Lao She, formerly known as Shu Qingchun, is a famous modern writer, 1899~ 1966, Manchu, and his pen name is Lao She.
Extended data:
Whole poem:
The host is hospitable to drive the sheep, the milk wine is crisp and fragrant, and the blessing is often difficult to express. Don't forget each other when you raise your glass. The old man still sings the songs of that year, and the young man adds the costume of the times. Why can't you bear to say goodbye to the Mongolian and Han people?
Meaning:
The Mongolian and Chinese people have a profound friendship and live in harmony; On the occasion of parting, * * * talked in detail on the grassland in the sunset, reluctant to part.
Meaning: Mongolian and Chinese love each other deeply, why can't they bear to say goodbye? In this sentence, many places use "metonymy" to look forward to the evening. These metonymies are of complete and profound significance.
The artistic conception described in this sentence: Mongolian and Han nationality have been good friends since ancient times. We are gathered here today, which is not only a gathering of friends, but also a witness to the friendship between the two countries. On this boundless grassland, the sun sets, and I hope our friendship will last forever.
This memorable close-up closely follows the whole theme of "Mongolian-Chinese love" and achieves the effect of revealing the theme and deepening the meaning of the text.
Lao She's work style:
1. Creative theme
Most of Lao She's works focus on citizen life. He is good at describing the life and fate of the urban poor, especially the conservative and backward middle and lower class citizens who are soaked by feudal patriarchal ideology under the impact of ethnic contradictions and class struggles and new historical trends.
The ambivalence of confusion, hesitation and loneliness, and the ridiculous behavior of being in a dilemma and being at a loss. He likes to reflect common social conflicts through ordinary daily scenes, and his brushwork often extends to the excavation of national spirit or the thinking of national destiny, which makes people taste the seriousness and heaviness of life from relaxed humor.
Colorful natural scenery rendering and meticulous description of customs and human feelings add to the life breath and interest of the works.
In the history of modern literature, Lao She's name is always closely related to the citizens and the theme of Beijing. He is an outstanding painter of local conditions and customs in modern literature in China, especially in Beijing.
As a great man, the social reality he reflected may not be broad enough, but within the scope he described, he took history and reality from the natural scenery all year round and the social atmosphere and customs of different times.
Today, all kinds of people's emotions and subtle mentality are combined, condensed and lively, forming a complete and full "Beijing flavor" world. This is a special contribution of Lao She in the history of modern literature.
Another feature of Lao She's works is that it shows a distinct anti-imperialist and patriotic theme. In Lao She's works, imperialist aggression crimes are often directly exposed, and their economic, cultural and religious infiltration and racial discrimination are described to the people of China from different aspects.
He showed national awakening, praised national integrity, and attacked foreign slaves who showed humility and unwise in the face of these invasions and infiltration. 1960 is the 60th anniversary of the Boxer Rebellion, so he wrote the drama "Shenquan", which reproduces the heroic scene of Beijingers fighting against Eight-Nation Alliance.
2. Language style
Lao She's language is vulgar and refined, and both refined and popular are appreciated. Lao She said: "No master of language art is divorced from the masses, and there is no such master who records the people's language without extra work." Therefore, the language of the characters in the works is refined Beijing vernacular. The vulgarity of language in his works has been carefully thought and studied.
His "White" makes readers easy to understand but quite profound. It is Lao She's realm as a master of language to reflect the times and life with plain words, which can be described as "clear water produces hibiscus, natural carving".
On the other hand, Lao She used language to get rid of the roughness and randomness of the natural form and refined it into gold, making the modern spoken English in Beijing look as simple and exquisite as a finely carved porcelain.
Similarly, Lao She's works also pursue humor. On the one hand, they are influenced by British writers such as Dickens, on the other hand, they are deeply branded as "Beijing citizen culture" and form a more intrinsic "Beijing flavor". Humor is the general style of Lao She's works.
He believes: "If words are to be lively and interesting, you must use humor ... Lies are boring, obscure and boring, which is the fatal wound of literature and art; Humor is very important. " Therefore, Lao She's novels, plays and essays are full of humor.
Between the lines of his works, his humorous talents are all shining: the ideological content of "deep thinking" is expressed in the language of "clever words", which is implicit and meaningful, full of deep humor. Lao She has been called a humorous novelist since the publication of Lao Zhang's Philosophy.
