There are still differences: first of all, mistika is not only a single color matching software in function, but also adds some synthesis functions besides a powerful and convenient color matching module. My favorite is the vector brush and mesh deformation function. With these functions, colorists can solve some common picture problems, such as erasing ... wide-angle deformation and so on. If you have ever been a fan of photshop, you will feel that mistika is more and more like PS. The same effect is stacked layer by layer. The only difference is dynamic and static. In mistika, you can extend your ps habit, such as polishing an old face of Cang Sang to make him as smooth as possible. There is no need to jump around in mocha and AE at all. Secondly, Mistika color matching module has fixed function and graphic self-defined gray range function. In addition, there are five colors in the color wheel, pure black and pure white, which greatly improves the color matching efficiency. The biggest difference is that if you make a three-dimensional movie ... basically you have to use the realistic difference of MisTika. Leonardo da Vinci can use it for free. Mistika costs a lot of money.