The best negative example: Angela Zhang.
Angela Zhang, who was born in a non-professional class, once again returned to the peak of his career with the G5 tenor of I am a singer (A key).
Angela Zhang's G5 is a typical low-quality tenor, with insufficient strong mixing ability, harsh hearing and less content. The main reason is that her strong mixing ability is insufficient, which leads to her low voice and too sharp. First of all, her pitch is not high? Yes, G5 is already very high, but the quality is not up to standard.
The second point: insufficient integrity.
Angela Zhang's bass ability is quite limited, the lowest bass is G3, and G3-C4 still has chest sound overload in hearing. In addition, Angela Zhang's intonation and sense of music are lacking, resulting in a single style. The overall shortage, personal strength is only T2.
Say that finish quality, say the second question:
High-quality treble is the standard to measure the upper limit of singing.
Why do national singing and bel canto have three tenors and a national team soprano? But it's rare to see triple bass? Contralto?
A singer's strength level will have corresponding ability requirements, and treble is the most difficult requirement. At the same time, treble is also an important dimension to expand the ability of composing and the richness of music. For example, there are three octaves of audibility in European and American music circles. Why is our Chinese orchestra only two octaves rich?
For a singer, the ability of treble is like a epiphyllum for a singer, and many singers pour out their hearts for him. The reason lies in the extreme auditory feeling that treble can give and the expansion of the richness of pop music. This is why high-pitched ability is so precious.
The quality of high notes is self-evident to the singer's strength.
That's the importance of high notes. But just because you can sing high notes doesn't mean you are a strong singer. Overall ability is more important.
The following is the strength rating of specific singers:
T0 singer: On the basis of T 1, he has a unique artistic understanding and shows a mature personal musical artistic expression. Can't be satisfied. For example: Faye Wong, Teresa Teng.
The main difference between professional and non-professional lies in intonation, sense of music and sense of rhythm.
The difference between T3 and T2 is whether the vocal system is scientific or not, and science is related to the quality of hearing.
The difference between T2 and T 1 lies in the high-quality musical expression of the whole vocal music system. At the same time, with high-quality strong mixing, it will naturally show the charm of high notes. Among T2 singers, their treble ability will have a strong timeline, and unscientific singing will make their treble ability gradually disappear.
T 1 There are two schools of singers. One is the specialization trend of bass represented by Cai Qin. One is the trend of public hearing represented by JJ Lin. Interestingly, Jacky Cheung was somewhere in between, jumping repeatedly.
Let's talk about Cai Qin's career trend: Cai Qin's vocal range is only one and a half octaves, and most of the songs are melodious below G4. High integrity, good business, but the bass expression is too weak, because alto is really rare. In contrast, there is a baritone Elvis Wang (C3-C5).
Commercial music still needs a lot of expressive force, which leads to poor concert ability in Cai Qin and Elvis Wang.
Popular hearing, represented by JJ Lin, is a progressive dimension of China's music. Since Tom Chang made the Chinese music scene feel the auditory charm of C5, the chief composer began to be bold in composing the whole Chinese music scene. For example, Jay Chou, Wang Leehom and JJ Lin began to use a lot of pitches above G4. This was very rare in the Chinese music scene at that time, especially in Hong Kong.
Pop music in Hong Kong music scene, whether it is the Four Heavenly Kings, Leslie Cheung, Alan Tam, Anita Mui and so on. , the fluctuation of G4 is very limited. This singing method is lower than G4, and countless approachable songs have been established. This is also the reason why their songs are highly sung. Even now, there are still a large number of non-music majors who regard Jacky Cheung as the benchmark of China Orchestra.
However, the times have been progressing. Whether it is Jay Chou's "Hair as Snow" E5, Wang Leehom's "Only" D5, or JJ Lin's "No Man's Song" with a high C, the audience's hearing has begun to move closer to the international music dimension.
What's important is that this kind of high-quality high-pitched voice can make the music audience feel the auditory shock brought by high-pitched voice on the spot and develop the correct music appreciation ability.
Most singers have the ability of treble, but the quality of treble is really rare. And high-quality treble can make the composition bolder and richer. The popularity of high C makes ordinary people realize that this is a watershed after falling in love or even after death.
In the past decades, the pitch of China's music is mostly between C3 and G4, which is the most comfortable, popular and suitable frequency position for human beings. Similarly, in terms of professionalism, he is also the most repetitive and lacking in richness.
Is there a problem? Does the public love to hear it?