Mr. Lao She is a master of subtext, and his masterpiece is Teahouse. Teahouse, with its profound and implicit subtext, effectively enriches the language connotation. The most classic example is the "war of words" between eunuch Pang and Qin in the first act.
These two people, one is the pet slave of the western empress dowager, and the other is the bourgeoisie who talks about reform. On the surface, it was a polite meeting, but underneath it was full of weapons. Lines like this can be seen everywhere in Teahouse. Quote without sending it, with implication, arouses people's interest and deep thinking, and it is chewy.
Lao She's works have successfully used energetic Beijing colloquial vocabulary, which makes the language of his works reveal a unique Beijing rhyme, and his works are full of life, and the local customs are real and touching.
At the same time, writing Beijingers in authentic Beijing dialect is authentic, lively, interesting, simple and natural, with a unique charm, which reveals the charm of Beijing dialect and shows the lively vitality of Beijing dialect and Lao She's ability to master Beijing spoken language.
References:
Why can't Mongolian and Chinese love each other? The world is greener and the sun is setting.
202 1-09-06 answer
Agreed 16
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Mongolians and China people love each other deeply. Why can't they bear to say goodbye to the sunset?
It means: "Mongolians and China people love each other deeply, why never say goodbye?" Mongolian and Chinese people have a profound friendship, so how can they bear to part immediately? Until sunset, people still pour out their feelings of farewell to each other on this distant and endless grassland. As the end of the whole article, this sentence points out the center of the deep unity of the Mongolian and Han nationalities. In this sentence, metonymy is used in many places. Mongolian and Han people mean Mongolian and Han people, Tianya means frontier, Inner Mongolia, green grass means grassland and sunset means dusk. These metonymies are of complete and profound significance. The artistic conception described in this sentence: Mongolian and Han nationality have been good friends since ancient times. We are gathered here today, which is not only a gathering of friends, but also a witness to the friendship between the two countries. On this vast grassland, the sun sets, I hope our friendship will last forever. Why can't you bear to say goodbye to Mongolian and Chinese feelings? From Lao She's Grassland, the author was originally named Shu Qingchun, a famous modern writer, 1899~ 1966, Manchu, pen name Lao She. Interpretation: Mongolian and Chinese people have a deep friendship, how can they bear to part immediately! On the endless prairie, everyone is facing the sunset and pouring out their feelings of saying goodbye to each other.
Forget the year.
The answer? 20 19-09-07
4 105 likes 1 comments
Mongolians and China people love each other deeply. Why can't they bear to say goodbye to the sunset?
It means: Mongolian and Chinese people have a deep friendship, how can they bear to part at once! On the endless prairie, everyone is facing the sunset and pouring out their feelings of saying goodbye to each other. From Lao She's Grassland, the original text is as follows: The host is hospitable to drive the sheep, and the milk wine is crisp and fragrant, and the blessing is often difficult to express. Don't forget each other when you raise your glass. The old man still sings the songs of that year, and the young man adds the costume of the times. Why can't you bear to say goodbye to the Mongolian and Han people? Deep meaning: Mongolian and Chinese people have deep friendship and live in harmony; On the occasion of parting, * * * talked in detail on the grassland in the sunset, reluctant to part. Mongolian and Han people have been good friends since ancient times. We are gathered here today, which is not only a gathering of friends, but also a witness to the friendship between the two countries. On this boundless grassland, the sun sets, and I hope our friendship will last forever. Extended data:
Colorful natural scenery rendering and meticulous description of customs and human feelings add to the life interest of the works. In the history of modern literature, Lao She's name is always closely related to the citizens and the theme of Beijing. He is an outstanding painter of local conditions and customs in modern literature in China, especially in Beijing. As a great man, the social reality he reflected may not be broad enough, but within the scope he described, he divided history and reality from the aspects of natural scenery throughout the year, social atmosphere in different times, local conditions and customs and so on.
Xiaoxiongwan technology gj
The answer? 202 1-02-25
8 18 likes 1 comments
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Answer 902
Do you think frequent chatting will lead to the illusion of love?
