Good rain knows the season, when spring comes. Sneak into the night with the wind, moisten things silently.

The wild path is dark, and the river is bright. Look at the red and wet place, the flowers in Jinguancheng are heavy.

Du Fu (7 12 ~ 770) was beautiful as a flower, whose real name was Shaoling Yelao, Han nationality, and he was born in Gongxian County, Henan Province (now gongyi city, Henan Province). He is as famous as Du Gongbu and Du Fu, and he is a great realistic poet in the prosperous Tang Dynasty. He is concerned about the country and the people and has a noble personality. He wrote more than 1400 poems in his life, and his poetic skills were exquisite, so he was called "poet saint" by later gods. The official stayed to pick up the body, and Yuan Wailang, a proofreader, had masterpieces such as Three Officials and Three Farewells. Du Gongbu collected them from generation to generation, including Du Fu Cottage, Du Fu Tomb, Du Gong Temple, Du Fu Park, Ling Du Bridge and Ling Du Academy.

"Delighting in Rain on a Spring Night" was written by Du Fu in the spring of 76 1 year (the second year of Shangyuan in Tang Suzong) at the Caotang beside Huanhuaxi in Chengdu. At this time, Du Fu came to Sichuan and settled in Chengdu for two years because of the drought in Shaanxi. He cultivates self-cultivation, grows vegetables and flowers, and interacts with farmers, so he has deep feelings for the spring rain. He wrote this poem to describe the spring night rain and dew nourishing the beauty of all things and express the poet's joy. Delighting in Rain on a Spring Night expresses the poet's love and praise for the selfless dedication to the drizzle on a spring night. The whole poem reads: "Good rain knows the season, when spring comes. Sneak into the night with the wind, moisten things silently. The wild path is dark, and the river is bright. Look at the red and wet place, Jinguancheng is heavy. " One or two words of "good" are affectionate and praise the spring rain. "Knowing the season" endows Spring Rain with human life and emotion. In my opinion, the spring rain is considerate and knows the season, and it floats around when people are in urgent need, prompting the opportunity. What a good spring rain! The first couplet not only expresses the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood of eagerly looking forward to the arrival of the spring rain. Couplets are obviously the poet's auditory feelings. Spring rain has come, coming with the wind in the boundless night, quietly moistening everything, without any intention of pleasing, just seeking dedication. Listening to the rain, the author observed it carefully, and even the spring rain and silence were heard by the poet. Visible, Yu Chunyu unconsciously surprised, the poet stayed up all night. Tie couplets around the neck, the poet only looks forward to the spring rain for one night, but he is afraid of an abrupt end. He is happy and worried. He pushed the door out and stood there overlooking, only to see that the well-defined field paths on weekdays were also integrated into the night, and it was dark, showing how dark the night was and how dense the rain was. The river boat fishing fire is even more dazzling, reflecting the vastness and darkness of spring night, and also highlighting the richness of spring rain from the side. In the words of imagination, the poet witnessed the continuous spring rain, and was gratified to think that at dawn the next day, Jinguan City would be a colorful spring scenery. The profusion and vitality of flowers are the result of silent drizzle moistening and baptism. Therefore, writing flowers is really the selfless dedication of Spring Rain. Through the above analysis of poetry, it is not difficult to see that Du Fu conceived and wrote according to such an emotional thinking: that is, looking forward to rain-listening to rain-watching rain-thinking about rain. As the saying goes, "Spring rain is as expensive as oil". Everyone wants this precious spring rain to be like oil, and so do poets. When the spring rain floated down, the poet was even more surprised, even lying in bed listening, completely sleepless, eager to have a good play, lest it suddenly stop, so he pushed the door and looked out, looking at the boundless spring rain in the dark, and seeing the dense spring rain, the author was pleasantly surprised to associate it with the spring scenery of Jinguan City the next day. Poetry is praising the lofty quality of Spring Rain's obscurity and selfless dedication. The description of this love for the spring rain is so delicate and lifelike that people can feel the scene at that time, and they can't help but marvel at Du Fu's artistic skill in observing things and feelings. In addition, the capture and description of the details in the poem can also reflect the superiority of the poet's human body in observing the situation. "Sneak into the night with the wind and moisten things silently." The word "latent" is personified, imitating the silent and invisible modality of spring rain, which is quite interesting and induces people's love for spring rain. The word "run" conveys the spirit, accurately and vividly writing the characteristics that spring rain moistens everything and moistens things silently. Both drawing shapes and expressions, and both shapes and feelings are well prepared, profound and unique. "Flowers are more important than Jinguan City", with the word "heavy", accurately wrote the pattern that flowers in Jinguan City were red and full of vitality after being baptized and nourished by a night of spring rain, and conveyed the author's praise for the spring rain. "All the clouds in the wild trail are black, and the boats in the river are bright" captures the