Every one is an era of prosperity and depression; Everyone is an endless legend; They are movie lovers and screen companions; Their faces appeared in the film of the past 100 years, and in the foreseeable future 100 years, they will still turn all beings upside down-they are the most dazzling 100 stars of the century-old galaxy in Hanzhong, and they are the names that perfectly witness the light and shadow in the readers' hearts.

This newspaper specially planned this year, including China Film 100' s large-scale special report "Who is qualified to represent China Film for a hundred years", and the dust settled today. The following are 100 filmmakers who can best represent China's century-old films according to the voting results.

1, Zheng Qiuzheng:

China film industry pioneer, one of the earliest film writers and directors.

He was the director of China's first feature film. He first advocated that movies should be a tool to improve society and educate people. The films he directed opened the social film mode in China with popular family sitcoms as the core.

2. Li Minwei:

The long-neglected father of China films.

Li Minwei is the first person to direct and perform Hong Kong films, and is known as "the father of Hong Kong films". Zhuangzi Trying His Wife is not only the earliest Hong Kong film, but also the first China film exported overseas, creating a precedent for film export.

3. Sun Yu:

The "first person in China" who systematically received western film education.

Sun Yu, once known as a "film poet", is a rare writer and director in China's early films. His films, such as "A Dream in the Old Capital" and "Wild Grass Flowers", provide a new aesthetic way for China's films and make China's films attract the attention of the intelligentsia.

4. Nguyen:

The uncrowned king of China's silent film era.

In "Wild Grass Flowers", she sang the first sound of China's film; Her goddess became the highest peak of China's silent film era; "All-round actress" and "China Garbo" all belong to her. Ruan has become a symbol, solidifying an eternal topic about artists, especially actresses and scandals.

5. Jin Yan:

The earliest "film emperor" in China.

In 1930s, Jin Yan, the "film emperor", was a perfect idol in the eyes of citizens. It was completely different from the image of the "glib" sour boy in the film industry at that time. The young talents created by Jin Yan on the screen were the ideals of young people at that time.

6. Fei Mu:

Movie master, who has been forgotten for a long time, is the pioneer of "humanistic film".

Fei Mu, a scholar among directors, first proposed that "China films can only express their own national style". From City Night to Spring in a Small Town, Fei Mu drew a clear blueprint for the successors of humanistic films with his Chinese film thinking mode and conceptual techniques.

7. Hu Die:

China's first film queen, the first real female star.

From silent movies to talking movies, from Mandarin movies to Cantonese movies, Hu Die became one of the best actresses in China in 1930s and 1940s. She starred in China's first sound film "The Song Girl Red Peony" and the first left-wing film "Wild Flow". Her appearance marks the formal formation of China's star system.

8. Yuan:

The most talented "Thousand-faced Man" in China's film history.

As a drama star, he was once known as "a thousand people on the stage"; As a film artist, he combines editing, directing and performing, creating many "firsts" in China's film history; He also served as the director of Northeast Film Studio, the first film studio in New China, and was the pioneer and founder of the film industry in New China.

9. Wang:

China's first generation of modern song and dance performers.

She is the first generation of modern song and dance singers in China. A "Fisherman" reminds the audience of the actress Wang who plays the fisherman's "kitten". Her healthy, lively and youthful image is contrary to the "morbid beauty" that filled the screen at that time.

10, Zhao Dan:

The first acting master who combined stars and actors represented the peak of China's actors.

Zhao Dan is a classic face of China's films and a real actor. In performance, he emphasized personal experience, used traditional cultural concepts such as opera and Chinese painting to express his role, and opposed dogmatic learning and misappropriation of western performance theory, which provided a lot of reference for China's performance theory.

1 1, Zhou Xuan:

The cultural trademark of old Shanghai, a real entertainment superstar and a rare legendary idol.

In her short life, Zhou Xuan appeared in dozens of films and recorded more than 200 songs, which made her a diva. She is not an extraordinary master of acting, but she has conquered generations of audiences with her unique temperament, and also provided an aesthetic classic model for the female image of China on the screen.

12, Wu Chufan:

South China Film Emperor, Master of Method Performance School.

From filming 1935 to filming Cantonese films in the 1950s, Wu Chufan played an important role in every era, and was called a master of method acting.

13, white light:

The "first-generation enchantress" in the film history is the representative figure of the first-generation pop music in China.

