In the first issue, on the day of broadcast, the network heat gradually rushed to the first place. After winning dozens of hot searches in one breath, many hot songs of the voice synthesizer have created many slaughter lists on major music platforms. The four songs in the top seven of Netease Cloud Music's soaring list were all swept by the sound source of the program, and Yan Mingxi's "Feifei" was eliminated in World War I.

The second issue, which premiered on Mango tv at noon 12, was not broadcast on TV for only 4 hours, ranking first in the whole network. The total broadcast volume in 8 days has exceeded 600 million.

When the music variety was on the verge of collective fire, and even the whole domestic variety market could not find the explosion in the first half of this year, finally a variety gained the attention and love of multi-circle audiences across ages and regions, which undoubtedly became the fault C in this year's sound synthesis.

But it's not just the variety show itself, but also Hong Kong music.

Although many music critics, including Guangdong audience, have questioned the presentation of Hong Kong music in the program, and even questioned the formulation of Hong Kong music itself, realistically speaking, whether it is Cantonese songs or Hong Kong music, the program seems to have turned on the magic of time, so that those classic warmth touched us again.

There are no perfect varieties in the world. Is it to let Hong Kong music stand still and become a small circle game for some fans, or to let it rush out of the circle and get the biggest sound? Perhaps, some people choose the former, but I believe many people, like me, will choose the latter.

As the program enters the second phase, on the one hand, the feelings left by Hong Kong music, Hong Kong entertainment and Hong Kong stars are still there; On the other hand, the quality of this issue is not only supported by "feelings".

Although Wu, who has been called by fans for a long time, has not appeared, he has a generation of golden songs such as Brave, Bike, Lover and Next Life, which are harmonious and extraordinary. Sally Yeh, CoCo Lee and BiBi Zhou ignited the audience.

In the work, the 74-year-old demon king and the lovely treasure boy once bit.

When I once took a bite and buried my head in my arms and wept, "My father died a long time ago" and "I really took him as my father at that moment, and many things seemed to be over".

How many people can't help but break the defense again. Anyway, the members of the women's group who listened to the song were moved and said, "Oh, we are all in tears. Finished (we will lose). "

How long have you been entertaining, and there hasn't been a sound synthesizer for so many people to break through? The following is my observation.

The best personal game in this game

Number one player: Miriam Yeung's "Yong"

Competitors: George Lam, Sally Yeh

As can be seen from the last program, Miriam Yeung is in a state of great courage.

In the last issue of Unconditional, Miriam Yeung sang very well, probably better than all the mainland variety shows she participated in last year. Unexpectedly, this time, her state is braver.

Yan Mingxi and Yan Mingxi performed their own classic song "Yong". Yan Mingxi walked up the steps in white and stood in the light, while Miriam Yeung was in the shadow, one bright and one dark, one high and one low. Their emotional singing pushed their emotions to a climax step by step.

Although this is Miriam Yeung's own song, it is obvious that she has given this old song a new flavor. When she sang this song, she was questioned by many people soon after she debuted. When she sings, she is lonely and brave, and she has a kind of "determination to break blood and die."

Now that Qian Fan is exhausted, there is nothing to look down upon in the past, only a gentle and firm past.

Then, Yan Mingxi, like Miriam Yeung in those days, sang loudly: "No matter how red the red light is all the way, no one can stop me. Looking around, thousands of troops rushed straight ",and Miriam Yeung, after the world," still willing to persevere, smiling as a soldier ","obviously empty, and then try to make up for it. " There is a touch of romance in toughness.

Until the last sentence, the two female singers smiled at each other. I am not gentle, but I am brave. It seems that a brave word will be passed down from generation to generation.

It's a pity that Yan Mingxi still sings very well, but after all, she didn't perform the air and falsetto to the extreme like in Feifei, and Miriam Yeung has a strong sense of existence. She sings alone, and the effect presented is not much different from that of chorus.

The other two or two in-laws played their best in this competition.

Let's talk about Sally Yeh first. The debut of the first show was really amazing. Before that, on George Lam's program, she appeared and waved off. When the demon king George Lam appeared in the first performance, I didn't expect her to win.

