1. Exchange organization

Such as "False Love", "Yamada and the Seven Witches" and so on, all use this kind of exchange or * * * to enjoy the stem of the body, and even "Your Name", which recently slammed into Makoto Shinkai, used this trick. The most boring thing about exchanging bodies is that the next step in this plot is usually to be ashamed to look at each other's bodies, so it is easy to guess the next plot direction.

A female interviewee said: "I don't like the story of men and women or roles exchanging bodies." Seeing each other's bodies is usually an old-fashioned panic or shy story. "

transcend time and space

Traveling through time and space has always been the mainstream of animation, from Doraemon to tutor, from primary school comics to juvenile comics.

One of the interviewees said: "99.99% of this crossing theme is to let the protagonist go back to the past or the future, and then change the fate of himself or others. "

Step 3: boudoir

Although this trick is very effective, such as "strawberry 100%" and "bag queen" are all liked by many men. However, some respondents said that basically this kind of work is the same.

The plot is to meet new and lovely people constantly, and they all like the indecisive protagonist, which also makes this kind of comics very angry. When there are more and more harems that cartoonists can't afford, the plot is almost over.

4. Another world

Moving the protagonist from our world to another world for adventure is easy to make people feel fresh and nervous. For example, the popular cartoons "Death" and "Inuyasha" are like this. A male interviewee said: "These are boring, and you know what will happen next. It seems that there will be a god-like role in the end, and it can't be stronger, every time. "

(of a doctor) bring the dying back to life

Sometimes animation will accidentally let the protagonist die, to create a cheerful supporting role, to create the climax of the plot. Respondents said that I have seen this routine too much, and now I know that the protagonist is not dead at all, or will be resurrected.

In the comic world, killing the protagonist is like losing the job of a cartoonist, even if the plot is no better, it is useless, so these writers will try their best to find a reason to revive them. For example, in Dragon Ball, even if all life in the world is killed, the dragon ball can be revived like a plug-in. Soon, readers will find that it's nothing to die.