Buddhism and Taoism coexist in one mountain. This rare phenomenon makes Qianshan full of legend. This also makes Qian Shan Temple music a cultural treasure, because it contains Buddhist music and Taoist music. The musical instruments of the two are almost the same, but the content and charm of chanting are different. Qianshan Buddhist music is different from other temple music, which is characterized by bright rhythm, high tone, bold and rough tunes and passionate feelings. It not only has a strong religious color, but also has distinctive local characteristics. Buddhist music in Qian Shan is divided into vocal music and instrumental music. Vocal music is divided into two parts: "Zen music" and "coping rhyme". "Zen rhyme" is characterized by percussion instruments; "Coping Rhyme" with Sheng wind instruments is mostly used to play "Flame Mouth". Qianshan's Buddhist music also has rich chanting forms, such as solo ("praising the head" and "starting the tune"), chorus, direct singing and rhyme. Most of them are led by "Master Na Wei", and all monks should live in harmony. "Straight singing" is a unique singing method in Buddhist music, including singing and semi-singing. The melody of "aria" is relatively strong, while the melody of "semi-aria" is close to rap and is widely used in "Flame Mouth". Taoist music in Qianshan entered the concept of infinity from Liu Zuju in Tiesha Mountain during the reign of Emperor Kangxi. After being processed by two Taoist priests from Liyuan Family, more than 400 pieces of music were created, including New Rhyme in Northeast China, Thirteen Rhymes and Xingyun. New rhyme can be classified from two aspects: rhyme and part of speech. From the rhyme category: rhyme, rhyme, rhyme, confession, intonation; From the content of words, it can be divided into (1) Yang rhyme, also called verve, such as Liu et al. ② Yin rhyme, also called ghost rhyme.

The performance of Buddhist music in Qianshan consists of national wind instruments such as Sheng, Guan and Di, and national percussion instruments such as drums, cymbals, cymbals, cymbals, bells and pestles, daguan, Muyu and chimes, which are divided into cymbals. Qian Shan Daole is played by wind instruments such as Xiao, flute, single (double) pipe and sheng, and percussion instruments such as bell and drum, percussion instrument, bangzi, hafnium, bell ringing and wooden fish.