Picture: Two dead trees, with a jade belt hanging on them, a pile of snow and a golden hairpin under the snow.

Judgment: It's a pity to stop working, but it's a pity to praise talents. The jade belt hangs in the forest and is buried in the snow.

Flower phase: Daiyu-Furong (wind reveals sorrow: don't blame the east wind); Baochai-Peony (:Let heartless people have feelings)

Notes on works:

"Shutdown" refers to the story of the Warring States Period, when Yanle Yangzi's wife stopped knitting to persuade her husband to seek fame and virtue. A woman who meets feudal moral standards is called "stop", and here is to praise Baochai.

"Braving Xu Cai" originated from talented woman Xie Daowen. Once Xie An called a daughter's nephew to talk about the meaning of paper, and suddenly it began to snow. Xie An asked, "What is snow like?" My nephew Xie Lang replied, "The air difference of salt spraying can be simulated." Tao Yun said, "If catkins are not caused by the wind." Later generations used "chanting talents" to refer to women's ability to recite poems, and later generations praised women who are good at poetry writing as "chanting talents", meaning that Daiyu should be pitiful.

"Jade belt hanging on the forest" is "Lin Daiyu" in turn. A beautiful feudal bureaucrat's belt, reduced to hanging on a dead tree, is a portrayal of Daiyu's neglect of talents, rebellion against feudal system and tragic fate.

"Golden hairpin burying snow" means that Xue Baochai is buried in the snow like the golden hairpin in the picture, which is also inappropriate, suggesting that Xue Baochai is bound to be left out in the cold.

There is also an understanding that "jade belt hangs on the forest" and "golden hairpin buries snow" imply Lin Daiyu and Xue Baochai. But there is another point of view: these two sentences imply that Lin Daiyu finally hanged herself with a belt and hung in the peach blossom forest where flowers were buried. However, after the decline of the "four big families", Xue Baochai became a beggar in order to survive and was frozen to death by a snowstorm. The end result was being buried in a snowstorm. Note: In ancient times, the word "jade" was often used to describe women and things used by women, such as jade bodies and sleeves, so the jade belt here refers to the belt worn by Lin Daiyu. )

★ Jia Yuanchun

Painting: A bow with citron on it.

Judgment: For 20 years, Liu Bloom has taken good care of Gong Wei. How can we reach the scene of early spring in the third spring, where tigers and rabbits meet and dream of returning to their hometown?

Symbol: firecrackers (can destroy the internal organs of the devil, and the body is like a bunch of silk and thunder. A loud noise was frightening. Looking back, it was gloomy. )

Notes on works:

The first sentence "Distinguish right from wrong in the past 20 years" describes that Yuan Chun has lived in the palace for more than 20 years, gained a new understanding of the joys and sorrows of the world, and felt that he had actually reached the point of "shame" and "unprofitable".

The second sentence, "Liu bloom's Palace Photo", is written from the history of women to the history of Fengzao Palace, until the virtuous and noble, and it was brilliant for a while. There are many kinds of pomegranates in ancient palace gardens, which means that pomegranates have many children and grandchildren, which means that the people in the family are prosperous and the incense lasts forever. According to experts in the Red Chamber, Jia Yuanchun should be loved and pampered by the emperor after she became pregnant. Its belly probably died without making a sound. To outsiders, being a woman in a feudal society should be satisfied, but Yuan Chun concluded that she knew how to "distinguish right from wrong", recognized all kinds of darkness and corruption inside the court, and held a negative attitude towards her own life path.

The third sentence "How can Sanquan reach the scene of early spring?" Sanchun refers to Yuan Chun's three sisters: Yingchun, Tanchun and Xichun. "Early spring" refers to Yuan Chun, which means that welcoming spring, exploring spring and cherishing spring are not as rich as Yuan Chun.