There's nothing to say when George Lam wins, because Sally Yeh's performance really combines the heaviness of years, the presentation of technology and the expression of feelings. The level has not deteriorated, but the feelings are getting more and more mellow with the years. When she sang, there was only one thought in my mind, that is, "How can a woman be so beautiful when she is old?"

Standing in a red suit and silver hair under the light, he is refined and graceful, and his unique personality and taste in his bones have not changed.

This time, Sally Yeh completely released himself. When a long list of English raps is fluently output without breathing, there is only one thought in my mind, that is, "can a woman be so energetic when she is old?"

I never thought about what I would look like at the age of 60, and I might dance square dance. But a 60-year-old Sally Yeh, without a stiff face, is singing and dancing on the stage. Do many 20-year-old Aidou have this kind of physical fitness, state and stage performance?

Besides, George Lam, in the last game, the Great Devil sang "Colorful Suite". When he clenched his fist and sang "Men Should Strive for Self-improvement", the audience was lit.

But in fact, anyone who is familiar with George Lam's state can hear that his state is not very good. Compared with the peak of George Lam, compared with the state of the past year, this is just a mediocre work.

Of course, the audience still sounds very excited, but what I regret most is that George Lam is not only a singer, but also the famous high-pitched scene of the Great Devil, which overshadows other aspects of him.

But it is wrong to think that George Lam can only play high notes.

The best thing about "George Lam" this time is that it can finally make many mainland audiences get rid of this misunderstanding. It's not bad to sing mellow years without high notes, is it?

As for what is good, don't worry, finally.

The best songs and dances in this competition.

Best players: Sally Yeh, CoCo Lee and BiBi Zhou "I want your love"

Competitor: None

I want your love is definitely the hottest stage in this program. No, it should be said that it is the hottest stage of domestic music synthesizers I have seen this year.

The original song was sung by Glen at 1957. Because the song is difficult, it is also called "the touchstone of vital capacity".

The three female singers have their own characteristics and are unified with each other, which just shows the styles of Faye Wong, Anita Mui, Sandy Lam and other different versions of I Want Your Love in the Hong Kong music scene. Some are optimistic and playful, some are frank and casual, and the songs blend burning power, passion, ugliness and subtle joy.

The best is Sally Yeh, whose voice and jumping are just like his white hair. CoCo Lee's performance still has its own style, while BiBi Zhou is super cute.

The performance of the three people is very wonderful, which makes the stage full of appeal. Although there are some flaws in the live performance, under this atmosphere and appeal, I think it is harmless to lose control for a while because of enthusiasm and excitement. On the contrary, it happened to be "so crazy", which made me love this performance even more.

In contrast, the stage of Lover is really not good enough.

Comparing the two stages together, the conclusion is: if you can't give a song new vitality, at least don't lose the flavor of the original song.

As one of beyond's classic songs, Liu Zhuohui said that lovers are obscure and sad. As for this stage, we can see that the distinctive timbre and harmony lines blend and collide with each other in the accompaniment, and they sing very hard, but

The essence of the song is still weak.

Best chorus skills in this field

Top players: Fireworks by Li Jian and Hacken Lee.

Contestants: Shan Yichun and Sarah (afterlife)

To tell the truth, when I first saw this chorus list, I was worried about Li Jian Hacken Lee, because the original song was Liang Yongqi's Fireworks, which was experiencing a low life in 2000, and it returned to its peak. Can singing with two singers whose styles are so quiet spark?

The result is that I worry too much.

Their clean voices are in perfect harmony, singing "If there is no torch afterwards, I am the only light" in Cantonese and Mandarin respectively. The timbre, mood and expression are all qualified, and the visual effect, atmosphere and eye contact between the two are very ornamental. Especially when they look at each other, there is a kind of fireworks burning, which is not only short but firm and gentle after burning.

I thought this song was difficult to perform well, but I didn't expect it to have an unexpected chemical reaction and a sense of substitution.

It is also commendable that the prelude of the song turned out to be Alan Tam's "A Thousand Miles of Heart", and the original English golden song was "Golden Bridge on the Sad River".

