Zhu Fengshan (1874— 1935), a native of Shenyang. Fan Youyuan's disciple. In the early years of the Republic of China, the land was laid in the "Ximen Face" of Fengtian City. Since then, he has performed in the greenhouse of Xingleyuan, the first shopping mall in Fengtian, and often partnered with Ma. 1925 Join the Fengtian Calligraphy and Music Improvement Research Association. He can be funny, but also learn all kinds of bird songs, vendors selling, and often sing Taiping drum songs.
Li (1881-1926) was originally named Li Peiting, nicknamed "heartthrob", a Beijinger, and one of the "Eight Virtues of Xiangsheng". Since childhood, my father Li Guangyi and I have been performing in Beijing Tianqiao. Later, I became a teacher, and I was good at teasing and stand-up crosstalk. He wrote a poem for the first time: "Funny once said Dong Fangshuo, and later generations inherited Jia Fuxi. It was created in the late Qing Dynasty and the Republic of China. It is said that the king is just my heartthrob. " /kloc-in the winter of 0/926, "heartthrob" came to Shenyang and performed in Ningxiang Teahouse along the river, which was packed every day. I got sick after half a month. One morning, he braved the snow and died on the side of the road. Shenyang crosstalk colleagues held a funeral for him. Zhu Fengshan's eulogy was: "Master Fengshen blew the horn, the seven fairies scattered flowers into the sky, all relatives and friends came to see him off, and Hanwang sent someone to pick him up." Guo (1884— 1939), a native of Taiyuan, Shanxi. At the age of ten, he went to Beijing with his father to study Peking Opera. At the age of 24, he took Fan Youyuan as his teacher and changed to cross talk. He came to Shenyang from 192 1 years ago and received, Yang Baoyuan and Hou. He said he was proficient in everything. Representative plays include Geographical Map, Kuazhai, Appreciating Hands, Menzi, Yellow Crane Tower, Shandong Huang Er, etc. He also often goes to Zhang Dadu to give lectures.
Mi Jingyi (1896— 1936), formerly known as Mi Wancui, was named Jingyi, which means "the first smart person". Shenyang people, Hui people. Good at imitating the simultaneous appearance of birds, trains, cars and horns. 1930 He went to the sea to be an artist, and often performed in the first shopping mall in Fengtian. Li Ruilin paid tribute to him and often gave lectures on the radio. Representative tracks include eating Yuanxiao, folks, and running east.
Bai Wanming (1896— 1985) was born in Liaoyang. When I was a teenager, I studied under Zhou (Zhou Datou) and learned to sing duet, with the stage name Bai Laomei. At the age of twenty-three, he entered Shen, where he studied under Zhao Zhixin, an artist with double reed, and changed to cross talk with double reed. 193 1 After the September 18th Incident, he went to Beiping and met some famous crosstalk artists. A year later, he returned to Shenyang to open Guangming Teahouse with Zhao Zhixin. After liberation, he participated in the Shenyang Crosstalk Conference, often talking about geographical maps, six people and fools turning into characters, and also created new songs such as Dong Cunrui, Allegro and 10,000 Red Lights.
Bai Yiner (1924— 1962) was originally named Lian, a Beijinger and Manchu. Pianist Lian's son (nicknamed "Monkey Head") studied under Chang (stage name "Little Mushroom") in Tianjin. Mentoring is known as the "Three Treasures of Crosstalk". When performing in Tianjin Grand View Garden, he was called one of the "six comedians". After arriving in Shenyang from 65438 to 0939, he often performed in Xingleyuan, the first shopping mall in Fengtian. In 1942, Six Men, written by him and Li Yongchun, appeared on the screen. After liberation, he attended the Shenyang Crosstalk Conference. He has a clear tongue and a wonderful performance. He takes Shanxi's home and west as his unique skill, and often talks about eight fan screens, geographical maps, houses and doors.
(1911-1997) was formerly Yu, with a stage name of Xiaobeigua. Beijingers. He studied acting with his father Yu Yunqing (stage name "Yu Aote is faster") since childhood, and later learned to sing funny drums with Shi Zhenlin as his teacher. /kloc-at the age of 0/9, he studied with Chongshoufeng, a famous crosstalk artist in Beijing, and switched to crosstalk. He is an all-rounder who can hold and tease. He once performed with Bai Yiner, Liu Bokui, Guo, Zhu Qingsen and others in Dalian. 1935, he and his disciple Zhuang (stage name "Little Eight Immortals") performed dozens of cross talks on the radio. 1946 went to Shenyang to dump the ground, and also had a cross talk in the North Market and several tea houses in the city. After liberation, he joined Fushun Quyi Troupe and received more than a dozen disciples such as Liu Jiake and Tao Jin.
Yang Haiquan (1907— 1967) is a Beijinger. His father is a chef in the French embassy. He began to learn French from primary school. At the age of twenty, he performed on the overpass and wrote French in Baisha to attract the audience. He is called "Crazy Yang". 1948 In Jinzhou, I took Feng Zhensheng as my teacher, with many tricks. Later, he became a professional Came to Shenyang after liberation. After 1956, disciples such as,, Jin Bingchang, Fu,, were widely accepted in Shenyang. He is the main artist of the northeast "Fengjiamen" crosstalk. 1958 co-wrote "socialism is good" with Xiao He and participated in the first national Quyi performance.
1949 In March, after the establishment of Shenyang Art and Music Association, the head of the crosstalk group was Zhang (Taiping Drum Artist). This crosstalk group is called "Crosstalk Conference", starring Tong Yutian, Bai Yiner, Tang Minyi and Peng Guoliang. Hu Lanting, an old artist who was nearly eighty years old at that time (he was the grandson of Zhu Shaowen, who was "poor and not afraid", and was adopted by his uncle since childhood, so his surname was Hu), although he retired from the stage and received the support of his peers, he still often passed on his skills to the younger generation, and he also presented "Following the Leader" (eight paragraphs) and Taiping lyrics "Breaking the Mountain to Save Mother" and so on, which were included in Selected Works of Liaoning Traditional Folk Art. Stand-up crosstalk was originally collected by Liaoning Music Association, but it was lost during the Cultural Revolution.