1, bipolar lens transition
The scene of the previous shot and the scene of the latter shot are exactly two extremes. The former is a close-up, and the latter is a panorama or vision; The first one is a panoramic view, and the last one is a close-up.
Special-Far-Wide-All-Far-Special
Effect: Emphasis on contrast.
2. Don't make a transition in the same scene.
The scene at the end of the previous scene is the same as the scene at the beginning of the latter scene.
All-all-special-special
Effect: the audience's attention is concentrated, and the scene is over-connected and compact.
3. Close-up transition
No matter what the last shot of the previous set of shots is, the latter set of shots starts with close-ups.
Its characteristic is to emphasize and enlarge the part, showing a kind of scenery invisible to the naked eye in daily life. We call it "universal lens" and "visual pressure".
4. Sound transition
Use music, sound, explanation, dialogue and other pictures to realize the transition.
5. Empty lens transition
Empty shots refer to shots that depict the emotions and mentality of the characters, with only the scenery and no characters. Empty lens transition has obvious interval effect.
The role is to render the atmosphere, portray the psychology and have obvious sense of alienation. In addition, it also shows the narrative needs of time, place and seasonal changes.
6. Block shot transition
Occlusion means that the moving subject on the screen blocks the lens during the movement, so that the audience can't distinguish the physical properties such as the nature, shape and texture of the object from the lens.
7 Similarity transformation
(1) different but identical classes
(2) They do not belong to the same category, but they are similar in shape.
8. Position conversion
Welcome the change of scene. More suitable for news programs. According to the narrative needs, regardless of whether there are coherent factors between the two paintings, switch directly (using hard cutting).
9 Motion shot transition
The camera doesn't move, but the subject moves. The camera moves, but the subject does not move. Or both are sports.
Function: the transition is real and smooth, and it can continuously show scenes of one space after another, which is a powerful weapon for documentary creation.
10, same topic transition
The front and back scenes are connected by the same object, and there is a connection between the upper and lower lenses.
1 1, draw a picture.
The last shot in the previous scene walks out of the picture, and the first shot in the latter scene walks into the picture.
12, subjective shot transition
The first shot is the scene that people see, and the last shot is the scene that people or things see. It is mandatory and subjective. This transformation should be used with caution.