You said the meeting was empty talk, after we didn't see its trace; Wake up in the oblique moonlight upstairs and listen to Xiao Zhong Chuming.
The dream in the wound is far from being called; When I woke up, I began to write a letter.
The layering of residual jade is hazy; Musk smoked through the tulle, soft.
But what I can't reach is the magic mountain. You are over there, beyond Wanfeng.
The wind in the east wind, the rain in the wind, the rain in the wind, the sound of light thunder came from the other side outside the lotus pond.
There is also a locked golden toad incense burner. Cigarettes are elegantly wrapped, like pulleys in a jade pot, and the traction rope is pumped into the well water.
Wang Wei dreamed that she was a beautiful young girl. Wang Wei had a pillow dream and wrote a poem.
Never mind the flowers, even this bright flame of love, is it only ashes? .
It's late spring, and the night is temporarily dry.
The sound of the building will be timid and the curtain will be difficult to dry.
I am ashamed to be in the swallow, and I am ashamed to be in the mirror.
Back to the small pond, Huaxing sent a treasure saddle.
Where is mourning Zheng? Sakura Lane hangs on the bank of Yangpan.
Will the old woman in the master get married? It will be March and a half during the day.
Princess Liyang is fourteen years old, and Tomb-Sweeping Day looks at the same wall.
When Fang Zhan turned to the fifth watch, Liang Yanzi heard a sigh.
To annotate ...
According to legend, Liulang, Emperor Yongping of the Eastern Han Dynasty lived for five years. Liu Chen and Ruanzhao went into the mountains to collect herbs, but they couldn't get out. When I meet two women, I invite them to live at home for half a year and then pay them back. Later generations used this as a metaphor for an affair.
Pengshan and Penglai Mountain refer to fairyland in general.
Han Shou, a native of Jin Dynasty, was a subordinate of Sikong Jia Chong. Every time at home, Jia's daughter peeks from the pane, sees that she is beautiful and loves her, and has an affair. After she found out, she celebrated her birthday.
Fu Fei left a pillow: Cao Zhi's Preface to the Ode to Luoshen: "For three years, he was the capital of the dynasty and returned to Luochuan. The ancients said that the name of water god was Fu Fei. I felt Song Yu's concern for the goddess Chu and wrote a poem. " When I was planting waterinfo, I suddenly saw a woman coming to give me a pillow. Rich legendary daughter.
Li Shangyin's "untitled poems" are mostly vague and vague, and their expressions are implicit and euphemistic, so they are vague and uncertain, and there are different opinions about Li Shangyin's "untitled poems". For example, this poem "Untitled Poetry" is considered by some as a political poem, while others as a love poem.
Take the third song as an example. The word "last night" appears twice in the first sentence of the poem, which shows that the poet is reminiscing about the past today. The word "last night" has a large emotional content, which shows that the poet's memory is unforgettable. "Stars" and "Wind", "Painting Buildings" and "Guitang" imply the happy times and life scenes experienced by the poet.
The second link is the experience and understanding of love. Cai Fengfei and I are symbols of a happy love life; The center of rhinoceros horn has a texture running through both ends, so it is also called Tong Xi. The poet uses this as a metaphor to show the emotional connection between the two sides and the connection between the two hearts. Although they are on the same side, their hearts are closely linked. The profound connotation contained in these two poems endows them with more philosophical significance and life connotation.
The sending hook and shooting cover written in the third part are all games at ancient banquets, similar to guessing boxing. Two sentences describe the scene of warm and cheerful, warm wine and red light in extremely gorgeous language.
However, just as the poet was immersed in the memories of last night's beautiful scenery, drums came in the distance and the poet was going to court again. "Being an official" means dealing with official business, which contains a helpless and boring mentality. "Peng" is a very small and light grass, which floats around with the wind. Therefore, in ancient poetry, it is often used as a metaphor for wandering life, and Li Shangyin also reveals his living situation here through this image.
The second chapter (misty rain from the east wind) describes the passionate pursuit of love and the pain of disappointment of women locked in quiet boudoir.