The last sentence "in the dream of meeting the tiger and the rabbit" refers to the alternation of the year of the tiger and the year of the rabbit. Yuan Chun died in1February, which is the end of the Year of the Tiger and the beginning of the Year of the Rabbit. Therefore, it is an inevitable result that Yuan Chun entered the palace as a concubine. Here, the author will criticize the imperial power that most people think is "sacred and inviolable"! (Note: Some versions are "tigers meet and dream of going home", and tigers are a kind of rhinoceros. This statement in ancient books reflects the balance of two forces. Another version is "Tiger Meets Dream". "Tiger" and "Xi" are both beasts fighting for power, which means the struggle between the two forces. Jia Yuanchun may be the victim of this political struggle.

★ Jia Tanchun

Photo: Two people fly kites, a sea, a big ship, and a woman on board hides her face and cries.

Judgment: I am smart and ambitious, born in the last days. Qingming Riverside Map, Dongfeng Dream!

Flowering Period: Apricot Blossom-Yaochi Fairy: Apricot planted in the clouds beside the sun.

Symbol: kite (Qingming makeup is the most suitable when the child is on his back. Don't complain to the east wind when the hairspring is broken.

Notes on works:

Tanchun is the third daughter of Jia Fu and the daughter of Jia Zheng's aunt Zhao. "Smart and ambitious" means that she is ambitious, smart, sober and sensitive, and will not be blinded by wealth. Born in the last days, her luck is biased. It is written that she was born in the last days of the decline of feudal society, which is also the misfortune of being an unmarried woman. Unfortunately, "talent" and "ambition" can't be brought into full play.

"The Riverside Scene on Qingming Festival, a thousand miles away from the East Wind, a distant dream" means that Tanchun will be married far away, never to return like a kite with a broken line, and she will go by boat when she gets married. The word "Qingming" in the sentence indicates that she will be married in another country during the Qingming Festival. Just like the woman in the comprehensive painting, she will "hide her face and cry" on the river side of the ship, bid farewell to her parents and family, and only reunite with her family in her sleep.

★ Shi Xiangyun

Painting: A few wisps of flying clouds, a bay loses water.

Judgment: What is wealth? Parents were disobedient when they were babies. The beautiful eyes hang oblique light, and the Xiangjiang River died in Chu Yunfei.

Flower phase: Haitang-Dream: I am afraid of falling asleep at night.

Notes on works:

"What is wealth? Parents have been disobedient since childhood. " Xiangyun was born in a wealthy family in feudal Houmen. The so-called "Epang Palace, 300 Li, Jinling can never live" refers to her home. But what can it do? Xiangyun's parents died in infancy. Although rich and neglected, I have never been warm since I was a child.

The third sentence of "the beautiful eyes hang on the sunset, and the Xiangjiang River water dies in Chu Yunfei" says that in a blink of an eye, Xiangyun is the only one who is sad at the sunset alone. The word "Xiangyun" stands out in Xiang Jiang Lost Chu Yun Fei. Xiangjiang River is located in Hunan, the ancient state of Chu, so it is called Chu Yun. The passage of Xiangjiang River, the departure of Chu, the decline of historians, the short life of Xiangyun and his wife, and the omen of family breakdown are all based on the allusions of dreaming that Wushan Goddess met her.

★ Miaoyu

Painting: A beautiful jade fell in the mud.

Judgment: If you want to be clean, you will never be clean, and the clouds may not be empty. Poor Xiaoyu finally got stuck in the mud.

Note: This is Miao Yu's judgment. In "It's Hard to Go to Heaven", there is "What you need, too great-grandchildren can't sigh". According to the original clues and Zhi Yanzhai's comment on writing, the son of Taizi refers to Chen here. But "stuck in the mire" has nothing to do with him. According to experts' speculation, Miaoyu may have traveled to Guazhou to save Baoyu (the dusty k m: ng z m: ng in "A Hard Life on Earth" also means this), but she finally fell into the hands of a powerful old goat. This "outsider" did not escape the fate of troubled times after all. Although he is a monk, his personality is like jade, so he said, "If you want to be clean, the clouds may not be empty."

★ Jia Yingchun

Picture: A wolf, chasing a beautiful woman, wants to spit.