Frequent chatting between two people will lead to the illusion of love, while the opposite sex can always have a topic to talk about, which shows that their three views and interests are basically the same, but they should also be careful about each other's feelings. The feeling of chatting often. We often encounter such a situation, with many friends around us and easy-going family members, but we can't talk to them about some topics. It's good to have a "tree hole" friend at this time Many people like telling strangers what they think. Even if a stranger says nothing, just listening can make people feel very relaxed and comforted. Just like the popular online dating now, although you can't see each other's looks, your heart moves between the lines. Maybe a simple greeting or a short response from the other person can make you feel that the other person is very good. But the network is not reality, and there is also deception. It's hard to judge a person's character because you can't see their looks and don't know their details. If the other person hides his intention and has other plans for you, he can completely set a trap for you to fall into. Just like online dating fraud cases often reported on the Internet, the beauty that the victim thinks is actually a real "stingy man". The reason why the victim was cheated was the illusion of love. Liars will dress themselves up as beautiful women, chat with suspects every day and listen to their complaints. This pandering attitude and long-term conversation made the victim fall into a habit and formed the illusion of love. In the victim's mind, he automatically sets himself as the lover of the other party. However, the feelings expressed by this frequent chat are not pure, and there may be elements of interest. Of course, there are like-minded friends of the opposite sex in the real society, but it is difficult to guarantee that one of the two sides will not be tempted. Love or brothers? It is a rare friendship for friends of the opposite sex to become girlfriends, but once this relationship changes from friends to lovers, it is likely that both sides will lose a good brother from now on. Friends becoming lovers is not only a change of identity, but also many things in life will change. For example, in the past, two people could talk to each other, but at this time, some topics can only be said to others. For example, in the past, the topic of two people was mostly interest. After getting along, they found that there were too many problems in each other's life, and some small problems were simply unbearable. The other party also knows all your black history, so it's hard to guarantee that you won't be moved out and have a quarrel. If two people can make a positive result, it is a happy reunion, but when the relationship breaks down, they lose not only a lover, but also a friend who used to be like-minded. Therefore, when you consider whether to change from a friend to a lover, you must ask yourself if this is love and whether you are willing to give up a rare friend. How to keep boundaries with friends of the opposite sex? If you don't want to lose this friend, but also want to maintain the relationship of friends all the time, then you should refer to the following points and keep the bottom line of friends. First of all, don't do things beyond the boundaries of friends. Since you have chosen to be friends, you should keep your friends' last line of defense. For example, don't make intimate jokes with friends, kiss each other or hold each other's hands. Because the other person has chosen to be friends, you can't let the other person misunderstand your behavior. There must be a limit to what friends of the opposite sex do. As the saying goes, a friendship between gentlemen is as light as water, and maintaining a pure friendship requires an important bottom line for friends. Then, don't complain about your lover with each other. Although we are good friends, the secret of our lover should not be published everywhere, otherwise it will be difficult to explain if our partner knows it. Maybe you think the other person is harmless, but there is no guarantee that your other half will understand your feelings. Finally, don't contact too often. Too frequent contact between two people is likely to give each other the illusion of love. You can be brothers together at ordinary times, but don't contact frequently every day, which will make each other feel inseparable from each other. Habit becomes nature, that's why. Repeat one thing every day, and suddenly stop, you will feel empty inside. This feeling is not love, but a habitual need. That's it. It is not true that two people often chat and have the illusion of love. If you want to turn "brothers" into lovers, please be sure to think clearly whether you are willing to lose this intimate friend.
02
1.7 million heat
Answer 1 17
Mongolians and China people love each other deeply. Why can't they bear to say goodbye to the sunset?