The wind in the east wind, the rain in the wind, the rain in the wind, the sound of light thunder came from the other side outside the lotus pond.
There is also a locked golden toad incense burner. Cigarettes are elegantly wrapped, like pulleys in a jade pot, and the traction rope is pumped into the well water.
Wang Wei dreamed that she was a beautiful young girl. Wang Wei had a pillow dream and wrote a poem.
Never mind the flowers, even this bright flame of love, is it only ashes? .
At first glance, the first couplet seems to be a plain description of the scenery, but in fact it is full of feelings. The drizzle is as light as thunder, blending the melancholy scene with the melancholy feeling. Ji Xiaolan commented that this sentence is "wonderful and profound, incomprehensible and understandable". Zhuan Xu wrote about the loneliness and loneliness of women. Necklace is a link between the past and the future, citing the allusions of Han Shou and Cao Zhi. The ending couplet is about a broken heart, and it's useless to think about it. The two-inch writing is immeasurable lovesickness and disappointment, which makes people feel very shaken. The disappointment and lingering desire for love in the poem are touching.
Untitled is a fresh and natural five-character poem describing love and lovesickness.
According to Liang Chu, sentient beings are famous for their water.
Skirts are smaller than hibiscus and hair is lighter than jade.
The brocade book is solemn, and the eyebrows are fine.
Don't play chess nearby, the center is the most uneven.
The first sentence is about the beauty of the woman you love, such as the goddess Wushan and the hibiscus. Couplets then describe the charming appearance of women, and set off the beauty of women through fresh and lovely clothes. The homesickness mode written by the neck couplet gives people life and spirituality, which makes the singer really live. If the final couplet is understood as an uneven situation, just like a chess game, it seems a bit far-fetched and does not match the interest of the whole poem. Referring to the second part of Liu Zhi's five poems, "Jade talks about chess, the center is uneven", it is more appropriate to interpret the mentality of a woman like Liu Zhi who can't calm down and secretly complain.
The themes of the other five laws are more difficult to understand.
The eight-year-old girl likes to look in the mirror secretly and has been able to raise her eyebrows.
At the age of ten, I went for an outing and imagined the clothes that Lotus made for myself.
I began to learn to play the guzheng at the age of twelve, and the silver nail on my finger has never been pulled out.
At the age of fourteen, she avoided seeing men, even the closest ones. At this time, she may be thinking about when to get married.
At the age of fifteen, she was crying in the spring breeze on the swing, fearing the disappearance of spring.
This poem is about a girl, which can naturally be interpreted as a love poem. However, it is not unreasonable for some people to compare Li Shangyin's youth experience and think that the woman in the poem is the author's own situation, and thus infer that she has the meaning of sustenance. On the surface, the same poem is completely different from the unwritten poem, and Li Shangyin's other untitled poems are examples. Even poems about love and sadness can be related to the author's own experience to some extent. In the late Tang Dynasty, Li Shangyin was caught in a dispute between Niu and Li. His ambition is hard to pay, his talent can't be displayed, and he is unhappy. His life experience and fortune, as well as his perception of life, will naturally permeate his feelings. Most of his untitled poems are about love, mostly vague and graceful. From the perspective of knowing people and discussing things, we can also understand some of them as what they are.
Throughout Li Shangyin's untitled poems, most of them are vague impressions, and lingering emotions run through them. Different people can understand different degrees and feel different connotations when reading. However, whether it is a hidden article or a beautiful sentence, it brings us a wonderful experience, which is exactly what we should ponder and learn from. Just as Mr. Liang Qichao said in China Rhyme and Emotion: "I don't care what the poems of Jinse, Bi Cheng and Saint Temple say. ..... but I think he is beautiful, and it makes me feel very fresh and happy. It should be noted that beauty is multifaceted and mysterious. If we still realize the value of beauty, we should not erase this writing lightly. " For ordinary people who read poetry, this is enough. Compared with countless comments and explanations of predecessors, poetry brings us more inner feelings and songs.