Judgment: My son is a Zhongshan Wolf, and he will be mad if he succeeds. The golden boudoir is full of flowers and willows, and she goes to Huang Liang with one load.

Symbol: abacus (providence is endless, it is difficult to have good luck if you don't succeed. Because the town is chaotic, the number of yin and yang is different)

Notes on works:

In the first sentence "Son is a Zhongshan Wolf", the word "son" combines the traditional Chinese character "Sun" and refers to Sun Shaozu, Yingchun's husband. "Zhongshan Wolf" is an allusion from The Story of Zhongshan Wolf, which is a metaphor for a cruel and ungrateful person. The metaphor here is Sun Shaozu, Yingchun's husband, who is sinister and vicious, and Yingchun's suffering.

"If you succeed, you will be crazy." When you are proud, you will do evil and run amok. On one occasion, when Sun Shaozu was in trouble at home, he jumped out of the house and begged for help. Later, Sun Shaozu went to Beijing to attack officials and became an "upstart" by "waiting for the vacancy of the Ministry of War". After the downfall of the Jia family, they forced debts from it. Jia She betrothed her own daughter Yingchun to him, saying that marriage was actually paying off debts and trampling on Yingchun at will. Finally, Yingchun was humiliated to death by her husband Sun Shaozu a year later.

★ Jia Xichun

Painting: An ancient temple, in which a beautiful woman sits alone reading scriptures.

Judgment: It didn't take long to break through the three spring scenes, and the clothes were replaced with the makeup of the previous year. Poor embroidered maid, lying alone beside the ancient Buddha in Deng Qing.

Symbol: sea lantern (my predecessor never achieved anything in hue, nor did he listen to Ling Ge's Buddhist scriptures. Don't sink the black sea in this life, sex has great light)

Notes on works:

The first sentence of the judgment, "three springs are not long", is a pun. Literally refers to the end of spring (that is, the end of spring), but actually refers to the experiences of Xichun's three sisters (that is, Yuan Chun, Yingchun and Tanchun). The second sentence, "Yidun has put on makeup for a year", refers to the black clothes worn by nuns. Xichun saw from the experience of the three sisters that the days of the feudal ruling class were not long, and she was determined to get rid of the secular and escape into an empty net. Thirdly, the sentence "Poor Embroidery Mother, Lying Alone by the Ancient Buddha of Qingdeng" specifically points out that Miss Jia's family finally became a nun, no longer the daughter of the government, and lived a life of "naked and begging for food".

This sentence was written by Xi Chun, who foresaw that he would not have a good result in the future from the unfortunate experiences of his three sisters and decided to become a nun. But this road to escape from reality is bleak and lonely, and it still won't work. The sympathy and regret revealed in the poem clearly reflect the author's ambivalence.

Jia Yuanchun, Jia Yingchun, Jia Tanchun and Jia Xichun, the names of the four sisters, are homophonic "Yuan Ying exploring Xi" and "Yuan Tan", which reveal the tragic and bumpy fate of the four sisters.

★ Wang Xifeng

Photo: An iceberg with a female phoenix on it.

Judgment: Birds from the last days know that they love their talents in this life. Obeying two orders, three people were in a daze, and crying to Jinling was even more sad.

Notes on works:

"Birds flock to the phoenix" refers to the misfortune of a capable strong woman like Xifeng who was born in the last days. "Every bird" is the word "phoenix" in traditional Chinese characters, which means Wang Xifeng. The word "every bird" taken from the word "phoenix" is a metaphor for mediocrity. It is natural to point out "phoenix" by borrowing Lu An's allusion to happiness. The iceberg on which the female phoenix leans in the painting refers to the backer symbolized by the melting Jia family. "One obeys two orders, three people are stupid" refers to the change of husband Jia Lian's attitude towards Xifeng. After marriage, first "obey", be obedient to her, and listen to her in everything; "Second-order" is interpreted as "cold", which means that her husband is gradually cold to her and begins to give orders to her; "Three-person wood" refers to the fate that she was finally abandoned by "spelling". "Crying till Jinling is even sadder" is a sad portrayal of her crying back to her family after being abandoned. In the feudal society at that time, being abandoned was very tragic.