Of course, there are problems. The proliferation of stereotyped patterns will lead to the involution of music and the plagiarism of composition, but the audience's musical aesthetics will not be improved. It will make China music unable to break through and continue to be a vassal of European and American music, Japanese and Korean music.
When the era of the Four Heavenly Kings was overshadowed by Jay Chou, it naturally triggered a higher aesthetic demand, and China's orchestras needed continuous improvement. And high-pitched ability is the best direction of pop music.
To sum up, the tenor is still a hard indicator to measure the strength of singers, and it is also the direction of the progress of Chinese orchestra music hearing.
Personally, I think the tenor singer is: 1. Tom Chang: The real voice completely gets through the heavy tenor A, and the close-fitting singing in the studio is invincible to the inhuman D4. There is still a lot of room for climbing e4 or f4. This once-in-a-century monster dare not say that there will be no one in the future, at least it is unprecedented!
2' Power Train: Fiwan aborigines in Taiwan Province Province, their folk customs are bound to have a high-pitched voice, which is called "18 degree interval" in the circle, but they have already broken the 18 degree interval! From full true tone to high F or even HI-G, the mixed acoustic energy of true and false can reach a3 and c4 at most, and the estimated limit energy is around d4.
3' Terry Lin: A singer who is very skilled in using semi-falsetto. His musician said that his semi-falsetto could reach c4 at the highest. As far as the whole real voice is concerned, he usually starts to change his voice from b2, and may not reach the treble above F, but it should be more than enough for the whole real voice to reach c3 or treble D. 。
4' Wu Tong: The former lead singer of Samsara Band, with a dark but elastic voice, basically maintained e3-f3 level at the scene, and can sing HI-G when in good condition.
5' A Mu: A solo member of the Yi people, there are also three octaves of bass F- treble f3, and the treble was called "amazing" when it first debuted.
6' Shin band: Excellent steel sound, with softness in steel and charm in softness. Three octaves is not a problem. Good at tearing and yelling can reach a high F, and full real sound energy can win a high D.
7' Sun Nan: There is an introduction to the interval of 16 degrees in the propaganda language, which is very talented. Many people think that its highest phoneme is c3, but actually there is e3 in the recording studio.
8' Chen Guanpu: The so-called warmest and highest male voice in history is somewhat exaggerated, but its melodious voice is undeniable, and there is a high D interpretation in the song.
9' George Lam: Hong Kong tenor veteran, with a loud voice and no signs of fatigue. He has the strength of d3, but singing live always breaks his voice.
10': Liu Huan: evergreen trees in Chinese mainland. Many songs wander between the two groups of fine print A and B, and the highest one is d3. 1 1' Jeff Chang Shin-Che Shen Che: A singer with soft and clear voice and neutral vocal cords, known as the prince of love songs, can sing c3. The intensity of d3 has been measured on the piano.
12' Wu: Strong creativity, but always half red and not purple, first-class tenor, c3-d3 ability.
13' Zhao Chuan: Singing, the most common song is high C, and the attainments in treble are not completely inferior to the previous ones.
14' Man Wenjun: I definitely have the ability of d3 or above. The highest expression in the song is d3, which is somewhat unfair, but once I performed with Xiaowu, the tenor was not so relaxed. 55438+05' Wu Qixian: When I was young, I also kept a strong voice. I sang c3, but it may be difficult to get up from c3.
Elder brother > Bao Xiao etude > -D4 Tom Zhang Lishan's infatuation > One-way ticket > -C4 train encounter > -B3 Terry Lin's love > -G3 Wu Tong beggar > I hope you have a pleasant journey > -E3 loved A Mu when he died > -D3 Shen Bangjie rescue > -C3 Sun Nan is too much > -D3 Chen Guanpu mirage > -D3 Lin Junfeng's good wind chant > -D3 September rain. How to say love > -B2 I need you > -D3 Man Wenjun's love for you has become harmful to you > -C3 Wu Qixian list is limited to pop singers, so it excludes national or bel canto singers such as Bao, Kong Tai (who has the ability to enter the top three) and Chun Lei (who has the ability to enter the top five). In addition, Ding Wu, Gao Qi and Dou Wei in rock and roll are also excluded. In addition, smile has d3 strength, which is excluded due to lack of popularity. Wang Leehom's falsetto has a3, the true voice has d3, and Ka Kui Wong also has c3-d3. A song is falsetto, and it is suspected of producing effect, and the whole real voice is not so good, so it is ruled out. Han Lei b2, Luo Zhongxu, Steve Chou, Wang Jie, Hacken Lee, Dick and Cowboy and Dida orchestras occasionally have high notes, but after all, the intensity of high notes is limited, so they are excluded. Zheng Jun, He Yong and Zhang Chu can go to c3, but their strength is still limited, and the high notes are not recognized by everyone, so they are excluded. Exclusion. Chyi Chin, Wang,,, unconditionally exclusive. Xiong Tianping, I couldn't think of any reason to exclude him, but I couldn't think of any reason to let him enter the top 15, so I finally ruled him out.