Why can't you bear to say goodbye to Mongolian and Chinese feelings? Interpretation of Lao She's Grassland: Mongolian and Chinese people have a profound friendship, so how can they bear to say goodbye! On the endless prairie, everyone is facing the sunset and pouring out their feelings of saying goodbye to each other. Lao She, formerly known as Shu Qingchun, is a famous modern writer, 1899~ 1966, Manchu, and his pen name is Lao She. Extended data:
The whole poem: the host is hospitable to drive the sheep, the milk wine is crisp and fragrant, and the blessing is beyond words. Don't forget to raise your glass. The old man still sings the songs of that year, and the young man adds the costume of the times. Why can't you bear to say goodbye to the Mongolian and Han people? Moral: Mongolian and Chinese nationalities have deep friendship and live in harmony; On the occasion of parting, * * * talked in detail on the grassland in the sunset, reluctant to part. Meaning: Mongolian and Chinese love each other deeply, why can't they bear to say goodbye? In this sentence, many places use "metonymy" to look forward to the evening. These metonymies are of complete and profound significance. The artistic conception described in this sentence: Mongolian and Han nationality have been good friends since ancient times. We are gathered here today, which is not only a gathering of friends, but also a witness to the friendship between the two countries. On this boundless grassland, the sun sets, and I hope our friendship will last forever. This memorable close-up closely follows the whole theme of "Mongolian-Chinese love" and achieves the effect of revealing the theme and deepening the meaning of the text. Lao She's Style: 1. The theme of creation Lao She's works mostly focus on citizens' life. He is good at describing the life and fate of the urban poor, especially the conservative and backward middle and lower class citizens who are soaked by feudal patriarchal ideology under the impact of ethnic contradictions and class struggles and new historical trends. The ambivalence of confusion, hesitation and loneliness, and the ridiculous behavior of being in a dilemma and being at a loss. He likes to reflect common social conflicts through ordinary daily scenes, and his brushwork often extends to the excavation of national spirit or the thinking of national destiny, which makes people taste the seriousness and heaviness of life from relaxed humor. Colorful natural scenery rendering and meticulous description of customs and human feelings add to the life breath and interest of the works. In the history of modern literature, Lao She's name is always closely related to the citizens and the theme of Beijing. He is an outstanding painter of local conditions and customs in modern literature in China, especially in Beijing. As a great man, the social reality he reflected may not be broad enough, but within the scope he described, he combined history with reality, from the natural scenery throughout the year, the social atmosphere and customs of different times to the joys and sorrows and subtle mentality of all kinds of people, colorful and vivid, forming a complete world full of "Beijing flavor". This is a special contribution of Lao She in the history of modern literature. Another feature of Lao She's works is that it shows a distinct anti-imperialist and patriotic theme. In Lao She's works, imperialist aggression crimes are often directly exposed, and their economic, cultural and religious infiltration and racial discrimination are described to the people of China from different aspects. He showed national awakening, praised national integrity, and attacked foreign slaves who showed humility and unwise in the face of these invasions and infiltration. 1960 is the 60th anniversary of the Boxer Rebellion, so he wrote the drama "Shenquan", which reproduces the heroic scene of Beijingers fighting against Eight-Nation Alliance. 2. Language style Lao She's language is refined and refined, and both refined and popular. Lao She said: "No master of language art is divorced from the masses, and there is no such master who records the people's language without extra work." Therefore, the language of the characters in the works is refined Beijing vernacular. The vulgarity of language in his works has been carefully thought and studied. His "White" makes readers easy to understand but quite profound. It is Lao She's realm as a master of language to reflect the times and life with plain words, which can be described as "clear water produces hibiscus, natural carving". On the other hand, Lao She used language to get rid of the roughness and randomness of the natural form and refined it into gold, making the modern spoken English in Beijing look as simple and exquisite as a finely carved porcelain. Similarly, Lao She's works also pursue humor. On the one hand, they are influenced by British writers such as Dickens, on the other hand, they are deeply branded as "Beijing citizen culture" and form a more intrinsic "Beijing flavor". Humor is the general style of Lao She's works. He believes: "If words are to be lively and interesting, you must use humor ... Lies are boring, obscure and boring, which is the fatal wound of literature and art; Humor is very important. " Therefore, Lao She's novels, plays and essays are full of humor. Between the lines of his works, his humorous talents are all shining: the ideological content of "deep thinking" is expressed in the language of "clever words", which is implicit and meaningful, full of deep humor. Lao She has been called a humorous novelist since the publication of Lao Zhang's Philosophy. Mr. Lao She is a master of subtext, and his masterpiece is Teahouse. Teahouse, with its profound and implicit subtext, effectively enriches the language connotation. The most classic example is the "war of words" between eunuch Pang and Qin in the first act. These two people, one is the pet slave of the western empress dowager, and the other is the bourgeoisie who talks about reform. On the surface, it was a polite meeting, but underneath it was full of weapons. Lines like this can be seen everywhere in Teahouse. Quote without sending it, with implication, arouses people's interest and deep thinking, and it is chewy. Lao She's works have successfully used energetic Beijing colloquial vocabulary, which makes the language of his works reveal a unique Beijing rhyme, and his works are full of life, and the local customs are real and touching. At the same time, writing Beijingers in authentic Beijing dialect is authentic, lively, interesting, simple and natural, with a unique charm, which reveals the charm of Beijing dialect and shows the lively vitality of Beijing dialect and Lao She's ability to master Beijing spoken language. References:
Why can't Mongolian and Chinese love each other? The world is greener and the sun is setting.