★ Er Qiao

Photo: A beautiful woman is spinning in an abandoned shop.

Judgment: If you are defeated, you will lose your family. I met a benefactor because I helped Liu.

Notes on works:

Er Qiao, the daughter of Wang Xifeng and Jia Lian, was born on the seventh day of July. Grandma Liu named her when she entered the Grand View Garden and said, "When we grow up, everyone will get married, or something will happen at the moment, which is bound to turn adversity into luck, but it comes from this word" Qiao "."

The first sentence "Don't worry about your wealth" means that power has declined, so don't mention the wealth of the past.

The second sentence, "the family dies, not the relatives", means that the family business is dying, so don't talk about the flesh and blood relatives.

The third sentence "occasionally helping a village woman" means that Wang Xifeng accidentally did a good deed of "pulling out a hair to strengthen grandma Liu's waist". In order to remember, grandma Liu saved her when she was killed in return for her kindness.

The word "Qiao" in the fourth sentence "Meeting a benefactor by chance" is a semantic pun. Obviously refers to coincidence, which shows that Qiaojie. The benefactor refers to granny Liu. Qiaojie was abducted by her uncle Wang Ren, which is homophonic for "forgetting benevolence". Fortunately, granny Liu took it away and escaped.

This judgment exposed the hypocritical relationship between people within the feudal rulers. When the dynasty was powerful, they climbed sects and talked about marriage; When the situation is defeated, it will be swindled and the flesh and blood will be ruined; This is a naked power transaction. Qiaojie's experience is sympathetic. She came to the countryside, grew up in a farmhouse and became a village girl. In A Dream of Red Mansions, Cao Xueqin actually said that Qiaojie was a lucky person.

★ Li Wan

Painting: a pot of Maolan, next to a beautiful woman in a rockhopper robe.

Judgment: Who is like an orchid in the end after the spring breeze of peaches and plums bears fruit? Like ice water, you are jealous in an empty space, and you play jokes on others in vain.

Flowering: Plum Blossom-first frost Han Xiao Capital: Caotang Voluntary.

Notes on works:

The first sentence reads "peach, plum and fruit", in which "Li" and "Wan" imply Li Wan's name. Li Wan's youth is like a plum blossom in the spring breeze. Once it bears fruit, it will wither.

The second sentence "Who is like a pot of orchids" refers to Jia Lan and also refers to the picture. This sentence says that among the last descendants of Jia Fu, no one can compare with Jia Lan's "promise".

The third sentence, "as good as ice water", is written by Li Wan, a young widower, who respects the ceremony and keeps the festival and cares for the widowed. This kind of morality, in the eyes of feudal rulers, is as clean and beautiful as ice water. "Empty envy" means that although Jia Lan won the lottery and Li Wan got the reputation of "chastity", it can't save the decline of Jia Fu, but it can only be envied in vain.

The fourth sentence, "Playing a joke on others in vain", is to provide others with jokes for nothing, and to talk about the "three obedience and four virtues" pursued by Li Wan all his life, which is a typical virtuous woman in feudal society. In the end, Li Wan only ended up as a "deadwood" and became a martyr of feudal ethics.

★ Qin Keqing

Photo: Tall buildings, beautiful women hanging themselves.

Judgment: Boundless love has a deep illusion of love, and when they meet, they will dominate her. If you talk nonsense, you will have honor. It's a good start to trouble.

Notes on works:

The first sentence of the judgment "Boundless love, love with fantasy" and "Boundless love, love with heaven" refers to deep and broad love for men and women. "Fantasy" is illusory and absurd. This sentence is to expose the unfair and ambiguous relationship between Jia Rong's father Jia Zhen and his daughter-in-law Qin Keqing.

The last two sentences point out that the unscrupulous sons are all from Guo Rongfu, and the curse begins with the people from Ningguo House.