Therefore, each range has its own characteristics, not only singing high notes is a powerful singer.
There is a trap here. A singer who can sing high notes is not a great singer, but a singer who can sing high notes is a great singer.
Tenor not only has a high voice, but also has good timbre characteristics and distinctive features. There are simple and direct high notes, rough and vigorous high notes, clear and soft high notes, and high notes soaring into the sky.
The treble can be divided into twelve octaves at most, but it is generally understood that the octave is the highest, and the twelfth octave is high, which is terrible, almost to the point of tearing gold and breaking glass. Ordinary people have no innate conditions and can't basically sing high notes. And those singers also sang high notes after years of exercise and training. Generally speaking, in Bel Canto, the high notes will be improved after training. Popular songs that are not bel canto will make you hoarse if you sing high notes frequently. If you try to sing a song by Mr. Liu Huan, you will know that it is not a little difficult to sing high notes, but very difficult. And the atmosphere you want to sing is changeable and can be magnificent and melodious, which is even more difficult.
High-pitched sounds have strong penetrating power, coupled with indirect music, which gives people an impulse to rush up and shock the soul.
For the public, singers who can make music deeply rooted in the hearts of the people with high notes are all powerful singers.
I am a fleeting time. No matter how time flies, I will always treat you.
That's not what I said! In fact, singing has a bottom voice! The treble can't go up! So listen and sing more at ordinary times! As a musician! First of all, we must master the singing method! Everyone can sing the bottom note! What about the treble? Be sure to sing your loud voice when singing high notes! Back to the bottom! Also know the rhythm! Being a singer is hard! But be firm! Confidence! To succeed! Don't forget your innovative spirit! Remember the mission! This spirit! Singing high notes means singing the first half! Sing with your heart! I've heard many songs, too! Different songs! Singing is different! Want to succeed.
This question is really sour below.
I don't know when it started, but anyone who sings high notes well will be criticized more or less and said, "I just know that high notes have no musical aesthetics."
It seems that appreciating high notes is already something with low aesthetics.
Let's just say that being able to sing high notes doesn't mean being good at singing, and being good at singing doesn't mean being good at singing, but those who can't sing high notes will definitely fail.
The treble here does not include the ultra-treble area.
Many times, strong feelings in songs need to be expressed in high notes. For example, Whitney Houston's A Moment of Time, if C5 can't sing the whole song well, the momentum will be ruined.
So is Beth.
In the case that the soft power of metaphysics, which can only be judged by subjective preference, cannot be quantified and compared, it is necessary to use such hard indicators as range, * * * * singing ability and breath.
For most people, the ability to sing high notes is the easiest to judge among the hard indicators. Indeed, in most other cases, the indicators that can sing high notes well are not much different.
In other words, tenor, as a quantifiable hard indicator of singing, is a necessary condition for singing well, but not a sufficient condition.
Of course, it is not good to have too many things.
It's not good to show off too many skills, and don't show too much emotion.
Again, a vocal machine with skills and no feelings, a vocal machine with feelings and no skills, sells feelings for life.
Of course not! If you don't know how to sing well, go and listen to the oratorios of actors from Deyun Society. Capella can also send every word to the audience's ears in order to sing well. Leslie Cheung is an indoor disciple of Ren Jianhui. Leslie Cheung and Jacky Cheung both came out of the competition. Didn't you finish singing? Professor You Jingbo commented on Leslie Cheung: Among China singers, Leslie Cheung is one of my favorite singers [Bi Xin] [Rose] [Heart].
The singer's treble is nothing, not only high-spirited, but also full of enthusiasm. Song Zu Ying and Na Ying sang a farewell moment, and Na Ying turned the corner. That's a singer who can sing coloratura soprano.
Amateur singers generally believe that singing high notes is a master. In fact, it is more difficult for professional singers to practice bass.
First of all, to be a strong singer should have the following conditions.