Clever arrangement, coupled with the story sense of the two singers, clean voice, long-distance singing, and dazzling skills that do not deliberately pursue skills, can always touch people's hearts.

In contrast, Sara and Shan Yichun's "Afterlife" arrangement is also very neat, but as netizens said: Without the beginning of erhu, there is no soul.

It can be seen from the modeling that the two singers are deliberately different. Sarah is wearing a blue suit, which is in sharp contrast to Shan Yichun's dark green dress. Because of the different singers, the theme of the song has also expanded, from love to family friendship, which sounds sincere and moving, and the performances of the two singers are also good.

But maybe Andy Lau's version is too impressive. Generally speaking, the new version didn't make me forget my impression of the original song at a certain moment.

In this sense, I heard another proof of this chorus: Who says Andy Lau can't sing? After so many years, which version of Next Life has surpassed the Hua Zi version?

number

Best song, best scene

Number one player: George Lam Zimbit's "Bicycle"

Competitor: None

The most defensive moment of the game: Zembit hugs George Lam.

There is no suspense. It is not that other singers are not performing well and the stage is not good, but that another classic stage of voice synthesis has just appeared this year.

The diversity and texture of the mango variety stage created by the team of "I am a singer" is the outstanding advantage of "Sound Endless".

In this song, this advantage is also brought into full play.

It's not just a sense of atmosphere and artistic conception, it's like watching a musical movie.

Ordinary people may think of many props when interpreting the scene of this song, such as the scenery of an amusement park, but the main scene of this field is a bench and a platform.

The background board naturally brings out a lot of feelings and information, which makes people have to blend into the scene of the song.

In fact, the scene is so powerful that I can already give eight points to the singer who sings six points.

However, Hacken Lee will also choose candidates. "Zeng Bite played first and was a master, so you are a couple." . As a result, the old one sang directly to the level of 9.9999 points, and the singing part was infinitely close to perfection. Then how can I give this score?

As can be seen from the name "the sound is endless", it contains a kind of "inheritance".

This is also a song that perfectly embodies the concept of inheritance since the program started. It is the singer who witnessed the history of Hong Kong music and the true inheritance of the new generation of Hong Kong music.

Zeng Bite made his debut in the talent show "All People Make Stars". It was almost unknown in the mainland before. A "First Love" became a dark horse.

I'm afraid he sang very soulful in the last scene, and the last impromptu falsetto was great, which may not be as good as Xia He, the fox.

Didn't expect this "father and son" combination to be so sharp?

As soon as the two timbres collided, my tears began to flow, and the highest realm of the song was emotion. I think countless audiences were emotional at that moment.

It is also wonderful to integrate Xia Shaosheng's Empty Stool into the middle song (that is, Chen, the chief helmsman of Duke of Lushan). The voices of the two singers are constantly intertwined, as if the roles of a father and son were talking. George Lam, in particular, is like a father who feels indebted when he opens his mouth, constantly switching between "sigh" and "regret".

Many Cantonese fans are wrong, because the original songwriter said that this song actually contains a lot of anger and dissatisfaction with his father.

But the meaning of adaptation is to give songs different connotations, isn't it?

At least I understand the regret and loss that Zeng Bite felt in his songs. George Lam's vibrato contains such deep love.

At first, a person sang and sat alone, and father and son were always separated. Later, the two sang closer and closer, and finally sat on a long stool. This scene is really wonderful. Finally, this song seems to freeze time.

To some extent, the deep feeling in the song is like a blunt knife soaked in salt water, which hurts the hearts of many viewers.

Singing here, in fact, the whole song has been very, very satisfied, enough to enter the best stage of this year Unexpectedly, there was a finishing touch, that is, Zeng Bite's last hug.

I don't know how many people shed tears for a whole song at that moment, but I think this is really real art, and all ages are real artists, because real art is what can inspire the noblest feelings of human beings.

"Bicycle" is.

Later, the audience learned that Zeng Bite's father died very early. I'm very satisfied that Mango Taiwan didn't put this scene before singing, because the song itself is touching enough. This is a good clip and a real respect for the singer.

