Prop: Taoist plaque of destroying three views.

Narrator: There is a Taoist temple called Ruisanguan in a ravine on the edge of Zhizhi Modern City. At this moment, a life-and-death struggle is being staged, involving magical crossing, Wulin disputes, ethics and love triangle.

I saw a Taoist and a monk fighting.

Zhang Sanfeng: Fahai, you old bald donkey, how dare you challenge the former class teacher!

Fahai: Nonsense, my teacher and I were childhood friends. We didn't guess. How dare you say that, you poacher!

Zhang Sanfeng: You are a monk. How can you break lust, caution?

Fahai: I am a sentient being, my heart is upward, my teacher gives me positive energy, and you are only six unclean?

Zhang Sanfeng: Being original is called Zhang Sanfeng, and the legal name is San Xiao. He killed invincible hands all over the world with one sword, and was called Zhang Xiaojian! Today, the Taoist priest is finished with you!

Fahai: When I fasted and recited Buddha in Jinshan Temple, you were a Taoist priest and a child with a penis exposed! Eat my stick!

Extinction came to power.

The exterminator shouted: I am the exterminator! Stop it, both of you! Fahai, listen to me!

Zhang Sanfeng and Fahai stopped at the same time, and the music "You don't understand the Fahai of love" sounded:

Teacher Extinction: Fahai, why don't you agree with our love? Don't you want us to be happy? Do you know what love is? (Music stops)

Fahai: Little teacher, I drove away the White Snake, gave you the most prosperous Leifeng Tower in the parking lot, and waited in line day and night to buy tickets for you. Isn't that love?

etc

Extended data:

Matters needing attention in sketch:

(A) physical and mental relaxation, self-confidence, so that we can devote ourselves to the sketch performance.

"Nervousness" is the biggest difficulty for people to play abnormally. It is normal to be nervous when performing a sketch. If nervousness occupies the whole state of your performance, it will bring you great disadvantages. As an artist, we should try our best to overcome our nervousness, restore our instinct and establish a sense of faith.

(2) Learn how to organize actions.

Performance is the art of action, and learning to perform is to learn how to organize action. Performers should at least learn to organize simple actions in the sketch stage, which come from the detailed analysis of the specified situation and the analysis of their own roles.

Strictly follow the three elements of action-what to do, why to do it and how to do it, fully feel the designated situation with the thinking and logic of the role, lack sufficient understanding of the designated situation, and fail to make a detailed analysis according to the three elements of action, which will lead to wrong organizational actions and make people disbelieve. This is a common mistake made by beginners.

In addition, beginners often make mistakes in performance results and performance emotions. For example, they have said hello to friends far away. Many actors are unpredictable because they don't follow the action chain. The focus of performance is the presentation process, in the chain of feeling-judgment-action;

Novices tend to abandon their feelings and judgments and only rush to the results. They should consciously exercise themselves to act according to the action chain, really listen, really see, really feel, think and judge in their minds, and then give them to the body to perform the action, so that the action chain can be properly lengthened for training.