China's calligraphy and painting, as the quintessence of China culture, has given the Chinese nation an extremely noble spiritual enjoyment, while Mo Miao's exquisite brushwork is a pleasure in life. In the cultural history of China, painting is an important part, as Lu Ji, a writer and calligrapher in the Western Jin Dynasty, said:

There is no better way to introduce things than words, and there is no better way to introduce shapes than painting.

China's traditional Chinese painting focuses on expressing ideas, flowing spirit, modeling lines, structural organization, supplemented by light and dark colors, and the artistic feature of integrating poetry, calligraphy, seal, pen and painting-"poetic and picturesque". China's paintings and calligraphy not only satisfy people's visual enjoyment, but also are more

It can enlighten people's minds and make them happy. Chinese painting emphasizes that "nature is made by foreign teachers and the heart comes from China" ("nature is made by foreign teachers and the heart comes from China"), which is an immortal sentence in the history of China painting.

Simply put, "sex" refers to nature, and "mental source" refers to inner feelings. It means that painters should learn from nature and combine their inner feelings to create good works. In other words, artists use "pen and ink" as the carrier to eulogize, express or vent their feelings through their love, observation and understanding of heaven and earth. Throughout the ages, whether it is a "scholar-bureaucrat" or ordinary people today, when facing the beautiful scenery, they always want to preserve it with their own brushes or cameras, and then write "four words and eight sentences" (

Concise)-poetry. This is one of the manifestations of China culture and the cultural pursuit of China people.