Bai Guang is good at playing a coquettish and seductive bad woman, and is known as "a generation of enchantress" and "a legendary woman". She is also a representative of the first generation of Chinese pop music. Her distinctive bass is like a small red flower in an evergreen tree in the 1930s and 40s, dazzling and charming.

Shang Guanyunzhu 14:

China's first character actor.

"Emotion is in China, but form is outside", Shang Guanyunzhu has a wide range of operas, dares to try various roles, and plays accurately and vividly.

15, amendment:

The first voice actor in China film history.

It seems that as soon as she appeared on the screen, she showed too strong personality brilliance. Personality beauty, charm beauty and happiness beauty ... people commented that the revision of documents at that time had exhausted its gorgeous rhetoric.

16, Tao Jin:

The first actor to play Zhou Ping.

Tao Jin has made great achievements in acting and directing all his life. The traditional Chinese opera films he directed are full of characteristics and new ideas, especially Fifteen Levels, which was once famous all over the country for "saving one drama with one play".

17, Poplar:

One of the most famous actresses in China's film industry after the war.

In the film history of China, Poplar has always been a typical image of China's traditional virtue as a good wife and mother. In addition to acting in movies, she was also one of the "four famous actresses" in China in the 1940s. She played Sister Xianglin in the film Blessing adapted from Lu Xun's works and reached the peak of her life.

18, Qin Yi:

A typical representative of oriental female beauty on the screen.

Qin Yi, known as "Venus of the East", was called "Four Famous Dances" on the drama stage in the rear area of the Anti-Japanese War in 1930s. After it was put on the screen, it created many vivid images and became a moving bright color in the monotonous era.

19, Wang:

A beautiful "nurse" who led the social trend in the 1950s.

When she first appeared on the screen, she was called "Little Zhou Xuan". She was a female star in Shanghai in the 1940s. 1957, she left a classic diary of a nurse. Because this nurse named Jane Su Hua is so beautiful, many men used to choose a nurse as their first choice for choosing a wife.

20. Ying Ruocheng:

The brand and treasure of China drama performance art in the second half of the 20th century.

Ying Ruocheng, a performing artist, a drama theorist, a translator and a cultural official, can be called a "fantasy artist". His translation in the film Bethune was very successful. He created countless characters in his life, many of which became models in the history of China's drama performance. In addition, he has made irreplaceable achievements in drama translation.

Yu Shizhi 2 1:

An outstanding representative of Beijing people's artistic style and Chinese performing arts.

Yu Shizhi is recognized as a natural, subtle, deep and poetic civilian artist. The dramatic film Teahouse, which was shot by Beijing people's art colleagues headed by him, won a high reputation for China's performing arts in the world theaters.

22, stone swing:

The most imperial performance "Ghost Talented".

In the hundred-year history of China's films, there are many well-behaved gentlemen, but there are only a handful of "deviant" ghosts like Shi Hui. He used to be the "drama emperor" who dominated the stage. His film My Life, based on Lao She's novel, is a classic in China's film history and is called "civilian epic".

23. Cui Wei:

A filmmaker with China's "blood" and heroism, he is a master in China's film history.

As an actor, Lao She praised him as the best actor in China, on a par with Jinshan and Zhao Dan. As a director, he is a magnificent master, and also a leader among the "Four Handsome Northern Films".

24. Ren Jianhui:

Known as the "lover of opera fans", the famous corner of Cantonese opera has been repeatedly portrayed in Hong Kong's nostalgic culture.

As one of the most unique cultural symbols in the 20th century, Ren Jianhui disguised herself as a man at the age of 20. She is even more charming than a real man, and almost all people who have always called her "the lover of opera fans" are obsessed women.

She dominates not only the stage, but also the screen. She participated in 300 Cantonese opera movies in her life, which is unparalleled in the past 40 years, making her the actress who participated in the most movies in Hong Kong's history.

25. Yu Yang:

The iron screen spokesperson of China Tough Guy is the eternal "Die Hard Rowen Hero" in the eyes of fans.

From actor to director, from troupe leader to film censor, from acting to filming, from filming to film criticism, Yu Yang's life can be said to be the epitome of the film history of new China.

26. Yu Lan:

Founder of female image sequence in China film revolution.

The image of revolutionary women in China created by Yu Lan has become a very important character sequence in the history of China movies. In particular, the interpretation of "Jiang Jie" made her reach the peak of her acting career. In a sense, Yu Lan is synonymous with Jiang Jie.

