A number of assessments are listed below.

However, the most striking thing is people's praise for Yun-peng Yue and Sun Yue's cross talk "Song of Thirty Years" at the party.

Some people lamented that the Chinese class was indeed the climax password, and the two men set off the first climax. Pinkley is right, hot search is not a problem;

Some people also commented on Pinkley's ability to control the court, as if the audience was full of childcare!

Yun-peng Yue and Sun Yue received rave reviews, which may be due to the dedicated training and unremitting efforts of Deyun Society, and more likely to be due to their familiarity with the CCTV Spring Festival Evening stage.

After all, starting from 20 14, Yun-peng Yue, Cai Ming, Hua Shao and others co-starred in the essay "Excuse me". After the first test, they joined hands with Sun Yue to re-enter the stage of the Spring Festival Evening the following year.

In the following years, the two became frequent visitors to the Spring Festival Gala, and each performance climaxed, with wonderful effects, great success and rave reviews!

Because of this, people can't help but ask curiously: Isn't Degang Guo the first person to put the cross talk of Deyun Society on the stage of CCTV Spring Festival Evening?

Why does master seem to be a flash in the pan and unstable? But the apprentice surpassed the master. Is it really because shine on you is better than Blue?

In 20 13, Degang Guo, the monitor of Deyun Society, which was popular all over the country, joined hands with his old partner Yu Qian to board the year of the snake Spring Festival Gala, which really attracted great controversy.

Some people think that the cross talk in the Spring Festival Evening is dancing in chains, and it is not easy for Lao Guo to talk about the law.

And more people spit, Degang Guo said too general, the big scene didn't stop, and taught his disciples the size and blank space all day, but his Spring Festival Evening was messy, tattered and full of fun!

But after the Spring Festival Gala, Degang Guo, why did he say that he only performed for one person for the first time? And said that the program frequently encountered the interference of placards under the stage?

Moreover, he used to joke and ridicule, and many people swore for him that he would never go to the Spring Festival Gala again in his life. What happened?

Crosstalk originated in North China and flourished in Beijing, Tianjin and Hebei.

1973 In December, Degang Guo was born in Tianjin, which is called "the capital of Tianjin".

It stands to reason that cross talk pays attention to the inheritance of father and son, such as Ma, Hou, Yang Yi and other cross talk fathers and sons, all of which are in the same strain and have profound family background.

However, Degang Guo's father is a policeman and his mother is a teacher who teaches crossword puzzles. None of his relatives has anything to do with cross talk.

Fate, sometimes, is so biased.

Because his parents were very busy, Degang Guo was left unattended when he was a child, so he was put in a nearby teahouse and theater by his father.

At that time, the Degang Guo family lived in the old town of Tianjin. Although the streets and buildings are a little old, teahouses and small theaters that rose decades ago are often performed by artists, and they are still thriving today.

Children are interested in novelty. Degang Guo doesn't cry or make trouble in the theater, but is interested in all kinds of performances.

One day when he was nine years old, Degang Guo felt that being an audience was not enough, so he took an artist to the stage to say cross talk.

How did the audience react for the first time in their lives? What did you say yourself? A few years later, Degang Guo kept the secret. A child who has never studied art and the audience "uprising", how about the first show of cross talk? Think about it and you'll know the result.

Anyway, from now on, Degang Guo won't dare to "hurt" crosstalk for two or three years. He also took a fancy to the prop beard of Beijing opera actors, and when he was free, he took a fake beard to play Bao Gong, and his friends laughed at him as an old man.

Everything has two sides. The first time she went on stage, Degang Guo understood that crosstalk really can't be said with her mouth. This is also the reason why he became famous in the future and still kept an eye on his disciples to practice basic skills.

Since then, Degang Guo has been eager to learn from his teachers. From storytelling to crosstalk to Xihe Drum, he has worshipped four or five famous teachers with surnames.

They include Wang Tianyu, a blind artist, and Yang Zhigang, who later called himself "blind" and misread Degang Guo.

At that time, Yang Zhigang not only held a high official title (as the director of Hongqiao Cultural Center), but also was a high-ranking cross talk master Bai Quanfu.

Degang Guo studied crosstalk by his side for seven years, and many traditional jokes, such as Palace Nine Arts, Eight Fan Screen Style and Big Bodyguard, were broken by Yang Zhigang and passed on to him.

It is because of this relationship that 15-year-old Degang Guo dared to venture into the "Beijing School Circle". Unfortunately, the signs of apprentices in Bai Quanfu and Yang Zhigang failed to cover Degang Guo.

In 2006, Yang Zhigang and Degang Guo turned against each other and went to court. What is the reason why the apprentice was slandered? Or is master rubbing traffic? I'm afraid no one can tell except the two parties.

However, Degang Guo, who became famous, even though he had a high reputation, could not catch up with one hundred disciples.

Disciples such as He and Yan left the club one after another. Is this Lao Guo's poor eyesight? Or compared with the natural cycle and retribution of the Yang Zhigang incident? It is really worth pondering and tasting.

