Appreciation and analysis of fine fine calligraphy of fine gold
Fine gold calligraphy works +0
Figure 2 Exquisite thin gold calligraphy works
Exquisite calligraphy picture thin gold body 3
Figure 4 Exquisite thin gold calligraphy works
Characteristics of hand-painted calligraphy
Thin gold book is a unique font, with its erratic and fast strokes and thin handwriting, it is thin without losing meat. At the corner, you can clearly see the traces of Tibetan front and exposed front. This book is based on imagism and should have been "thin". Changing "gold" into "tendon" is a respect for imperial books.
Song Huizong's calligraphy strokes are thin and hard. He first studied under Huang Tingjian, then under Chu Suiliang, Xue Ji and Xue Yao, and mixed with other schools to learn from each other's strong points and express their opinions, and finally created a unique "thin gold book" style, which had great influence. Calligraphy in Song Dynasty is good at rhyme and interest, and Evonne's "The Book of Thin Gold" embodies similar aesthetic interest of the times, which is called "the beauty of heaven and bones is beautiful, and the interest is hazy"; It also has a strong personality color, the so-called "such as bending iron and breaking gold."
This calligraphy style has never appeared in previous calligraphy works. Chu Suiliang's fine brushwork is only a small part of the same, but most of them are different. Compared with Xue Yao's ci in Tang Dynasty, it is the closest. Perhaps Evonne came from Xue Yao's poem Shi Li, but his writing is obviously much more mature than Xue Yao's. This is a very mature calligraphy style, and Evonne gave full play to its artistic personality. This kind of thin, crisp and elegant calligraphy style, with a side like orchid bamboo, requires extremely high calligraphy skill and self-restraint, as well as a calm mind to complete. Of course, it is not easy for others to imitate. There are many descendants who learn from his books, but few who get his bone marrow are like the morning star. Jin Zhangzong once wrote famous calligraphy and painting of Song Dynasty in Ming Chang Neifu, like You Chuntu, the wife of Zhang Xuan, which was copied, with exquisite brushwork and poor form and quality.
Writing methods and characteristics of calligraphy vibrato pen
The vibrating pen moves back and forth against the trend by properly lifting, stumbling and strengthening the friction between the pen and the paper, which shows that the stippling shape is scaly and the line edge is not smooth. Mao? Formally, there is a feeling of staying on the moving line, and more importantly, it increases the internal changes of stippling. Bao said in Two Ships in Art: After seeing the Six Dynasties stele extension, I stayed everywhere I went. Where you go straight, the ancients will gradually get frustrated and stay everywhere without letting go. ? If you can keep a pen, you won't make it. Frank. problem However, the contrarian reciprocating and paper friction should be naturally coordinated, and the movement should not be too big, and there should be no artificial twisting and warping. To maintain the overall sense of lines, there should be a certain sense of convergence in the flowing lines. Don't be hairy for the sake of hair, but astringent for the sake of astringency, so that there will be stiff teeth on the edge. Therefore, the use of war pen should not only pay attention to the surface form of line, but also pay attention to the internal expression of spirit, charm, pen gesture and strength.
Vibrating pen should also solve the problem of pen transport? Xu? 、? Disease? The problem is that the pen is too fast, the action is slippery, and the situation is unstoppable. The pen is too slow, susceptible, stagnant and unstoppable. Therefore, it is necessary to rely on the center to control the speed of the pen, in order to achieve the effect of getting sick, walking and staying. The war pen is a combination of pen power, pen speed, pen posture and frustration. Only when the combination is naturally coordinated can we write vivid and powerful stippling.
Just as many calligraphers don't understand that the highest realm of calligraphy is Taoism and nature, so do many calligraphers? Trembling? Or? Shake it? What are the characteristics of the strokes written? Trembling? Or? Shake it? The specific shape of the strokes written by the pen. Because trembling or trembling is a mechanical repetitive action with the same involuntary frequency, it is a simple repetition without change. In this way, the words written by the trembling wrist hand with a pen have the following characteristics:
1, deliberately pursuing the spirit of the stone, appears in the same frequency, the same shape or the same wave curve.
2. Stagnation points with the same frequency appear in one stroke of the pen.
3. When the pen is re-slid, the sawtooth with the same frequency appears.
The basic feature of vulgar pen is to repeat the same stroke without changing it.