1. Good singing skills, which is a necessary professional accomplishment, because singers have to perform a lot of performances outside besides releasing albums, so they are good at singing.
2. Good psychological endurance. Being a pop singer is equivalent to entering the entertainment circle. You know, the entertainment circle is full of right and wrong, and you must have the psychological endurance to face all kinds of right and wrong. In addition, we have to face the competition from peers, so good psychological endurance is very important.
3. To know yourself, whether you have the basic conditions to be a singer, that is, whether you have a sense of rhythm and whether your timbre is good. This basic condition is innate, innate and acquired, and it cannot be changed in any case.
Endurance and toughness are necessary for a singer, in other words, you must "hold on" no matter what happens.
If you want to be a successful singer, you need the courage to take risks. Not only in spirit, energy, time, economy and so on. Because you want to be a truly successful singer, not an ordinary person, you may have to pay all your money as a bet or price for this career.
6. In the current commodity economy, economic conditions are very important to become an excellent singer.
7. Are you passionate about this industry, not on a whim? Be prepared to face all difficulties before entering the business.
8. Opportunities are created by ourselves, and the ways of opportunities are nothing more than the following.
One is to participate in various singing and draft competitions to win, and have the opportunity to be discovered and signed by record companies, and to be invested, packaged, produced and promoted by the company. However, it is easier said than done to win the game by thousands of people. Please be prepared.
Second, as far as I am concerned, I will show myself in my own way first, and seize the potential opportunities in this process to become my breakthrough. Of course, I can also choose to sign a contract with a professional record company and plan, produce and execute it myself, which will save a lot of detours. However, it should be pointed out that signing a contract with a record company here is not a contract in which the record company will come to you for investment after you have made achievements, but a contractual relationship between entrustment and entrustment, so it will definitely involve the corresponding expenses that you need to pay according to the entrusted content, such as creation fees, production fees, publicity and promotion fees, etc.
PS. The best way to start learning pop songs is to learn from them. Listen to CDs sung by others and learn to sing other people's songs. You need to do the following:
First, find your favorite song type.
Second, learn from others' handling methods and emotional expressions in singing, but don't forget that you can't completely imitate, especially the voice, because your purpose is not to be a singer. Second, your purpose is to be yourself. You are an imitation. Most people will say: You sing too much like someone, but you will never be someone. You should keep your voice characteristics so that others will know that you are singing when they hear your voice. It is meaningless to imitate blindly when studying or participating in singing competitions.
3. Appreciate and learn from other people's songs. When singing other people's songs, we should also pay attention to the problem of enunciation. On the issue of articulation, the standard is very simple, that is, you should at least let the people who listen to your songs hear clearly what you are singing (Jay Chou is an exception because of his own defects). The best way to learn pronunciation is:
1. Watch the news broadcast every day, and the announcer says, follow it and try to match the announcer's pronunciation.
2. Read the newspaper in Mandarin every day, and pronounce the words clearly and fluently. Fourth, emotional expression: When singing pop songs, emotional expression is very important. When the emotional expression is in place, the song sounds very moving and can mobilize people's emotions. On the contrary, it is a cup of boiled water, which has no taste. Emotional expression is mainly expressed through the comprehensive use of one's own emotions, volume, sound reality, strength contrast, length, frustration, gas sound and sound reality. Therefore, we should understand the feelings expressed in the lyrics. Best practice method
1. Absorb other people's treatments.
2. Read novels and poems with emotion.
3. Experience and feel the joys and sorrows of life at ordinary times, choose a kind of music or song to correspond to this kind of emotion at any time, and use this kind of music to express and express some kind of emotion. If you want to impress others when singing a song, you must first impress yourself. As a singer, you should throw yourself into the music as soon as it starts, just like a film actor.
Therefore, knowing the high notes does not mean that you are a powerful singer.
High notes are not everything.
Isn't there a lot of singers who come out with good bass?
Of course, being able to sing high notes means that your voice is in good condition.
Just pay attention. If there is no proper method, try not to use your voice too often.
That is very harmful to the vocal cords.
Don't shout when singing high notes.
Sometimes falsetto is used well, which will be very nice.
If you sing alone at ordinary times, think more.
How to sing is the most comfortable voice.
Also, you try to find the chest.
(Suggestion: I feel that this * * * sound seems to be easier to find in the bass. )
This will share the pressure on the vocal cords.
Take your time. Having a good voice is a great advantage in itself.
Let's go