1, Lin Daiyu

Tied with Xue Baochai as the first of the twelve women in Jinling, she was a crimson pearl grass on the edge of Sansheng stone in her previous life. Thanks to the nectar of Shen Ying, the waiter of Chixia Palace, she is willing to come down to earth with her and shed tears. The only daughter of Lin Ruhai and Jia Min. Because my parents died when I was very young, my grandmother sympathized with her loneliness and took her to Guo Rong's home to raise her. Lin Daiyu means the highest value of women to Cao Xueqin. Although she is an orphan, she is cold, sensitive, frank and sometimes mean. As a feudal rebel, she never advised Baoyu to take the road of feudalism as an official. When Jia Baoyu gave her a string of precious rosaries from King Jing of Beijing, she said, "I don't want this from a smelly man!" " She never encouraged Baoyu to pursue career economy, which won Baoyu's favor. Because she understands Baoyu's spiritual core. Baoyu resisted the patriarchal society, and she was always a supporter and ally. Unfortunately, she is also a victim. She and Baoyu share the same interests and really love each other. She loves purity, so she loves nobility. Miss Jiangnan nobles, but also influenced by poetry, Lin Daiyu loves like Li Qingzhao. In ancient times, love was an oppressed word, which was not allowed by society. Daiyu is a love supremacist under the background of ethics. She loves Jia Baoyu and has no worldly elements. But this love was brutally strangled by Mrs. Wang, Wang Xifeng, Aunt Xue and others, and finally the last drop of tears was dropped, leaving only a painful groan "Hello Baoyu ..."!

2. Xue Baochai

Tied with Lin Daiyu as the first of the twelve women in Jinling, the daughter of Aunt Xue, with a family fortune of millions. She is beautiful in appearance and elegant in manners. She was keen on "career economy" and advised Baoyu to meet an official and talk about career economy. Baoyu secretly denounced him as an "asshole". She abides by feudal women's virtue, and is quite shrewd, can win people's hearts, treats people with great wit, and has love above and respect below. She hung a golden lock, which read "Never leave, never leave", and the public opinion that Aunt Xue and Mrs. Wang had already created a "golden marriage". [1: In this way, Jia Baoyu was tricked into marrying Xue Baochai. Because Xue Baochai died of sudden illness soon, she married Shi Xiangyun after she was widowed, but Shi Xiangyun died tragically soon, and Baoyu no longer had any hope for the world [2]. Jia Baoyu cut his hair and became a monk after winning a jury (twice fulfilling the saying that "I will become a monk when you die"). After Xue Baochai got a son, his son grew up to be an official and revived his family business. This is inferred from the clues left by the predecessors who read ancient books, and the popular books have different endings.

3. Jia Yuanchun

The third of the twelve women in Jinling, the eldest daughter of Jia Zheng and Mrs. Wang, was brought up by Jia Mu since childhood. As the eldest sister, she taught Baoyu to read and write when he was three or four years old. Although they are sisters, they are like mother and son. Later, because of her filial piety, she was elected as a female official in the palace. Soon, the date was named as the official book, and the virtuous princess was added. The Jia family specially built a villa for mothering, and welcomed her to mothering. The luxury of this villa is so high that even Yuan Chun thinks it is too luxurious and expensive! Yuan Fei was confined in the palace, although she brought Jia Fu "full of flowers and oil". When visiting relatives, she talked and cried, describing the palace ouchi as a "shady place" with no interest at all. After this mothering, Yuan Fei never had a chance to leave the palace, and then she died of a sudden illness. Yuan Chun's death was the turning point of Guo Rong government from prosperity to decline.