So although the stage of Yong, Huahuo and I want your love is very good, in fact, the barrage has long selected unpublished masterpieces in this field.

"Don't think I know", "bike", of course, "bike".

In any sense, this variety show is a success.

Even in TVB, where ratings have been poor this year, the program scored 16.9 on Sunday night, that is, about1180,000 people watched the program.

But why is "The Road to Never Shut Up" popular?

There is an answer in the hot search: the voice synthesizer has to be mango.

This answer is naturally correct. But why did Mango and the singer team create the "sound ceiling"?

There are many reasons mentioned, such as the traffic password of Hong Kong music.

In fact, since last year, this traffic password has become more and more powerful. The ratings of the Greater Bay Area party were very successful, and so was the Hong Kong Star Variety Show on Mango Taiwan. In a word, Hong Kong music is playing and the feeling is unparalleled.

Another example is the unique advantages of mango in sound synthesis, especially the unique strength of the Singer team in variety entertainment.

Only in the mango soundtrack can the audience see what Mao looks like when he can't easily sing "Far Away" under the dead tree, the oil lamp and the starlight, just like a movie, while the first love sung by Zeng Bit is full of colorful and retro neon, and of course there are benches and platforms of "Bicycle".

Only in the mango soundtrack will the audience hear Ka Kui Wong's "reproduction of the original sound" at the climax of the female chorus of Broad Sky.

For another example, this variety show finally showed us the new strength of Hong Kong music scene.

For example, Yan Mingxi, who sings "Famous", is really amazing in strength.

Zeng Bite, two surprises in a row, is a "explosive head who loves singing". If the retro, funk and soul are further explored, the future is limitless.

But in fact, in the final analysis, it is this program that has moved the "Hong Kong Music DNA" of fans, even ordinary viewers outside fans.

In this era of music diversity, only Hong Kong music, only one note and one lyric, can inspire everyone's * * * power in an instant.

Although the same era often produces geniuses, Xingang music is not much better. I don't think there is such a rare genius as James ·J·s· Wang, who thought of playing five scales upside down and writing an impassioned "The Sea Laughs".

But finally there was a variety show, which allowed the audience to see Hong Kong music again.

Yes, it's not perfect. For example, the musicality is relatively conservative, and the presentation of Xingang music is not enough.

This is controversial. For example, Cantonese songs or Hong Kong music?

But no one can deny that the program really once again bloomed the charm of Hong Kong music and crossed the era!

This is more important in the end.

In the final analysis, inspiring a generation's sincere love for Hong Kong music is the root of the success of the program.

Although there is not much introduction about the new generation of Hong Kong music, without this program, many young people today may not be interested in getting a close look at what Hong Kong music is.

Especially on this special day, many people's lives have been changed more or less by the epidemic.

When the wind and rain cross the border, people need warmth and strength more.

And that's what this program is for the audience. Many times, people find strength from memories.

Perhaps, a 40-year-old uncle, after a long busy night, will turn on this program and then play a familiar piece of music, which will warm and lonely life in the middle of the night.

For so many years, Hong Kong music has accompanied us, experienced the folding of life, worked hard for a better life, experienced countless setbacks and sufferings, experienced heartbreak again and again, and experienced warmth and comfort. This variety show suddenly helped many of us find those warm memories.

At that moment, I will feel that even if life is hard, it is worth living. At least, there is Hong Kong Music, an old friend.

So, is it a perfect variety show or a touching variety show?

I think, in fact, what impressed me most about Hong Kong music, Hong Kong movies and Hong Kong drama is its imperfection.

Imperfect, so real, just like everyone who listens to music, we are not perfect.

For so many years, imperfect American and imperfect Hong Kong music, with a sense of loneliness, have gone through life together, looking forward to the next spark of life.

Such variety shows, I think, are always worthwhile.

Maybe the peak is hard to come back, but the glory of the past remains in my heart. I have an old friend to accompany me to the unknown future, just like the song in Bicycle:

It's hard to leave, but I want to catch some boundless life, like a wilderness where a child can lie on his father's shoulder. Who wants to get off?

Gangle, it's hard to leave. Who wants to get off?