The commentator introduced us to the first painting called Yoshida Street, which was painted by Lingchuan Shifang. Black and white tone is monotonous, which is one of the representative works of early ukiyo-e painting. There are four figures in the painting. A man is wearing a long-sleeved kimono with a comb called Shihe in his hair. He is barefoot, and the wearer on the left has two mountain cities, and his hands hold oil-paper umbrellas to shelter the lady in front from the wind and rain. The woman in front turned her head to the back and looked at the man who held an umbrella for her, holding his chest with his hands, wearing a mountain city on the left and a pair of wooden shoes on his feet that were different from those of the man behind. There are also two ladies kneeling on the tatami, reading with books in their hands. At the same time, the commentator told us. In the early Ukiyo-e painting, landscape painting was only used as the background of beauty painting. Mature ukiyo-e painting is pushed to the peak by a series of works by these two masters, such as Thirty-six Scenes of Fu Yue written by Ge Shibei Zhai and Fifty-three Chapters of Donghai Road written by Ogawa Hiroshi.
I stopped in front of a broken ukiyo-e painting, which was painted by a samurai, Minamotono Yoshitomo. Samurai paintings are based on legends, legends and samurai in historical novels. In this broken painting, the image of Minamotono Yoshitomo riding a horse is still clearly visible. Minamotono Yoshitomo was a Japanese general at the end of heian period and the leader of the Northeast Warrior Regiment. He led the hero of Kanto and made great contributions to the court in the Baoyuan Rebellion. Later, he went down in history as a rebel because he launched the Pingzhi rebellion.
After reading the theme of samurai painting, my companion and I stopped in front of a ukiyo-e painting. In my eyes, this is a picture different from other ukiyo-e paintings. It's about lovers getting along. This painting is called "Men and women meet Tang Xuanzong and Yang Guifei under the plum blossom tree", which was painted by Tory Changqing. The picture depicts lovers getting along under the red pleated plum tree. The beauty in his works conforms to the aesthetic concept of the society at that time, with vivid images and elegance. At the same time, he gave full play to the use of red, green and yellow in red pleated paintings, with full colors, delicate techniques and warm pictures.
I said to my companion, "the romance of the ancients is really different." He said to me, "Be quiet, or let's try the pair above." I showed an expression of disgust: "Hey, you didn't see it clearly. It shows two people with a flute in one hand and a flute in the other. " But he said, "Why don't I leave my boudoir to you?" I immediately replied to him: "Go away." Gave him a dirty look.
This is the untitled of the author anonymous in a beautiful painting. In the picture, a woman Shimada Hanzo is trying to sleep. I don't know why I think of erotic pictures.
This is "Far Glasses", a beautiful painting by Gao Zhi Bei Zhai, which depicts two women. One of them is the wife of the samurai who dyed the black pool with an umbrella. She and another woman are looking at a picture with a red telescope. At that time, it was popular in Japan to appreciate paintings through optical instruments such as telescopes. At the same time, "Far Glasses" is a very rare first painting in the period when Ge Shibei Zhai claimed to be "waiting". Note: Dyeing teeth black is a symbol of the status and status of Japanese aristocratic women.
We saw another painting different from other paintings in the Beauty Picture. This is a painting called "Sam and Kintaro" by Gemo, Beichuan. The painting depicts the Japanese mother and son Sam and Kintaro living in the mountains, and Sam and Kintaro watching the scenery together in the wilderness, showing the warm scene of mother and son living in harmony and family harmony.
Sam is a monster who lives in the mountains. She is called ghost girl, ghost girl, also known as "Shanji" and "Shannv". The mountain basket will become a beautiful woman, providing accommodation and food for travelers in the mountains, but swallowing it after they go to bed. However, when Sam was young, he also raised a famous Japanese creative figure, Sakata Kintoki, which became a much-told story.
In "Ancient and Modern China and Foreign Countries", in 976 AD, on the way back to Beijing from Shanghai, Yuan found a woman with fair skin, black hair and no blood, who lived with her youngest son on Lishan Mountain in Xiangmo County. When asked, she realized that this was the son of the red dragon. Yuan thought this man was not an ordinary person, so he accepted him as a retainer and named him. Later, he became one of the four heavenly kings under Yuan.
Subsequently, we followed the narrator into the theme exhibition area of beauty painting, which is the main theme of ukiyo-e painting. Beauty painting shows the warmth and fullness of women's bodies by depicting busts. She introduced us to "Based on Flowers" painted by Xizhaiying. Wearing a black kimono with exquisite patterns embroidered on it, wearing a blue belt around her waist and a beautiful headdress, the figure is S-shaped, which shows that the beauty in the painting is so graceful.
Seeing this painting gave me a strong visual impact, and there was only one sentence in my mind: Is this a beauty? This is obviously a snake. At that time, people still regarded Yingzquan in Xizhai as a beauty. Later, I turned my head and regarded the geisha in this painting as an aesthetic concept that conforms to my own rules.
After the beautiful painting, we followed the narrator to the achievements of the six masters of Ukiyo-e painting. Suzuki Harunobu, the first colorful "brocade painting". Torii nobunaga, the fourth generation successor of torii School, has formed a unique "evergreen Ren Mei" style. Kitagawa Utamaro's original bust-"the first great painting"-shows a close-up of the faces of the characters. Dongzhouzhai music boldly and exaggeratedly emphasizes the five senses of characters and expresses the inner feelings of actors through extreme painting style. The landscape paintings of Ge's North House and Ge Chuan are enlightening to Western Impressionism.
My favorite is Takashi Kitazawa's work Thirty-six Scenes of Surfing in Kanagawa. The narrator focuses on the characteristics of this painting: the composition of the picture is ingenious, the edge of the spray is like claws, and the waves are like monsters that pounce on people, which has certain abstract significance. The rough waves in front of the picture form a hill, which is in sharp contrast with Mount Fuji in the distance. This kind of treatment reminds people of the smallness and helplessness of human beings in the face of natural disasters. Some people say that this is the characteristic of disaster, which contains the painter's sense of hardship.
Although there are not many topics on display in this ukiyo-e exhibition, it is a brand-new section for me. After watching the ukiyo-e exhibition, my companion and I walked out of the museum to discuss what to eat for dinner.
Companion: "Quiet, what do you want to eat?"
Me: "Whatever, as long as it's not spicy or slightly spicy, just slightly spicy."
Companion: "What about the barbecue?"
Me: "Yes, which barbecue is it?"
Companion: "It's a Korean barbecue."
Me: "Then go to this house."
The two of us walked side by side on the sidewalk. Because the sky in Shenzhen at five o'clock in the afternoon in summer is clear and cloudless. From a distance, they still walked slowly together and drifted away.
Recently, I took a hard advertisement photo for Calvin Klein and Heron Preston