Whether walking in the street or turning on the mobile phone, as long as there is background music, we can enjoy the effect of 3D surround every day.

For example, this 20 19 super divine comedy, one, two, three, let's go:

"Sen Lei, I want to return Lei to the dog in the middle of the night. I don't care if he is gold ..."

Many people listened to this song and said that it had been three days, which made people restless and restless.

? Streets in the eighties and nineties

Besides, the more you try to stop it, the more it sings.

From "Kelp Dance" and "Cat Barking" to "Wolf Disco" with Cantonese flavor in Northeast China, and then to "Daejeon Afterlife" by Tik Tok's soft sister, these saliva songs, which are regarded as divine comedy, are almost a hit.

Is this song poisonous or is there something wrong with you?

Why do we love Divine Comedy so much?

Some songs you haven't heard completely, but they are like the magic of love, circulating in your mind.

"You are my little apple.

I can't love you too much

My little red face warmed my heart.

Light the fire of my life ... "

"The boundless horizon is my love.

Flowers are in full bloom at the foot of the castle peak.

What kind of rhythm is the most swaying?

What kind of songs are the most enjoyable ... "

Why can't we not sing the divine comedy?

Phoenix Legend

Divine Comedy often uses the most catchy melody to stimulate the listener's senses. Every time the dimension of sensory stimulation increases, the pleasure doubles.

Therefore, listening to brainwashing divine comedy is like eating spicy food. The more you eat, the more you get, and you can't control yourself completely.

But don't worry, it's not a disease.

According to research, 98% of people have been brainwashed by Divine Comedy, and we will be brainwashed by Divine Comedy at least once a week.

In addition, women are more easily brainwashed than men.

Then, do you know why your aunts and grandmothers like to dance square dance?

Popularity is neither vulgar nor vulgar.

During the Warring States period, some people sang in the city of Chu and began to sing "Chin Beauty", and as many as 1000 people could sing together.

Later, I sang "Yangling Caiwei". Only a few hundred people can sing together at this time. When it comes to Chun Xue, only a few dozen people can sing it together.

The phenomenon of "high and low" has existed since ancient times. The more elegant an art form is, the fewer its audience will be. On the contrary, popularization and grounding will naturally lead to more audiences.

The threshold of pop songs is the lowest, and there is no belittling here. There are also many classic works in pop songs. The so-called "low threshold" refers to their popularity, which is inevitable because they are popular.

However, the popularity is good, not to mention vulgar.

If it's just catchy, it's tolerable, but some online divine comedy has no lower limit and vows to be the "most beautiful boy" in the crowd.

Just take out a few words to give you a taste:

Let's learn meow, meow, meow, meow, meow, meow, meow, meow, meow, meow, meow, meow, meow, meow, meow, meow.

Where did the big manhole cover in front come from? I put my foot in ~ (I respect you as a man)

Your smile is like a vicious dog, hitting my heartstrings ~ (where is the bottom line of ancient style)

Look at these lyrics, there is indeed a reason for fire. After all, "it's like looking at the mountains and not liking peace". A monster with three eyes is always more eye-catching than a passerby with two eyes.

No wonder there is a hot word called "judging ugliness" now. It wants to be unconventional and attract people's attention too much, and gradually loses its offline, so it begins to take ugliness as beauty and shallowness as beauty.

What is terrible is that there is still such a market for this deformed aesthetic. It seems that China people's musical aesthetics have been replaced by low?

In view of this phenomenon, some people think that it is because China people have no musical cells since ancient times.

And the ancients in China said, we don't carry this pot!

China people's music genes

In the 1980s, a number of bone flutes were unearthed in Jiahu Village, Wuyang County, Henan Province. The earliest ones were more than 9,000 years ago, and they could play a complete pentatonic scale.

It seems that China's claim that he has a long history of 5,000 years is not accurate, because China's history of playing music can be traced back to 9,000 years ago.

During the Western Zhou Dynasty, Duke Zhou formulated the system of rites and music. Since then, music not only symbolizes personal accomplishment, but also embodies national etiquette, which is the origin of China's title of "the country of rites and music".

Confucius regards music accomplishment as the highest standard to measure a gentleman, and the founding kings of past dynasties will take the establishment of ritual and music system as one of their primary tasks.

In addition to official etiquette music, each era has its own unique musical style.