27. Tian Hua:

The epitome of new China movies.

In people's minds in the 1950s, Tian Hua and the white-haired girl have become a symbol of memory, deeply imprinted in their minds. Her artistic peak is also a microcosm of the "seventeen years" and "main melody" movies from concept to practice.

Ge Cunzhuang:

"Anti-No.1" of Beiying is one of the "five villains" in China's film history.

Ge Cunzhuang has been a villain all his life, and his acting skills have reached perfection, but he has never won any prizes. He, Chen Qiang, Presentation, Fang Hua and Liu Jiang are dubbed the "five villains" in China cinema, and they are the uncrowned kings, which will remain in people's hearts forever.

29. Zhang Ruifang:

Dedicated a unique comic image-"Li Shuangshuang" to the new China film.

Zhang Ruifang was once one of the four famous actresses on the stage of drama. From the stage to the screen, she created a series of vivid images. 1962 The quick-talking Li Shuangshuang made her reach the peak of her film acting career.

30. Feng (Angie Chiu):

The idol of the times buried deep in people's hearts in the 1950s. He is born with an elegant charm, a chic temperament that others can't imitate, and is an idol buried deep in the hearts of a generation. Among the roles he played, Gao Yingchang in "Fighting to the North", Wang Lian, a scout in "The Iron Guard of Yangcheng" and Hou Chaozong in "Peach Blossom Fan" were especially loved by the people.

3 1, Xie Jin:

A banner of China's films and a master of China's realistic films.

Xie Jin's films have created a glorious course of "collective aesthetics of contemporary China people". Starting from "Women's Basketball No.5", each of his works is regarded as a film symbol of a period. Although Xie Jin is classified as the "third generation" in the intergenerational sequence of China's film history, he has actually surpassed the times.

32. Sun Daolin:

Evergreen Tree, one of the most accomplished actors in China's dubbing history.

Some people say that he is a poet, some people say that he is an actor with both civil and military skills, some people say that he is a brilliant director, others call him a poetry reader and voice actor, and more people call him an evergreen tree in the art world.

33. Wang Xingang:

The "First Soldier" in China's film history.

Wang Xingang performed one perfect China soldier after another on the screen, and the position of "the first soldier" has never been surpassed. "Men look at Wang Xingang and women look at the king" was once a popular mantra in China. When the concept of man was still very common, he had provided the best model.

34. Cheng Zhi:

The unique "southern spy".

He has been an artist for 50 years and is famous for playing the villain role. He is called "southern spy" by the audience. He is also an excellent voice actor, and many classic business cards have left his charming voice; His cross talk level and Beijing opera skills are also well-known.

35. Wang:

The only female general in China's film industry was a symbol of China's feminine beauty in the 1960s.

She used to be the director of Bayi Film Studio and the only female general in China film industry. She once brought a strong, witty, wild and spontaneous beauty to the film circle of that year. At that time, Wang was a symbol of China's feminine beauty.

36. Xie Fang:

Screen spokesperson of the first generation of intellectual women.

She was an actress with special temperament in the 1960s. Although she plays all revolutionary heroes, her bookishness and petty bourgeoisie are hard to hide. Song of Youth, February in Early Spring and stage sisters, Xie Fang left us three classic films of that era.

37. Li Moran:

The first generation of drama masters in New China, one of the few performing artists who can form their own system and achieve outstanding achievements in film history.

On the screen and stage, Li Moran played almost all heroes, especially Deng Shichang. His performance is unique, eclectic and eclectic, which not only has some principles of Stanislavsky system, but also has the particularity of China's traditional opera performance and has the profound inner beauty of China's national culture.

38. Pang Xueqin:

The leader of "Long Shadow" in 1960s.

The moon is bright and bright. There used to be a Pang Xueqin in China movies. He used to be one of the few handsome young people, full of heroic spirit and enterprising spirit, and deservedly became one of the "top 22 stars". His graceful star photos spread all over the country.

39. Li Hanxiang:

A master figure who laid the concept of Hong Kong film.

In the history of Hong Kong film, Li Hanxiang is a figure who doesn't know where to start. Together with a group of mainland filmmakers from Zhu Shilin and Hu Jinquan, he laid a solid foundation for Hong Kong's traditional film concept. During his life, he developed many movie types, including Huangmei tune movies, Qing Palace movies, romantic movies and comedies. He issued shares for the first time in China's film history, and spent his whole life traveling between mainland China, Hongkong and Taiwan Province Province, inadvertently promoting the exchange, reference and integration of film culture among the three places.

