In fact, Shanghainese still like Shanghai's farce very much. But there is a reason why people in Shanghai don't watch burlesque very much now. The author analyzes the reasons for this:

First of all, Shanghai's burlesque lacks good writers and works. The comedy atmosphere in Shanghai is not very positive. Failure to cultivate or support competent and talented authors to write good works. Even if there are good works, they can't provide a good display platform. When did it happen? The Shanghai farce "Grandpa" was once close to the ratings of the Spring Festival Evening. However, due to poor management, guidance and care, the broadcast was interrupted after more than ten years. The comprehensive reasons of this situation need to be considered. I remember a young man in his early twenties named Chen Sen, who wrote nearly 30 episodes, some of which reached the highest ratings. This new power of funny screenwriter failed to protect it.

Secondly, the distribution of benefits is uneven. Good works are hard to find, but the manuscript fee is low, and most of them are for actors. Without good works, actors have nothing. The vicious circle makes it normal for Shanghai's farce to stop.

Thirdly, professional comedians give up their main business for money and switch to other variety shows by funny influence. For example, Shu Yue is talking about a nondescript mountain lake. Some appear in food health projects. Doing nothing but fighting for money. In fact, they can appear on these programs, which shows that Shanghai Funny has influence and status in the hearts of Shanghainese. Dig when you have a foundation.

Finally, it is not unrelated that the relevant departments in Shanghai are foreigners. Foreign leaders dominate the work in Shanghai, but they don't understand the status, complex and role of Shanghai burlesque in the hearts of Shanghainese, which also hinders the development of Shanghai burlesque. Of course, it is necessary for Shanghai's antics to be constantly improved to be more in line with the development of the situation. We believe that Shanghainese still like Shanghai farce. This is also a part of Shanghai culture.

Now there are some comedians who like funny performances. They all work in TV stations, headed by Wang Rugang. They either advertise or play dumb on the screen. 13 is absolutely disgusting. If this continues, the play will be destroyed by these people.

In Shanghai, if you never see "Shanghai Funny" again, it will be really funny!

I won't put any pictures in this reply. I just want to share my views and feelings with you in the simplest language and ideas.

Although I am in my early thirties, I am very persistent in Shanghai burlesque and Shanghai traditional folk art.

From the earliest burlesque films Wen Binbin and Fan Haha to the comedian Yao Mushuang Zhou Baichun, to the double-role performing artist, and then to the later sitcoms Old Uncle and Tea House. As long as it is on TV, I will definitely watch it again. Many jokes have been integrated into my own blood, and many friends around me say that my tone of voice is a bit like Zhou Baichun's, which really doesn't deserve it.

I don't know when it started, but there are fewer and fewer people around who can say burlesque. I didn't even know this kind of artistic expression existed in Shanghai. The Shanghai Funny Troupe exists in name only, and the actors in it are at best relatively standard TV salesmen and wedding ceremonies in Shanghai dialect, doing nothing.

On the other hand, although Shanghai is an international metropolis with all rivers flowing into it, it can hardly speak Shanghainese after 90 s and 00 s now. The traditional culture of Shanghai and the roots of Shanghai dialect are in jeopardy, so we should be highly vigilant.

Although there are many big V's trying to save Shanghai culture on various platforms at present, the effect is little, and more is to cater to foreign culture. Shanghai dialect and Shanghai culture are slowly losing.

Although I'm just an ordinary native of Shanghai, and I don't have many fans in the headlines, I hope I can try my best to show the most traditional culture of Shanghai in the purest form in Weibo. I hope that new Shanghainese, or people who can't speak Shanghainese in 3 10, will put aside their irritability and open a traditional Shanghai farce to feel the charm of Shanghainese and farce.

At the same time, I have been writing related articles in this headline, hoping to try my best to save Shanghai traditional art in Weibo.

Funny golden file Shinohara Miki and Sun Ming

Zhou Libo's Talk with Shanghai School

Rescue Shanghai traditional folk art Pudong storytelling

Shanghai Intangible Cultural Heritage Shanghai Rap and Jinling Tower

Shanghai rap Huang Yongsheng.

