Full of momentum, full of picture sense, full of twists and turns in singing, which makes people emotional. There are no lyrics, but every performance can be basically the same, which is amazing. Just like I admired Bjrk many years ago, it doesn't matter if the rhythm is complicated and the chord conversion is not obvious, just give a tone pad. Bibo can squeak and sing, and she sings the same every time. I don't agree with the title of "Divine Comedy" given by netizens. This is a serious experimental work. Add points to this unconventional artistic innovation. After listening to this song and watching an exclusive interview with Gong Linna, you will feel that she is really performing in this song, so it is very real.
Sounds like musical instruments have a wide range, stable bass and stable treble. You can control the volume freely and be good at changing the timbre. Gong Linna's tone is soft, like spinning, rough, like scraping a pan. Ying Ge sometimes euphemistically, sometimes combatively, with a good foundation. The breath is full and stable. Before the music stops, the vocals in "Dripping Water from a Stream" and the interlayer in "Uneasy" can't see her breathing point, singing jazz scenes, and dancing is a bit messy. This kind of live dance is too exciting to be uniform all the time. But much better than the average singer.
Learning drama is not only learning to sing, but also having hands, eyes, body, methods and steps, especially eyes. Without the special study of teachers, how can there be immortals? Learning drama is not necessary for national singers, and the scenery on the stage is reserved for those who are prepared. This work is a dazzling work, dazzling and beautiful. Everyone had a fun fight with bamboo poles and horses, watching a woman come with a knife. This is Gong Linna.