40. Xia Meng:

A rare all-around actor in Mandarin films, Oriental Audrey Hepburn.

Xia Meng, known as the "Great Wall big princess" and "God's Masterpiece", is a rare all-round actor in Mandarin films. Her temperament and charm are unique in the film industry, and her successors are lacking. In the hearts of the older generation of fans, Xia Meng is the only actress who can be compared with Audrey Hepburn, and has been amazing for many years.

Huang Zongluo 4 1:

A walk-on player in China entertainment circle.

BLACKPINK's life is a walk-on for this. He is the youngest of the three outstanding artists in the yellow painting circle, and an amphibious performance artist in film and television dramas. He created 100 artistic images, calling himself "a picture of a hundred ugliness". He enjoys playing supporting roles and has the reputation of "the king of small roles" and "the master of walk-on".

42. Lin Dai:

So far, there are only four Asian film winners.

She has set a record for the best actress in four consecutive Asian film festivals, and no one can match her so far. Her films have far-reaching influence in Hongkong, Taiwan Province and overseas. Today, Lin Dai Film Week is still held in Hongkong every year. Her temperament is noble and generous, and she is called the eternal goddess of Hong Kong movies.

43. Hu Jinquan:

Movie master, the new martial arts, initiated the genre of literati martial arts movies.

There are only a handful of highly stylized filmmakers like Hu Jinquan in China's hundred-year film history. He was the first director who took martial arts films as art, and his works reproduced the lyrical artistic conception in China's landscape paintings, creating a poetic and literati martial arts film.

44. Zhang Che:

The first director to label China's films as "male" created violent aesthetics and masculine martial arts films.

Zhang's works are the well-deserved originator of male movies, 1967. It was his one-armed knife that brought the second golden age in the history of martial arts movies and saved the feminization of Hong Kong movies with a masculine style. The appearance of "Zhang Jiaban" made him the earliest filmmaker in China's film history.

45. Ling Bo:

The first drag actress in an opera film.

In the film history of China, Ling Bo is definitely a legend. She is the most important name in the history of Huangmeidiao movies in Hong Kong, and the first cross-dressing actress in traditional Chinese opera movies. In those days, Ling Bo visited Taiwan with a movie "butterfly lovers", and a sea of people greeted guests in three miles, creating a sensational movie event.

46. Lisa Lu:

The first generation of Chinese actresses who realized their dreams in Hollywood, and the emissary of Sino-American film cultural exchange.

In Lisa Lu's body, there are profound connotations of Chinese and Western cultures. Her performance can capture the essence of the characters' personality, with life and depth, and she is recognized as the most artistically cultivated Chinese actress in Hollywood.

47. Tommy Tam:

Hong Kong Kung Fu movie superstar, one of the famous "Three Dragons".

His hero's "taste" and "demeanor" are unparalleled so far. Tommy Tam, known as the "standard soldier", was the chief junior of Bernard Shaw in 1960s and 1970s, and the golden age of Bernard Shaw was also the golden age of Tommy Tam. After the successful transformation in the 1980s, his chivalry and lofty sentiments became a label of Hong Kong Jianghu films.

48. Bruce Lee:

The first fighter who knocked on the western gate symbolized China's martial arts and spirit.

Bruce Lee is a beginning and a swan song. Like a comet, he opened the movie era of real kung fu and really brought the myth of China Wushu to the world cinema. There will be no second Bruce Lee who is outstanding as a philosopher, fighter, painter and star. His films broke the director-centered system, and formed a film-making mode with stars as the center to make scripts, cooperate with publicity and mobilize the box office.

49. Zhen Zhen:

The first generation actress in Taiwan Province Province, the heroine of literary films in 1970s.

Pearl Krabs starred in a series of Qiong Yao dramas from 1973, and successfully constructed the exquisite and beautiful role temperament of the first generation of Qiong Yao girls, which became popular in Southeast Asia and became the heroine of literary films in 1970.

50. Shichang Da:

A delicate star on the screen, a popular lover in the 1970s.

On the screen, Shichang Da always leaves people a friendly smile and a calm manner. People are tired of the "tall, big and all-round" figures with heavy eyebrows and heavy shoulders, and begin to appreciate the gentleness and scholar chic represented by Shichang Da.