The interpretation of songs needs various expressions. First of all, of course, the sound. This is a very professional knowledge, including breath, voice, mouth shape and the way of pronouncing words. In future articles, I will try my best to share what I know with you. The second is emotion. This requires a singer to have a better understanding of words and melodies. When many friends sing, they focus on the voice and ignore the emotion, so they can never sing a good song. The reason for paying too much attention to the voice is that the singer's strength is limited, and it is inevitable that he always thinks about where to pay attention to the breath, where to breath, and when to approach the treble. Therefore, it is very important to practice when singing. When practicing your voice, you will pay attention to your emotions when singing. There is a saying that songs are not sung with the mouth, but with the heart. If the vocalization is practiced to the point of thorough breath and perfection, the concert will inject emotion more freely and have a stronger appeal to the interpretation of songs. The third is feeling. Here is the same sentence, the feeling of music is born, how much you have, and the feeling of making up the day after tomorrow is very few. Pop songs need the feeling of pop songs, and folk songs need the feeling of folk songs. For example, if you want Yan Weiwen to sing "Nothing", I promise you will laugh at a lot of people! Singers have different feelings, and the songs they sing are handled in different ways, some are very dull and some are very exciting. These treatments are very subtle, such as a little breathing, an emphasized accent, a long drawl without breathing or a sudden ending ... these can only be understood. The fourth is the sense of rhythm and intonation. Have you ever seen a 3-year-old child play the rhythm of adding flowers when he hears a melody? Have you ever seen a 3-year-old child singing live, and his father accompanied him with an accordion, changing his tune at any time? Are all his tones accurate? Have you ever seen an 8-year-old child hum the pronunciation of "1" in any tone such as "E-flat" and "C-flat" at any time without hearing any sound, and then press the key on the keyboard to check whether it is completely accurate? This is talent. Singing needs such a foundation. Although not as outstanding as they are, they must not be weak. The fifth is quality. This is the difference between amateur singers and professional singers. In fact, many amateur singers are as good as professional singers in voice, mood, feeling, rhythm and intonation. The gap lies in quality. Do you know your body and expression when you sing? You may have a vague image, that is, when you are engaged in singing, you imagine yourself, and this image is probably the original image of the song you sing. But these are all your imaginations, and your imaginary image is almost perfect. Do you know what you see? Have you ever filmed your own formal singing with a video camera? In fact, you can tell whether you are an amateur or a professional at the first glance or the first sentence. The qualities mentioned here also include an understanding of music theory, musical instruments, music history and common sense. Of course, many professional singers are not comprehensive, but I personally think that if you want to become a professional singer, you must implement these well and be worthy of the word "professional". How many times do you read the lyrics in your mind before learning a new song? How many times have you tried to figure out the mind of the lyricist and the artistic conception he expressed? For a song, whether there is a word or a song first, both authors carefully ponder the artistic conception and thoughts that the other (lyricist or songwriter) wants to express. If you come here, you should completely ignore their good intentions and just sing with your own feelings. I don't think it's appropriate. Some personality singers like to express themselves according to their own understanding, which is also good (I like it), but I will understand the author's intention before playing. Besides, not every song is suitable for you to play casually, and you can't find a more suitable expression for some lyrics, such as the national anthem. After you deeply understand this song, your emotional handling will be much better. If you have a strong sense of perception, you can't help singing a certain tone. If you are lighter than a certain tone, an impassioned long tone will be full ... Is there a difference between words and singing except melody, rhythm and breath? Yes, that's how you spit. Please read "Let me love enough once" in your casual way, and then sing with your heart ... You will find that your mouth is open to both sides when you sing, which should be exaggerated. If you think it's almost the same, then there is something wrong with your spitting. Therefore, singing is more exaggerated than lip-synching, so that the words will be clearer, the breath will be smoother, and it is more suitable for expressing emotions. Singing Chinese songs is still standard. For example, the differences between "Z, C, S" and "an, ang" and "L, N" are easily confused. Singers in Hong Kong and Taiwan sometimes deliberately sing individual words without rolling their tongues, or they can't move their tongues, or they don't feel good, or they don't know the pronunciation at all. I didn't have a clear idea when we covered their songs. In order to imitate them, we can not correct them. But if you want to sing your own style or competition, you have to correct it.

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