03
65438+200,000 heat
Answer 403
Do you really yearn for "rural life"?
Point 1, what difficulties will people face in rural life? Pay attention to my title, its words are too long, in fact, the main purpose is to standardize. What is a norm? For an old man who has lived in the countryside for 60 to 70 years or 70 to 80 years, he has never felt any difficulty in living in the countryside. It happens every day. You can go to the market every five days. I want to buy something for the village canteen, and I can buy it the next day. So for them, rural life is used to it, and there is no so-called adaptation and inadaptability. However, for some people in the city, or at least those who lived in the city in the early years, now they are suddenly ready to live in the countryside. So what kind of setbacks and difficulties will they face when they meet such a group of people? What's your problem? First, you can't order takeout. Don't think about eating mala Tang or big chicken chops in the city. There is not even a steamed bread, and there is basically no steamed bread in the village. The only food we can eat in our village is fried dough sticks, which we have to go every five days. Why? Because people went to the market that day and went to our village to sell unsold food, and the price was outrageous. Not as cheap and delicious as the fried dough sticks they are making now. So if you live in the countryside, you don't want to talk about take-away, and you don't bother to cook for yourself, except for the villages in the city. If you really don't want to cook, you can only cook a bag of instant noodles. As for the so-called fried chicken cola drinks or some hamburgers, they are basically far away from you and will be far away. Secondly, you can't get a taxi. Although the public transport facilities are decent now, they are not decent either, just like I am most grateful that public transport is free in winter. In other words, as long as you want to go to a place, find a bus directly, which greatly improves the convenience of our going out. Besides, there can be a lot of things in the car, and the driver's master will come and give you a hand. It stands to reason that this kind of public transportation is simply too good. But you should pay attention to the fact that public transportation in the village is impassable. On the one hand, the hutongs in some villages are particularly narrow, and on the other hand, it may be that our place is so special that public transportation, especially large buses, can't be found at all. If we want to take a bus, we must run 3 kilometers or 5 kilometers. Well, some people say it's only three or five kilometers more, no problem. But you should pay attention that the only thing you can find in the village is a private car, also called a black car. For example, if you want to go somewhere and ask your neighbor for help, he will drive you there, but when will you come back? What if I suddenly want to leave at night? Inconvenient transportation is a very fatal problem. Third, cold and warm, all kinds of living environment are not suitable. If you build a particularly new house in the village, I have nothing to say, but if it is an old house, take my grandmother's house for example. It is ridiculously cold in winter and horribly hot in summer. Some people say you are unfilial. Why doesn't your grandmother's house have air conditioning? Air conditioning was installed, resulting in air leakage in the windows and several big holes in the roof. Who can blame this? This house is actually to be repaired, but if you suddenly rent a shabby house in the countryside now, I tell you that it is not warm in winter and cool in summer unless you take more air conditioners and blow them 24 hours a day. Fourth, there are basically no entertainment activities. There are some recreational activities in our village now, such as square dance. What else is there? It's gone. If there is, it may be that a movie player suddenly comes to us every few months, or that people from other places suddenly come to us to sell ice cream every few months. Apart from these recreational activities, there are basically no other recreational activities. Of course, you can continue to brush with your mobile phone, play computer and even watch TV there. But for some recreational activities, there will be more recreational activities in the city. Second, why do we yearn for rural life? Then someone said, since rural life is like what you said, why do people yearn for it? Think about it. Is rural life like this? You can take a taxi, find a bus and order takeout when you go out. At the same time, you have a small room of your own, this house is still a single house, and you can also have a farm yard. You can have all kinds of fruits and vegetables in your spare time, and you can keep one or two pets. Come on, do you imagine this is an idyllic life? Isn't this villa life? Quite a few people, the so-called rural life they want, just turn the villa ideal into rural life.
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