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Young painters born in 1980s in Ma Xiaojuan.
In this era when China's art market suddenly ushered in capitalization operation and the turnover showed a blowout, "investing in primitive stocks"-the predatory development and possession of young artists-is a speculative behavior that almost every operator has participated in, and the goal of grabbing has also extended from "post-70s" and "post-80s" to the youthful "post-80s".

Every young artist will have an epiphany, because the lifestyle and thinking are completely different from ours. Three years is a generation. But few people can keep their creative motivation and talent.

As a young painter born in 1980s, Ma believes that "the art of young people is not exactly the same as that of young people". Ma 20 10 After graduating from Tianjin Academy of Fine Arts, he worked as a teacher in Sijiqing, set up a stall in Tiantongyuan, lived in the basement of Kandanqiao, and was cheated to the iron lion grave. But no matter how life tests her, she has not worn away her persistence and desire for art. Art is poor, and art is priceless, but it is also priceless. Few artists can persist, and more are defeated by the cruel life of reality. Ask the horse: "Why are you so persistent? Do you want to dedicate your life to art? " Ma calmly replied, "Art dedicated itself to me. I must cherish her and love her for life. "

In recent years, contemporary art in China is surging, experiencing the profundity of metaphor in the boring, ruffian and gaudy art of the new generation, and also welcoming the diversity and proliferation of installation, behavior and video art, and even more unpredictable the popularity and fashion of Kaman art after 1980s. As a painter in China, Ma is constantly improving his works. The works of "post-80s" artists have completed the growth process from seed to bud. Their works can better reflect the living conditions of the public, better grasp the development pulse of contemporary art, and be understood, accepted and even supported by more groups. ...

Of course, it is an indisputable fact that artists belong to the times in artistic analysis, and no matter how individual artists are, they can't escape the life track of artists. However, in this fierce battle circle, it is only an extravagant hope that "post-80 s" painters can stand here and survive. The children outside are waiting quietly. Their eyes full of curiosity and expectation can only visit the ups and downs of contemporary art in China through a narrow gap space.

However, it is in such a narrow gap that not only new forces are constantly injected, but also a unique art group is formed. They are rebellious, free from ideological burdens and full of passion, especially able to adapt to the fierce market environment. Their "sudden emergence" won the praise of "elders", but "Enemy at the Gates" also made them a little worried. Because they have the ability to make waves in the market.

In recent years, their works have frequently appeared in major auction occasions, and all of them have produced unexpected high prices. Suddenly, it became the hottest topic in the art world. Why are their works popular? Why did their value soar? There are doubts in the society, and some people even question that it was speculated by art speculators.

As a new force in the art world, post-80s painters are full of young and fresh creativity, and will undoubtedly become the mainstay of contemporary painting in the future. Their works, with keen artistic perception and strong sense of innovation, are full of concern for reality and bold exploration of artistic forms, which can give people a unique and refreshing artistic feeling.