Back to the seventeenth chapter of A Dream of Red Mansions, after Fang Huiyuan's inspection, the title is correct. Jia Baoyu, Jia Zheng and others visited the newly-built provincial relatives courtyard and wrote the title. When I arrived at a place, "I suddenly heard the sound of water gurgling outside the cave, with the top of the cave upside down and the bottom floating." The scenery suddenly became clear and beautiful, and Jia Zheng asked everyone what the topic was here. Some people say it's called Wulingyuan, Jia Zheng thinks it's too tacky, while others say it's called the former residence of Qin people. "Wulingyuan" and "the former residence of Qin people" are allusions in Tao Yuanming's Peach Blossom Garden, which means that the scenery here is quiet and tacky, like a paradise. The diner "xianggong" can't help being kitsch, and it's understandable that he is so flattering. "Peach Blossom Garden" tells the story of Wu Lingren who went fishing, strayed into the depths of the peach blossom and suddenly found a group of people who avoided disaster in the Qin Dynasty. They lived carefree for hundreds of years, regardless of Wei and Jin Dynasties, which showed the author Tao Yuanming's desire to escape from the secular hermit life. The "Wulingyuan" and "the former residence of Qin people" here are also taken literally, which can be described as making the past serve the present. It's all related to allusions, which is consistent with the current scene. Even if they are not correct, they are very creative. Then Jia Baoyu's reaction was surprising. He said, "More and more exposed. How to get the meaning of' former residence of Qin people' to avoid confusion? Mo Ruo's Ci "Court Hua Ting Union". " Jia Zheng listened and gave two comments: "Nonsense." At this point, this content came to an abrupt end. From the following article, we can know that Jia Zheng later agreed to use the word "Li Lian" for the time being, but when he came back, he removed the word "Li Ting" and only used the word "Hualian" as the title here. The final name of this place can be described as twists and turns. The Provincial Family Garden was expanded on the basis of Huifang Garden in Ningguo House, and was later named Grand View Garden. Qin Keqing probably lived not far from here, and Qin Keqing was an extremely sensitive figure. Most importantly, she is also surnamed Qin. With this understanding, it seems that we can vaguely see the true meaning of Jia Baoyu's "increasingly revealing". Jia Baoyu apparently means "the former residence of Qin people", but its meaning is unknown. People in the Xanadu discovered by Wu Lingren lived there just to avoid disaster. If it is called "the former residence of Qin people", it means that people who live here also live there to avoid disaster. According to Cao Xueqin's writing habits, I think Cao Xueqin's original intention is just to explain that people who once lived here were trying to avoid disaster. Who's that guy? Last name is Qin, first name is Ke Qing. The place where she once lived can naturally be called "the former residence of Qin people". However, after the 16th anniversary of the pays photogenic funeral, the storm passed, and the Jia family ushered in a new spring and prosperity, which can be described as "icing on the cake, adding fuel to the fire". How can we bring up the past? Cao Xueqin actually has something to say here, so that readers can "see the essence through the surface" and feel the importance of Qin Keqing. There has been enough research on Qin Keqing. No matter what her real identity is, no matter whose daughter she is, at least one thing is credible. She can't be just a child brought back from Yangshengtang by Xiaoyingxiulang. There must be something hidden in her body, which must play an important role in Jia's fate. Later, it was obvious that this force of hers had done something bad, so I couldn't mention it again. The Jia family naturally wants to cover it up and then quickly, in order to protect themselves. Here, through the mouth of Jia Baoyu, Cao Xueqin mentioned it again under the cover of allusions from the Peach Blossom Garden, reminding Qin Keqing of the complexity of this character again, which really makes people admire his original views. It can be said that passwords and organs are everywhere. See how A Dream of Red Mansions can be swallowed, and how can it only be taken at face value. Some opponents may say that this is a bit far-fetched, but don't you think it is a bit strange to carefully consider every sentence? It is just unlucky to say that the old house of the Qin people in Taohuayuan is not good. Why use the word "more and more exposed"? The real meaning behind "exposure" is over-expressed. What is this? This is obviously Qin Keqing's business. Jia Baoyu immediately rejected the title of "former residence of Qin people" under the nose of strict father Jia Zheng, which had to make people feel abnormal. Maybe Jia Baoyu didn't know Qin Keqing, but one person knew that Cao Xueqin wrote with a pen, and he just said what he wanted to say through Jia Baoyu's mouth. What it really means is that Qin Keqing's story is over, so we can't talk about it any more. In fact, there is no silver here. The real purpose is to make readers not suddenly realize the importance of Qin Keqing. Jia Zheng's comment on writing is simple, and "nonsense" is also meaningful. No problem, it is also a direct veto, and then the plot changes. But the last temporary name was Jia Baoyu's Guo Ting Hualien. Is this really just a common word for naming beautiful places? In fact, this point of view has long been put forward, and I just took it out to explain it. Mr. Liu is a master of Qin studies, and he has made an analysis here. Mr. Zhou has a poem, "Poetry is for my brother to go to the United States to spread Redology", and finally there is a sentence: "Fiona Fang used to be a family, so it's hard to dream." That's what I said. When Mr. Liu's views on Qin studies first came out, the leading experts in the Red Chamber were indignant, and all the big hats in any cultural direction were buckled. There was also an article called "The road to new textual research is not long" (to the effect), which was all wet. In academic research, there is always only right and wrong viewpoint, and there is no right and wrong methodology. How can it involve negative research methods? Mr. Cai Yuanpei's view of esotericism has been proved to be wrong, so does it mean that esotericism is useless? Isn't there a chapter on "new exploration" in Mr. Zhou's "New Certificate of a Dream of Red Mansions"? Who can say it is wrong? In my opinion, as long as it can't be proved completely wrong, it can't be completely erased. Besides, the development of everything has its natural laws, and you can't control it artificially. If you are wrong, you will naturally die. As long as it is right, no matter how you stop it, it will be immortal. As long as it is true, it will eventually be discovered, and it is useless to fabricate it. The true feelings of A Dream of Red Mansions are also discovered step by step. And a new and correct school of redology, redology viewpoint, cannot be stifled by a few people, a meeting or anything. The so-called "unreasonable truth" is also true!