate feelings. At the same time, the "new prose" represented by Liu Yeyuan, Zhang, Black Sea and Zhou Peihong (also known as "misty poetry prose" and "four unlike prose") is completely open to emotion and subconscious, leading the whole text with positive emotion and amorphous stream of consciousness, showing artistic exploration and innovation. With the beginning of Huawei, a group of young people in their twenties, such as Hu Wang, have been called "new generation" writers by the prose circle, which is remarkable for its pioneering and experimental nature.