Lohan in Red Sorghum is a winemaker in a famous wine shop. He is a fearless anti-Japanese hero and revolutionary martyr. When he was in danger in Jiu-Er, he extended a helping hand and successfully helped Jiu-Er out of danger.
After the Japanese army entered Gaomi County, Lohan was arrested by the Japanese army for burning the Japanese barn. At the time of execution, Shu Xian was wearing a wedding dress and begged Yueben to change Lohan into a wedding dress. Yueben agreed, and two people in wedding dresses went to the execution ground together, and both of them died.
The TV series "Red Sorghum" tells the story of Jiu-Er, with the help of wine-making master Lohan and others, Jiu-Er gradually grew from a simple girl to a competent female shopkeeper of sorghum distillery, which revitalized a single distillery. Yu Zhanao, on the other hand, led his brothers to form their own armed forces, dealing with local governments, bandits, iron clubs and other forces.
The July 7th Incident broke out and the Japanese army invaded Shandong, which broke the prosperity of Gaomi County in the past. In the face of national justice, Yu Zhanao and other forces put aside their differences, stopped disputes and joined forces to resist Japan.
At the time of internal troubles and foreign invasion, Jiu-Er led the team, led the Japanese devils to sorghum fields, lit red sorghum, and mutually assured destruction with the enemy. He wrote a legendary story of love and conquest, ambition and will with his own life in Gaomi, Shandong Province.
Evaluation of Red Sorghum Series
The play carries forward the spirit of patriotism, and the story is tortuous, rich, full and colorful. In addition, the play also created a number of plump and distinctive characters. As far as a work is concerned, these points are enough to hold water.
Finally, Jiu-Er lit the jar and the Japanese soldiers died together. In fact, wine can't cause a very strong explosion like gasoline. Although this plot is unscientific, it is artistic and meets the psychological needs of ordinary people.
This play is a big production full of vitality. If Gong Li's "Jiu-Er" is wild, then Zhou Xun's version of "Jiu-Er" is even wilder, bolder, alert and fruitful.