4. Jia Tanchun

The fourth of the twelve women in Jinling was born to Jia Zheng and his concubine Aunt Zhao, and the Jia family ranked third. She is clever, scheming and decisive, and even Mrs. Wang and Xifeng give her some points. It is nicknamed "Rose". Her feudal hierarchy was particularly strong. When she raided the Grand View Garden, in order to maintain the dignity of the master in front of the servant girl, she "told the servant girl to open the door with a candle", and only allowed others to search their own cabinets, and no one was allowed to touch their girls' things. "I didn't plan on it." Wang Shanbao, who didn't understand this, touched Tanchun and got a slap on the spot. Tanchun was deeply touched by the crisis that Jia Mansion was about to collapse. She tried to save it with the reform of "promoting advantages and eliminating disadvantages", but it didn't help. In the end, Jia Tanchun married away from home, which finally proved the tragic ending of "after three' spring' s, all parties were exhausted and each got his own way".

5. Shi Xiangyun

The fifth of the twelve women in Jinling is the granddaughter of Grandmother Jia. Although she is the daughter of a wealthy family, her parents died when she was a child. She was raised by her uncles Shi Fei and Shi Ding, and her two aunts treated her badly. At her uncle's house, she can't be the master at all, and she has to do needlework from time to time until midnight. Her life experience is somewhat similar to that of Lin Daiyu, but she has no rebellious spirit of Lin Daiyu and is influenced by Xue Baochai to some extent. She is outspoken, cheerful and generous, mischievous, and even dares to sleep on the big bluestone in the garden after being drunk. She and Baoyu are also good friends. When they are together, they are sometimes affectionate and sometimes annoyed, but she is open-minded and never cares about her children's affairs. Later, she married Wei. Shortly after marriage, she met Baoyu and got married after living a rich and wandering life. In the end, she died of poverty and disease (this is the end of the ancient book, with different paragraphs).

6. Miaoyu

Six of the twelve women in Jinling are from Suzhou. Her ancestors were scholars and officials. Because I was sick since I was a child, I bought a lot of body pairs (in the old superstition, people who were doomed to disaster had to give up their lives to become monks, and the rich bought children from poor families not to become monks, which was called body pairs), which was useless. I have to enter an empty door to be healthy, so I always practice with my hair. My parents are dead, and I have two old nurses and a little girl to wait on. She is proficient in pen and ink, familiar with classics and excellent in appearance. At the age of seventeen, I went to Chang 'an to practice with my master. After his death, he was invited by the Jia family to take him to Chang 'an for practice. Later, at Guazhou Ferry, "the beauty had to give in to the bones", and in a way of sacrificing herself, Shi Xiangyun and Jia Baoyu finally met and got married, which was a watershed figure among the twelve girls. (This is the Lost Ending, which is based on an exclusive comment by Zhi Yanzhai in the handwritten ancient edition of Jing Zang Jing Shi Ji. Jing Zang was discovered by lovers of the Red Chamber on 1964 and then disappeared. At present, only a page from "Jing Zang" proves that "Jing Zang" really existed, so the ending of Miaoyu should be as written by the exclusive fat group in "Jing Zang". ) It is also said that Miaoyu once visited the Jia family when it was almost broken, but her family was robbed, seen by gangsters and taken away while chanting in the temple. Since then, his whereabouts have been unknown.

7. Jia Yingchun

The seventh of the twelve women in Jinling was born to Jia She and his concubine, ranking second in the Jia family. She is honest, incompetent, timid and has a nickname "Ermu". She is not only inferior to her sisters in guessing poems, but also knows how to give in and be bullied. Her pearls, silk and golden phoenix jewelry were all used by servants for gambling, and she did not pursue them. Others wanted to get it back for her, but she said, "I'd rather not have it. Why get angry?" Her father, Jia She, owed the Sun family 5,200 pieces of silver, so marrying her to the Sun family was actually paying her debts. Shortly after the marriage, she was tortured to death by Sun Shaozu, which marked the gradual decline of Guo Rong Tower.

8. Jia Xichun

Eight of the twelve women in Jinling, Jia Zhen's sister. Because her father Jia Jing was always good at alchemy, she didn't care about anything, and her mother died a long time ago, and she grew up beside the old lady in Guo Rong Building. Because there is no love from my parents, I have developed a lonely and indifferent character, and my heart is cold and my mouth is cold. When copying the Grand View Garden, she gritted her teeth and insisted, driving away the maid who was not at fault and being indifferent to the tears and sorrows of others. The declining fate of four big families and the unfortunate ending of her three sisters made her think of leaving the world, and later she went to buddhist nun.

