Do you write that you are one of the four masters in the early Tang Dynasty and then list your calligraphy achievements, or do you directly show your works? But he came to the conclusion by four people in the early Tang Dynasty and later generations. It doesn't seem to work. Of course, in ancient times, you didn't need a resume to apply for an official position, just a letter of recommendation.
Ouyang Xun
I have experienced three generations: Chen, Sui and Tang. Of course, the Sui Dynasty practiced the imperial examination system, so Ou Yangxun could also serve the country through the imperial examination.
Ou Yangxun held many official positions in his life, all of which were related to etiquette or document compilation, which also proved his accomplishments in literature and calligraphy. If you think you are wrong, as long as you have the knowledge of civil servants, you will write well. If no one knows what you wrote, your book is useless.
Therefore, Ou Yangxun, who is highly accomplished in calligraphy, still has great advantages. His representative works "Preface to Lanting Collection" and "Thirty-six Plans" are enough for others to look up. Besides, Ou Yangxun is good at inscriptions. According to incomplete statistics, there are more than ten kinds of inscriptions in regular script in Ou Yangxun that can be seen today. Of course, only four experts recognize it, but it is enough for many people to live for a lifetime.
It is said that others are forged by later generations, so people's character will be popular.
Yang Shiqi in Ming Dynasty once commented on Ou Yangxun's calligraphy, saying that his brushwork was solemn and bookish. It has both the elegance of Jin calligraphy and its own laws. As a beginner, as long as you keep learning, you will certainly gain something.
Ou Yangxun Heart Meridian
Ou Yangxun, a famous calligrapher in Tang Dynasty, was born in Linxiang, Tanzhou. He was very clever since he was a child, became famous in the Sui Dynasty and became a doctor in Taicang. He was also the first of the four masters in the early Tang Dynasty, and occupied a very important position in the society at that time.
Ou Yangxun's calligraphy combines the strengths of many families since Wei and Jin Dynasties, and finally forms an independent whole with its own unique calligraphy form. His writing skills are similar to those of the ancients. He is dignified and steady, and he turns neatly. The title of Ou Yangxun was well known in the world at that time. In the Tang Dynasty, when calligraphy developed rapidly and reached its peak, whenever regular script was mentioned, Ou Yangxun would be mentioned. However, Ou Yangxun still takes calligraphy seriously and studies it from time to time.
Ou Yangxun's "Names of Buddhist niches in Huadu Temple" and "Huangfushou Monument". Known as the first regular script in the Tang Dynasty. His writing and style are very serious. The "Ouyang Thirty-six Style" mentioned by the world since then is the experience found in his regular script.
The full name of Heart Sutra is Prajna Heart Sutra. This is a great Buddhist classic in the history of China. Although the full text is only 260 words, it is the core essence of the 600-volume Prajna Paramita Sutra. Bodhisattva, in order to achieve the highest wisdom, must practice the heart sutra. This book is worth rethinking, and Ou Yangxun's calligraphy is the icing on the cake, giving this Heart Sutra more special significance. It is one of the relatively complete and precious cultural heritages in Ou Yangxun and occupies an important and indelible position in the history of calligraphy in China.
What are the characteristics of Ou Yangxun's calligraphy?
Ou Yangxun was a famous calligrapher in the early Tang Dynasty. My ancestral home is Linxiang, Tanzhou, and now I live in Changsha, Hunan. He was clever and witty since he was a child, and later he was very interested in history books. It can be said that he reads widely.
Ou Yangxun's Calligraphy
Among them, he is particularly fascinated by calligraphy. He likes to touch Wang Xizhi's calligraphy best. Later, on the basis of Wang Xizhi, he softened the characteristics of Li Han and became an independent entity. His calligraphy was very famous in the Sui Dynasty, and later he became a doctor in Taichang.
His calligraphy inherited the experience and characteristics of Wei and Jin Dynasties, and formed his own style on the basis of Li Han. It is drawn from ancient books with a pen, so it is thick, majestic, clean, dense and closely combined. It can be summarized by the word "dangerous power". At that time, it was very famous in other countries, Korea e.
It is said that Ou Yangxun is ugly, but he is smart and conscious. His calligraphy has a great influence on later generations, and he is known as the first of the four masters in the early Tang Dynasty. The "Ouyang Jie-style 36 Methods" handed down by later generations is also the law and method summarized from his calligraphy, which provides an important way for future generations to learn calligraphy.
On the whole, his calligraphy is rigorous, the font is long but evenly distributed, and the momentum is very unrestrained. Although most of them tilt to the right, the center of gravity is very stable and there is almost no tilt. This feature of his calligraphy later became the focus of world competition practice.
On the characteristics of Ou Yangxun's regular script
As the saying goes, "reading words is like reading people." In other words, we can see a person's personality, a person's lifestyle, a person's appearance and a person's face.
So many people can practice calligraphy, such as running script, regular script, cursive script, slimming method and so on. In the 5,000-year history of China, there are many famous calligraphers. When it comes to regular script, one person must be mentioned. Official script is the most important figure in Li's creation, but he is praised by the world for his regular script. Who is this man and what are the characteristics of his works?
Speaking of this man's name, many calligraphy lovers will suddenly realize, Oh, it's him, yes, it's Ou Yangxun. Ou Yangxun's regular script is neat and standard, and his pen is vigorous and powerful. His handwriting is clear and neat.
In the Qing Dynasty, someone once commented that Ou Yangxun's words emphasized the use of power between fingers. The stroke structure is rigorous and powerful, not plump and round, and not too slender. Every painting is perfect. It's a little too long, a little too short, the weight is right, and the length is right.
Of course, his calligraphy not only uses the strength between his fingers, but also tries to strictly control the strength of the middle part of the strokes with a pen, that is, simple horizontal strokes and strokes. There are also some characters whose main strokes emphasize outward extension to show the compactness of the characters, especially when the vertical painting is written on the right side, there will often be upward exaggerated extension. These unique works of Ou Yangxun show his extraordinary courage.
Ou Yangxun also created eight strokes to illustrate his unique views on calligraphy. In the Tang Dynasty, some people commented that his Eight Diagrams Palm was perfect and showed the danger of power perfectly.