Shanghai dialect film arrangement

Inventory of classic Shanghai dialect TV series

Finally, if you can't see Shanghai Funny again, it will be really funny!

I wonder what funny people are doing now. Recently, everyone is keen on advertising, especially those who are short and big. They have been to Jiashan Lake before, and now they adjust the screen as soon as they appear. It's really disgusting. Cordyceps sinensis, a whore, mahogany furniture, jade, hairy medicinal liquor. This product is just a pinch of licorice in Chinese medicine. Is it still funny in Shanghai?

Humorous dramas and Shanghai operas are the symbolic art forms of Shanghai's local culture. Just like Suzhou Pingtan, Suzhou Pinghua and Kunshan Kunqu Opera, they are indispensable spiritual imprints of a city. They are as impossible and should not be extinct as Shanghai dialect. Whether it can go out of Shanghai and go to the whole country does not depend on whether the people of the whole country can accept it, but on whether the people of Shanghai can keep it and whether the young people in Shanghai can like it. At the same time, it is closely related to whether burlesque and Shanghai opera can be reformed and innovated, inject new ideas into the times, and win the audience in terms of stage performance form, script Excellence, content closely related to the times, and excellent actors' acting skills. This requires a group of young actors with higher education to take the lead, not be bound by tradition, take its essence, discard its dross, be slippery but not oily, not cheat, and absorb some performance essence and expression forms of northern sketch comedy. The cultural level of burlesque, a southern comedy, and the deductive connotation of Shanghai Opera are promoted to form two local opera brands: burlesque pays attention to the joys and sorrows of public opinion and Shanghai Opera pays attention to the mainstream value of urban development!

Humorous dramas and Shanghai operas must also abandon the one-way channel of mentoring. Shanghai Theatre Academy should shoulder this responsibility, offering Shanghai Opera and Humorous Drama majors, or setting up a special "Shanghai Local Opera School" to train groups of outstanding Shanghai Opera writers and actors. Only in this way can this local opera flower on the beach last forever.

At present, some comedians in Shanghai advertise outside, which has a bad influence and makes a group of old people fall for it.

The farce in Shanghai collapsed, and the actors went to the TV station to join in the fun, all for money! No creation, no research, no progress, that's all. Wang Rugang and Shu Yue sell Cordyceps and shoes! Nothing to do! The culprit! Wang Rugang will only laugh at Li Jiusong, but Shu Yuepu can't get through this call! Stop it, I'm too lazy to say it! There is nothing funny in the comedian's heart, and he is mistaken for that kind of drama, and is mistaken for himself by the audience. The relevant departments let it die. Sinful!

Funny is a kind of drama that Shanghai people like. The funny artists of the older generation gave us joy. Nowadays, comedians switch to TV stations to engage in "seven thoughts and three thoughts". It's really unfair. At this rate, the ugliness of Shanghai will be ruined by these people. Be worthy of those teachers. Wow. I hope that Shanghai's antics will not be spread because of its one-sided pursuit of interests. In this way, TV stations will only recruit actors from the funny world besides the news broadcast host.

Now other operas in Shanghai are constantly introducing new operas, such as Shanghai Opera and Yue Opera, which are still passed down as Shanghai's cultural heritage. Only Shanghai farce, actors in Shanghai TV station doing nothing, and advertisements promoting Cordyceps or jade, and so on. Some sell shoes for the elderly in TV stations. If this goes on, Shanghai farce will be bad for this generation of actors.

Nowadays, burlesque actors all work in TV stations, advertising and being guests. The farce is not funny and the monologue is rambling. Do you find it funny? Miss the wonderful times of Yao Mushuang, Zhou Baichun, Yuan Yiling, Xiao Mimi, Wu Meimei, Xia Ping, Yang Huasheng, Zhang Qiaonong, Xiaoxiao, Qingyang, Nenniang, Fan Haha, Wen Binbin, Wu Shuangyi, Shuangjie Weng, Wang Shuangqing, Tong Shuangchun, Wang Shuangbai, Li Qing, Wang Huiquan, Tan Yicun and Gong Yifei!