9. Wang Xifeng

Nine of the twelve women in Jinling, the wife of Jia Lian and the niece of Mrs. Wang. He has a pair of red phoenix triangle eyes, two curved willow eyebrows, slim figure and coquettish physique. Smart and capable, she won the trust of the Lady Dowager and Lady Wang, and became the actual housekeeper of the Jia family, supporting everyone in the Jia family with food, clothing, housing and transportation. Can be collectively referred to as "five spicy", that is, spicy, spicy, sour and spicy, spicy and poisonous. People are also very smooth and thoughtful, and they know how to make everyone happy. For example, when Lin Daiyu came, she said, "There are so beautiful people in the world that I just met them today! Moreover, this whole body style is not like the grandson and daughter of the ancestors, but actually the granddaughter of the first relatives. " In the first sentence, The World, The Truth and Like This have praised Daiyu very well, but we need to add two more sentences: "I just saw it today" and "Perfect Style", which have even praised Daiyu's appearance to the sky. No matter how people are, they will be happy! Then he added, "Not like the grandson of our ancestors, but the granddaughter of the first relative." The names "grandchild" and "first-class granddaughter" are not like the former, but this whole paragraph is continuously interpreted: Wang Xifeng first praised Daiyu's happiness, and Jia Mu was naturally happy because of his pain. Then according to these two names, she secretly praised (Yuan) that the four granddaughters who were really first-degree relatives were also beautiful, so she welcomed and cherished them happily, and naturally praised her granddaughter more happily.

Qiaojie 10

Ten of the twelve women in Jinling, daughter of Jia Lian and Wang Xifeng. Granny Liu was born on the seventh day of July. With the help of Wang Xifeng, she was named "Qiaojie". Qiaojie has lived a comfortable life since she was a child. She is the daughter of a rich family. However, Jia Fu died, and after Wang Xifeng died, my uncle Wang Ren and Jia Huan wanted to sell her to the prince as a servant girl. In an emergency, thanks to grandma Liu's help, they brought her into rural life.

Liwan 1 1

Eleven of the twelve women in Jinling, Gong Cai, is the wife of Jia Zhu and has a son Jia Lan. She was born in Jinling, and her father Li Shouzhong once made a toast to the whole country. From an early age, she was taught by her father that "a woman without talent is a virtue", so that she can recognize a few words, remember several virtuous women in the previous dynasty, and concentrate on spinning and sewing every day. Jia Zhu died of illness before he was 20. Li Wan has always been a widow. Although she is brilliant, she is like a dying ember. She only cares about raising her parents, accompanying her sister-in-law and studying. She is a typical virtuous woman, a virtuous woman who abides by feudal ethics.

Qin Keqing 12

Jia Rong's wife, Qin Keqing, is the twelfth of the twelve women in Jinling. She is the adopted daughter of camp doctor Qin Bangye, from Yangshengtang. Her nickname is Kerr, and her name is both pleasant and pleasant. She is graceful, delicate and romantic, gentle and peaceful, and won the favor of Jia Mu and others. However, her father-in-law Jia Zhen had an ambiguous relationship with her, which led to her early death. His life is extremely mysterious, and there is nothing unknown in his room. Even Jia Baoyu may not have this capital! On one occasion, when Zhou Rui's wife gave Xue Baochai the zodiac flowers for everyone, she saw the flowers pulling and crying. It is impossible to say that she is grateful, but she didn't get it. After her death, few people close to her actually did not object to her using wood that only the royal family could use as a coffin. What's more, the wood she used was originally wanted by the loyal prince, but later she retired because of the accident. This kind of thing that even Jia dared not use was used on a relatively small grandmother Rong, but no one objected and there was no reaction within the royal family. To be honest, I'm afraid I can't tell you the truth.