typical details and depicts them carefully, subtly and vividly rendering the hazy and colorful atmosphere of the spring rain. In a word, Du Fu's Delighting in Rain on a Spring Night embodies the superiority of observing other things' feelings and nuances in tempering sentences, capturing images and describing details. By comparing and appreciating Du Fu's poems and their gloomy styles, readers will surely understand another life interest in Du Fu's poems. This is a masterpiece depicting the rainy scene on a spring night and showing a happy mood. The poem begins with a word "good" and praises "rain". In life, "good" is often used to praise people who do good things. The use of "good" to praise rain here has aroused the association of people who do good things. Next, personify the rain, saying that it "knows the season" and knows how to meet the objective needs. Indeed, spring is the season when everything germinates and grows. As long as it rains, it begins to rain. How nice. The second couplet further shows the "good" of rain. Rain is "good" because it is timely and "moistens things silently". Spring rain, usually accompanied by a breeze, carefully moistens everything. However, there are exceptions. Sometimes, it will be accompanied by cold wind, from rain to snow. Sometimes, it will be accompanied by strong winds and heavy rains. Although this kind of rain is in spring, it is not a typical spring rain. It will only hurt things, and it will not "moisten things quietly." Naturally, it will not make people "happy" and it is impossible to get a "good" evaluation. Therefore, the "knowing season" of the first couplet alone is not enough to fully show the "good" of rain. It was not until the second couplet wrote a typical spring rain accompanied by a continuous drizzle that the word "good" was implemented. "Sneak into the night with the wind and moisten things silently." This is still anthropomorphic. The combination of "sneaking into the night" and "silence" not only shows that rain is drizzle accompanied by breeze, but also shows that rain is intended to "moisten things quietly" and has no intention of seeking "goodness" If you are interested in seeking "good", it will come during the day and create a little momentum for people to see and hear clearly. Just because it deliberately "moistens things quietly" and has no intention of seeking "goodness", it chose a time that does not hinder people's work and labor, and quietly and carefully went underground at the night when people were sleeping. If it rains so well, I hope it rains enough and stays up all night. If only for a while, the clouds will disperse, then "moistening things silently" is very incomplete. The poet grasped this point and wrote the third couplet. On a less gloomy night, the path is easier to see than the field, and the river is easier to distinguish than the shore. At this time, looking around, "the wild trails and clouds are all black, and the rivers and boats are bright." Only the lights on the boat are on. Besides, you can't even see the river, and you can't tell the path clearly. The sky is covered with dark clouds and the ground is as black as clouds. It looks certain that it will rain until dawn. The tail couplet is about an imaginary scene. After a night of such "good rain", everything will be nourished and prosperous. One of the flowers of all things, the flower that best represents spring scenery, is about to drop with the rain. Wait until tomorrow morning to have a look: the whole Jinguan City (Chengdu) is a peanut tree, "red and wet", red and heavy, merging into a sea of flowers. Pu Qilong said: "It is easy to write about rain and cut the night, but difficult to cut the spring." This poem "Delighting in Rain on a Spring Night" not only cuts the night and cuts the spring, but also writes the noble character of a typical spring rain, that is, "good rain", which shows the noble personality of poets and all "good people". [Author] Du Fu (7 12 ~ 770) was a poet in the Tang Dynasty. Beautiful words. Originally from Xiangyang (now Hubei), he was born in Gongxian County, Henan Province. Because he lived near Shaoling in the south of the city when he was in Chang 'an, he called himself Shaoling at night. When I was in Chengdu, I was recommended as a foreign minister, a staff officer and a proofreader. Later generations also called him Du Shaoling and Du Gongbu. Du Fu was hungry and cold, and always had the ambition to help the world, and he was poor but not tired of the world. In terms of poetic art, it combines the great achievements of classical poetry and innovates and develops it, which has a wide influence on later poets. When Du Fu was alive, his poems were not valued by people at that time. Forty years after their death, they began to be more important than Han Yu, Bai Juyi, Yuan Zhen and others. Bai Juyi and Yuan Zhen's new Yuefu movement were obviously influenced by Du Fu's poems in literary thought. The famous satirical articles on current affairs in Li Shangyin's modern poems, both in content and art, have got the essence of Du Fu's poems. The famous poets in Song Dynasty, such as Wang Anshi, Su Shi, Huang Tingjian and Lu You, all praised Du Fu, and their poems inherited Du Fu's tradition from different aspects. At the end of Song Dynasty, Wen Tianxiang, a national hero, was captured by Yuan people and imprisoned in prison. He collected 200 five-character poems by Du Fu, and said in Preface to Du Fu's Poems: "Zi Mei is my first word." The influence of Du Fu's poems is not only confined to the scope of literature and art, but more importantly, the patriotism and love for the people in his poems have been inspiring readers for thousands of years and still have educational significance today.