? The image of Confucius in film and television dramas

For example, ancient music and dance, elegant music in the Zhou Dynasty, and "the voice of zhengwei" in the Spring and Autumn Period; During the Qin, Han, Sui and Tang Dynasties, hundreds of operas and songs and dances became popular again. Quzi Ci and Rap in Song Dynasty: Zaju and Sanqu in Yuan Dynasty; Secular ditties in Ming and Qing Dynasties, etc.

It seems far-fetched for a civilization that attaches so much importance to music to say that she has no musical cells since ancient times! In fact, we not only have musical cells, but also take them to the extreme.

The classics of Chinese studies that we have memorized since childhood, such as The Book of Songs and Songs of the South in the pre-Qin Dynasty, Yuefu poems in the Han Dynasty, and Yuan Qu, the most popular poetry in Tang and Song Dynasties, were all songs at the beginning of their birth.

Take the Book of Songs as an example. The Book of Songs is a collection of songs from the Western Zhou Dynasty to the Spring and Autumn Period, in which "wind", "elegance" and "ode" are folk songs, court songs and sacrificial songs of the Zhou Dynasty respectively.

Confucius once said: "The chaos of Guanluo was a shock!" It is the climax of the song Guan Ju. The voice is full and seems to fill the ears.

During the Tang and Song Dynasties, literati's poems were widely loved and sung by singers and musicians, so many literati had close contacts with musicians.

Bai Juyi's famous phrase "flowers are not flowers, fog is not fog" describes her frank communication with Ge Ji;

Bai Juyi's image in film and television dramas

Du Fu's famous poem Linjiang Meets Li Guinian embodies the profound friendship between literati and musicians.

Because there was no way to preserve sounds in ancient times, these songs eventually became pure literary forms, and those famous lyric writers were just literati.

In fact, there is more than one connection between ancient literati and music!

Nowadays, piano, chess, calligraphy and painting are often used to measure a literati's cultural accomplishment. Why does "Four Literati Arts" put guqin in the first place? Because ancient times paid attention to "scholars don't play the piano for no reason", scholars need to cultivate their self-cultivation and cultivate their sentiments with a healthy and peaceful voice in the guqin.

During the Wei and Jin Dynasties, many typical literati pianists appeared, such as Ji Kang, Ruan Ji and Cai Wenji. Representative piano pieces include Guangling San, Drunk, and Eighteen Beats of Hu Jia.

At the same time, Tao Yuanming should put a "stringed piano" at home even if he can't understand the melody, and he should take it out to fondle and express his feelings every time he is drunk.

Where are the music genes of ancestors?

It is strange that we have such a long musical history and such brilliant musical achievements, why is today's music declining?

Aside from the lack of online divine comedy, even if there are some classic works, most of them are copied from the west, such as rock, rap, country and so on, which people love and hear, and there are few original traditional styles.

Nowadays, there are many people who worship foreign things and flatter foreign countries, advocating how western music, staff and melody are. In fact, we are also proud of our achievements in music score and melody.

China's earliest extant music score is the Southern Liang edition "Jieshi Tiao You Lan" copied by hand in the Tang Dynasty. That is to say, music scores appeared in China at least in the Southern Liang Dynasty (502-557), and the subtraction music scores tailored by Cao Rou for guqin in the Tang Dynasty have been used to this day.

As for temperament, as early as the Spring and Autumn Period, Guan Zi Yuan Di recorded the "three-point profit and loss method" to find the law by mathematical operation.

Zhu Zaiyu, a royal aristocrat in Ming Dynasty and the ninth grandson of Zhu Yuanzhang, first calculated the law of twelve averages. What is the concept of this pioneering music field? To put it bluntly, there is no "law of twelve averages", and the appearance of the piano is just an unreachable dream.

Where are the music genes of ancestors? Can the development of our own music only copy the West?

Of course, for our own growth, it is understandable to learn from the Excellence of western music and develop our modern music, but we always have a misunderstanding of "modernity" and always feel that "modernity" must be opposite to "tradition".

As a result, many young people began to isolate or even abandon the tradition, feeling that reading fashionable rap in their mouths became foreign-style, completely ignoring cheap tunes and embarrassing lyrics.

In the final analysis, some of us are now lost by the impact of foreign culture, abandoning tradition and blindly seeking innovation. Over time, our basic cultural literacy has been lost, leaving only a bunch of grotesque empty shells.

Thousands of years ago, pipa, erhu and suona were also imported. However, on the basis of integrating their own national music traditions, the ancients also integrated and innovated, and finally developed from an "outsider" to a deeply rooted national musical instrument.

Innovation needs to be based on inheritance, especially the absorption of foreign cultures. Without the support of tradition, innovation is inevitable.

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