The second category focuses on the teaching of language expression or the content of line performance. Mainly to guide the expression in different contexts, including the rhythm, volume, intensity, pitch and sound line characteristics of language, so as to ensure that different types of works can be better interpreted.
Dubbing is a job, so the training class is basically a vocational training, not a talent class. Therefore, if you are still a student at school, it is time to consider whether to accept "vocational training"! Furthermore, the voice actor is an actor-"voice actor". Our daily dubbing work is acting with sound, so people who want to engage in this line should realize that this is an "acting career". Therefore, whether you attend a training class or study any subject in the future, the important thing is not to be a "voice actor", but to train yourself to be an actor! "Voice actor" is very important, and I think this is the ultimate goal of all voice actors. If you want to learn, you can come to this group, starting at seven seven eight eight, starting at six zero zero in the middle and ending at three nine six, where you can learn to communicate.
This content belongs to the basic practice of language expression or line performance. This can be compared with all kinds of moves to learn martial arts and practice. And this part of the exercise needs the basic skills of vocal muscles as support. Most dubbing teaching courses contain or contain some of these two contents.
When looking for a tutorial in the early stage, it is suggested to find a more comprehensive and systematic tutorial as much as possible, and update it a little at the same time. Read it at least once after the selection is completed.
After you have a basic understanding of the content, you don't have to expect to read all the other courses, and then you can continue to expand some other specific content training in different tutorials. For example, aiming at nasal sounds before and after Putonghua, breathing rhythm during performance, etc. , find the corresponding parts.
Here, we need to pay attention to new learning. Oral practice and breathing practice, which are relatively "mechanical" training methods that can be learned, are not very detailed in many systematic tutorials.
If you can't find a specific training method for oral practice when you are just learning, you can find some live demonstrations on the Internet and spend some time practicing learning alone (you can directly search for keywords such as "oral practice" and "practice breath" and pick a few exercises).
After learning it, it's much easier and I can't even forget it. For example, there is a very tiring link in oral practice, that is, "tongue rolling", which allows the tongue to move in the mouth to the greatest extent. It was difficult for me to complete a complete circle at first, but after comparing the video and mirror decomposition exercises, I was able to complete it gradually and became more and more proficient.
Let's talk about common dubbing exercises first. ?
If you have no foundation, you should first learn breathing methods (mainly chest-abdomen combined breathing), breathing exercises and vocal-related muscle exercises (tongue, lip shape, throat opening, etc.). ). There are many related tutorials and videos online. In fact, singing and broadcasting are basically like this. ? The most profound chest-abdomen combined breathing training method I have ever seen is to sit on a stool without a backrest, sit up straight, lean back slightly, and then talk at this time. It is a more natural chest-abdomen combined breathing method. Remember this strength method and practice it (of course, this is not necessarily the most suitable and standard). Other training methods are the same. ? Then there is the vocal position (different voice lines, tone sandhi, etc. ), language sense exercises (sentence stress and tone) and drama sense exercises (performance exercises). ? Among them, the drama sense exercise (performance exercise) is very similar to the actor. It is important to realize that dubbing is actually a performance, not an imitation. Judging from the expressions of people around us, they all regard dubbing as imitation. Dubbing itself is conveyed by the dubbing actor according to the work, which covers the dubbing actor's own understanding of the work. There may be many kinds of understanding, and the best one is the masterpiece. There is no such thing as the best. ? Therefore, to learn dubbing, you can also bring professional books of actors, and the research method is the same. Like Six Lectures on Acting. ?