1988, Degang Guo, who was only 15 years old, wanted to mix an "iron rice bowl" in the system with his cross talk skills, so he was admitted to the Beijing Federation of Literary and Art Circles with a young man named Tao Dawei.

During the three years of the rap group, Degang Guo rarely got a chance to enter the stage. He usually does odd jobs.

At that time, he would ask himself: Degang Guo, when will you take the lead? When can I become a crosstalk master?

It is said that a soldier who doesn't want to be a general is not a good soldier, but Degang Guo not only didn't look forward to his future, but later even became an extravagant hope in the rap group.

Seeing that he was praised by Yin Bolin in Lausanne, where the ACFTU worked as a handyman, he had made his mark in Qu Yuan's miscellaneous altar. Degang Guo had no choice but to pack up and leave.

In this way, Degang Guo lost the chance of a professional troupe to do odd jobs, but it is also a pity that the All-China Federation of Trade Unions Art Troupe refused such a "big horn" in the future.

That a few decades later, the Spring Festival Wine Bureau met again, and the head of the ACFTU's art troupe was ashamed and made a toast to Degang Guo again and again.

In this regard, Degang Guo was very modest and took the initiative to help each other. He said that he was really worthless at the beginning, only a little better than those who can't speak crosstalk!

When I first came to Beijing, I was still a young man. When I packed my bags and returned to Tianjin, I entered the ranks of adults.

At this time, Degang Guo has no time to pursue the dream of cross talk, and he urgently needs a stable and reliable way out of life.

To this end, he did not hesitate to shelve his cross talk career and went to the countryside to sing with some grass-roots teams. Xihe Drum, Bangzi and Pingju, Degang Guo sang whatever he caught, in order to find a way out and try all kinds of possibilities.

But the reality is cruel. In the past two years, Degang Guo not only earned some hard money, but also inadvertently cultivated a solid foundation of Chinese opera. He is still confused about the future.

1994, Degang Guo contracted a small theater in Tianjin, but it turned upside down and owed a lot of foreign debts.

Degang Guo, trapped in the "cross talk nest" but with no way out, once again turned his attention to Beijing.

However, I contracted a small theater and lost all my money. I want to go to Beijing but I don't even have a fare. Fortunately, several students had money to pay, and finally they got enough 4 thousand yuan.

1In the autumn of 995, Degang Guo came to Beijing again.

This time, Degang Guo became a little eager for quick success. Compared with cross talk on the stage, his more urgent mood is to make money. He wants to get rich and earn a lot of money.

However, the reality once again hit him to pieces.

How much can Degang Guo, who has not yet become famous, earn, whether doing odd jobs, singing operas or writing plays?

Only when people talk about survival first can they dare to expect development.

After entering Beijing, Degang Guo rented a bungalow by the river near Fengtai Qingta Village, with only a dozen flat rooms, one bed, one stool and one Mazar.

Degang Guo ran around singing during the day and came back to write at night, so he had to sit on Mazar and write by the bed. At that time, he felt how happy it would be to have a table!

Later, the economic situation in Degang Guo became more difficult. Seeing that the bungalow could no longer live, he began to look for cheap rental houses in Tongzhou, Daxing and Haidian, but no matter how far and remote the rental house was, Degang Guo was still embarrassed to pay the rent.

According to Guo Qilin, a small monitor, in a program, he only met his father once before he was 6 years old. He and his grandparents went to Beijing to see his father, who pretended to live a good life. But at that time, he really had no money, so the landlord came to collect the rent and kicked the door at the door. He hid in the house and dared not speak!

At that time, Degang Guo even had to fight hunger.

After singing in a small theater near Puhuangyu for two months, Degang Guo didn't get any money.

On this day, Degang Guo, whose salary was fruitless, had to sell her PHS mobile phone just to change two steamed buns to satisfy her hunger.

Sometimes, Degang Guo would rather walk more than ten kilometers, and save the money for taking the bus to buy steamed buns to fill his stomach. As a result, he just pushed open the door of the rental house and his stomach growled again.

20 19, Degang Guo recalled the original situation and said that at that time, he made a recipe that could satisfy his hunger. He went to the market to buy a bundle of green onions and some dried noodles, then boiled the noodles in a pot to make a paste, and then enlarged the sauce. He drinks scallion paste every day He also ridiculed himself that this way of eating not only supplements vitamins, but also supplements carbohydrates.

Even though it was difficult to fill his stomach, Degang Guo didn't go back, because there was no road behind him.

Maybe it's a gift from heaven, or a turn for the better.

By chance, Degang Guo passed a small teahouse in Cheng Nan and saw several young people talking cross talk in it.

This can't help but evoke his cross talk dream. He came from crosstalk in primary school, and now he is stuck in Beijing for crosstalk!

Seeing several young people standing on the stage talking about cross talk, Degang Guo couldn't walk any further. He ordered a pot of tea and hid in the corner to listen to cross talk, feeling deeply.