Bai Juyi (Tang Dynasty) —— Farewell to Fude Guyuan Grass

The long grass is so lush that the withered grass will thicken the color of the grass every autumn and winter. Wildfire can't burn it out, but the spring breeze can revive it.

Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey. I once again sent my bosom friend, and the thick grass represented my deep affection.

Bai Juyi (772 ~ 846), a Han nationality, was named Lotte, and in his later years, he was also named Xiangshan Jushi, a great realistic poet in the Tang Dynasty in China. He is a famous poet and writer with far-reaching influence in the history of China literature. His poems have a wide range of themes, diverse forms and popular language, and are known as "Poet Saint" and "Poet King". Official to Hanlin bachelor, Zuo Zanshan doctor. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on. Bai Juyi's former residence memorial hall is located in the suburb of Luoyang. Bai Yuan (the tomb of Bai Juyi) is located at Pipa Peak in the south of Luoyang.

The proposition of "Gu Farewell" is quite interesting. Ancient Grass seems ordinary, but it captures the vitality of Spring Grass. The first sentence of the poem, "the vast grass crosses the plain", closely follows the title "ancient grass" and describes the lush spring grass with the overlapping word "Li Li". The second sentence "Come and go with the four seasons", and then write the law that weeds in the original world wither in autumn and flourish in spring, and the years are endless. There are great differences between Fade and Glory and Glory and Glory. The former is "spring grass" and the latter becomes autumn grass. The ancient grass is characterized by tenacious vitality. You can't cut or hoe. As long as a little root is left, it will sprout again next year and soon spread to Yuanye. "endless grass on the grassland" is the banner of victory. No matter how fierce the fire is, it can't help the roots buried deep underground. No matter how mercilessly the fire burns, once the spring breeze turns into rain, there are green weeds everywhere, which vividly shows the tenacious vitality of weeds. "They are tall again in the spring breeze", the language is simple and powerful, and the word "rebirth" has a third of the meaning. If three or four sentences focus on "ancient grass", then five or six sentences continue to write "ancient grass" but focus on "ancient grass" to lead to the meaning of "farewell", and the words "invasion" and "connection" follow "rebirth", showing a spreading trend, once again highlighting the image of the strong "weeds" fighting for survival. Although the ancient Taoist city was deserted, the growth of grass restored its youth. The ancient scenery of spring is back, and Sandy in Cao Fang is so charming that Friends happened in this background. Such a scene makes the author melancholy and poetic. The lush grass adds to the sadness of the author's departure. It seems that every blade of grass is full of special feelings. The author ended with this meaningful poem. At this point, the poem points out "Farewell", sets the theme, closes the whole article, and connects "Guyuan-Grass-Farewell" together. The composition of the whole poem is rigorous, the language is natural, smooth and neat, the scenery is lyrical and harmonious, and the artistic conception is muddy. It is a unique swan song. [