65438+On the evening of February 29th and 30th, Dior Man Dapeng's third season theatrical show "How We Live" was staged in the National Centre for the Performing Arts. These two days, the theater was packed. In addition to the stars such as Yancan Master, Li Xiang, Dong Lu, Jin,, and so on. Lin Chi-ling of Dapeng and Goddess Ada also appeared in friendship and sent their blessings. Li Xiang, who made his debut after Sun Xiaoxiao's doomsday confession, was teased by Dapeng at the scene.
On the 29th and 30th, there were two performances in succession. Tickets were released four days before the performance, but each performance was packed, and the scene was so hot that even Dapeng himself was surprised and moved. The theme of these two programs runs through "How do we live". Dapeng begins with How We Came, tells the hardships of life in Beijing, happily sums up the 20 12 incident, and ends with How We Live. He said, "For everyone, friendship, affection and love are the driving forces of life."
At the same time of the talk show, Dapeng sang The Survival of Second-hand Roses, The Adapted Edition of 20 12 Platform and The Cost of Growing up, and finally ended with Beyond's Our Days. Among them, Platform 20 12 tells the hot events of 20 12, which became the climax of the audience. At the end of the two performances, Dapeng said in an interview with Sohu Entertainment that he was most proud of the impromptu interaction with the live stars. The audience's laughter and reaction made him happy the most, and the song "The Price of Love" moved him the most. This song, adapted from The Price of Love, incorporates his views on growth.
Ye Yixi also said in an interview after watching the program that the song "The Cost of Growing Up" moved her very much and reminded her of her own struggles in Beijing. Da Zuo and Shen Ling also thought that Dapeng's performance brought the truest emotion after laughing. As for Dapeng's ridicule of their friends, Da Zuo mysteriously said in the program that he would "revenge" him with jokes.
During the two-night performance, all the star friends present were "tortured" by Dapeng. On the 29th, after Sun Xiaoxiao's confession, Li Xiang appeared for the first time, supporting his best friend Dapeng. However, Dapeng didn't let his younger brother go, so he made fun of Li Xiang and Sun Xiaoxiao, the happy couple, on the stage. In an interview with Sohu Entertainment, Li Xiang seriously recommended Dapeng's program. He thought it was the most wonderful performance outside "Sorry". What's more, he laughed so much that he even cried at last.
On the evening of 30th,, Jin,,,, Da Zuo, Liu and others attended the party. Of course, they can't escape the ridicule of Dapeng. Liu Tong sitting in the audience smiled and replied, "Dapeng, it's so annoying." Talking about the increasingly unreliable high oil price, Dapeng told Hu Haiquan's joke. Hu Haiquan, who usually likes to take her family to road trip, gave up this hobby because of high oil prices. As a result, I got married and took a taxi to Tibet with my children.
It is worth mentioning that Lin Chi-ling, He Jiong, Ada and others also sent their support to Dapeng through VCR. Especially Lin Chi-ling, the goddess of Dapeng, said, "I want to live by Dios".
Interestingly, Ada, who became the "goddess" of Dapeng in the first season of The Man of Diers, was jealous because of the appearance of Lin Chi-ling. When interviewed by reporters in the VCR, Ada grumpily threw out a sentence: "What are you shooting? Isn't he ambitious? " ! "Suddenly burst into laughter.
The biggest surprise is the dazzling and creative performance form in this show. Starting from Where Are We From, the whole drama is a famous funny talk show of Dapeng for most of the time. In addition, songs, sketches, VCRs and other links were added to this theatrical show, which not only enriched the content, but also brought more fresh and unexpected experiences to the audience.
For example, Pan Da, wearing a white coat, wittily walked off the stage, and his appearance won the warmest applause. The character setting of the Master of Shanzhai Yangshengtang played the role of finishing touch, and his lame flicker and alternative dance made the audience shine. It can be said that he not only played his role well, but also set off the protagonist Dapeng.
The setting of one of the links is ingenious. When Pan Da played for the third time, he completely recreated the scene he had just performed many times. His lines and actions are exactly the same, and the audience seems to be confused. This is a joke played by Dapeng to the audience. After the joke, it was a profound revelation: not everything can be started again, acting can be done, and life can't be done.
, left, Liu Tong ... These stars who sat in the middle of the audience and came to pay tribute to Dapeng unfortunately became the object of his ridicule. For example, poking fun at the joke that Hu Haiquan took a taxi to Tibet because of high oil prices, Hu Haiquan shouted at the scene and under the stage, igniting the audience's jokes. Probably only in Dapeng's theater can ordinary audiences act as spectators of this kind of interaction between stars, which is also a joke and a performance.
In Dapeng's program, the audience is placed on an equal footing with the actors. Master Yangshengtang tricked the audience into being hypnotized, and the question-and-answer dialogue interspersed with the audience in Dapeng talk show turned the audience into actors to some extent. During the performance, the audience participated in it, and the atmosphere was relaxed, forming a rare harmony in the theater.
This drama tells us that no form is impossible as long as the audience is satisfied.
Of course, the biggest highlight of the whole performance was the happy smile. The applause and laughter of the audience never stopped during the nearly two-hour performance. The baggage and jokes thrown by Dapeng were followed by the audience, causing bursts of laughter. Everyone's mood fluctuates with every word of Dapeng.
In fact, Dapeng said that the funny bridge was tricky because grounding gas was very important. House prices, congestion and black cars were repeatedly ridiculed in Dapeng's talk show, and the audience cheered "enough". Dapeng Baba's thoughts on online hot words and hot news events have also been put into the theater, becoming a blockbuster joke bomb mixed in Dapeng talk show.
At the same time, in this play, the elements of "Dios" can be seen everywhere. After paying the rent to eat instant noodles and not knowing the expensive LV bags, many young viewers who claimed to be diaosi found that "Dapeng is talking about ourselves!" Diors man not only brought popularity to Dapeng, but also gave him another name-"Senior Diaosi". Everyone came with the mentality of singing with Dapeng and left with simple feelings. After the hilarious laughter, there is still warmth and emotion in my heart, which is a special humor conveyed by Dapeng Theatre.
"What's your New Year's resolution?" Cameras are aimed at ordinary people. Migrant workers want to earn money to go home to build a house and marry a wife. Ordinary workers want to get a little raise next year. Pregnant women want their babies to be born and grow up healthily. There is no exaggeration. Only these ordinary and simple wishes have spoken for the audience. The string song "The Cost of Growth", the lyrics and sentences all tell the true hardships of people in the northern suburbs and sing to the hearts of the audience.
Just like Dapeng's "The Last Days of Our Life" once again surprised the audience and was full of real blessings. After laughing for more than an hour, finally, the audience realized Dapeng's intention to name this program "How Do We Live".