These young people gradually realized that Degang Guo was a crosstalk performer, so they invited him to perform on the stage. One to two, Degang Guo and Wang Yuebo, his partner in Youth, had a cross talk and accumulated an initial audience.

Later, Degang Guo, Zhang Wenshun and Jing Li founded the Beijing Crosstalk Society, the predecessor of Deyun Society, in Tianqiaole Tea Garden.

However, Degang Guo, who has gradually returned to the Bank, still has no place in the mainstream phonology circle in Beijing. Sometimes, just after the performance on the stage, there are a group of people sitting under the stage, holding books, wearing makeup and sunglasses, waiting to record which sentence is wrong, so that people can report it to the relevant departments.

"Just because you can speak cross talk, someone will kill you!"

Many years later, Degang Guo recalled his original predicament and said, "I beg you to take me in. I have been cornered by life. If someone stands up and says, stay as a messenger, I will vote! " ! I am willing to be a dog for you. You don't want me. You're afraid I'll bite you. You must kick me out. As a result, I became a dragon "

In 2004, after Yu Qian introduced, he joined.

In 2005, Degang Guo led Deyun Society to a sudden emergence, and then held a special cross talk in the Great Hall of the People, becoming a leader in the field of phonology.

However, Degang Guo, who frequently appears in Shang Yan's film and television works, is always absent from CCTV Spring Festival Gala. When can he make his debut?

It has been 30 years since 1983 was founded to 20 13. Although the reputation is not as good as before, it is still the most desirable stage for artists from all walks of life.

20 1 1 The sketch "You at the same table" performed by Zhao Benshan, Wang Xiaoli and Xiao Shenyang became the closing work of Zhao Benshan CCTV Spring Festival Evening.

Since then, CCTV language programs are in urgent need of a big ending. Perhaps it is in this context that Degang Guo entered the director's sight of the Spring Festival Evening.

In 20 13, Degang Guo joined hands with Yu Qian to successfully stage the CCTV Spring Festival Evening. However, after the performance, it caused great controversy.

Although some people think that the cross talk in the Spring Festival Evening is dancing with shackles, not everyone can dance well. With such a big platform and so many rules, it is the hero who does not tremble. It takes decades of skill to fully perform it.

The crosstalk in the Spring Festival Evening broke out in a few minutes, and every sentence was trampled. There is no doubt that Degang Guo's cross talk skill is enough!

However, some people's comments on Degang Guo's debut in the Spring Festival Gala are average, without any excuse. Some people claim that they would rather spend money to see a small theater than see Degang Guo in the Spring Festival Evening.

Some people think that "Degang Guo's performance on the stage of the Spring Festival Evening is not as good as that of Cao Yunjin".

Some even sarcastically said, "Don't brag if it's not funny!" "It really is that sentence. It's no use giving you a chance! "

Some people also seriously analyzed that the narrative content of Degang Guo's cross talk in the Spring Festival Evening must have been screened layer by layer, vulgar shit, ethical irony, and stuck, so Lao Guo got five points;

Lao Guo didn't make a hullabaloo about in the big scene, and taught his disciples the size and blank space all day. The Spring Festival Gala was sparse and dense. He didn't give the audience a chance to breathe, so he pieced together a hodgepodge. It was so messy, tattered and full of fun!

Degang Guo responded to these disputes in detail in interviews with the media and in his personal works.

He said that his Spring Festival Gala attracted a lot of controversy, which he expected. Some people think the comic dialogue "Black sheep" is not funny, but he thinks it is normal.

Degang Guo admits that the first show of the Spring Festival Gala is more important to him than the content. Only by popularization can more people like it; He also said that he performs many performances every year, but only in the Spring Festival Evening, he only performs for one person, that is, for himself, as long as he is satisfied!

Degang Guo lamented that a good artist needs to know how to adapt to different performance occasions, such as the Spring Festival Evening, temple fairs, gymnasiums and small theaters, and needs different performance skills and techniques.

He further revealed that the performances in the Spring Festival Gala have strictly stipulated time, because it is related to the life and death of the later programs, as well as the problem of ringing the bell on the hour! After talking for a few seconds, you may have to take off the big camera in a minute. People have been rehearsing for months, because you can't go to the Spring Festival Gala, which is really inappropriate.

Lao Guo also said that the program time is tight, and it is also a kind of interference that someone is holding placards below. It is really difficult to look at the signs, hold the program content and take care of the integrity of the work. It's hard enough to say it.

"Ten minutes after the start of my program, I will hold a sign every minute. I have to look at my watch and talk about cross talk. I still have to figure out which paragraphs I can't want and delete words at any time. "

In some interviews since then, Degang Guo also ridiculed that "many people swear for me that Degang Guo will never go to the Spring Festival Evening again in this life, but to be honest, I have never said this, and any interview I have done can be checked."

Degang Guo is open to not going to the Spring Festival Gala in the future. He thinks he may go once in his life or for decades!

Unfortunately, however, we only met Degang Guo once at the Spring Festival Gala. Do you expect Lao Guo to appear in the Spring Festival Gala again?