There are no shortcuts! !
Practicing calligraphy is the exercise of thinking activities and sensory organs, and it is a special skill formed with eyes, brain and hands. It never attends meetings, relying on others to lead the way or explore by itself. From meeting to getting familiar, you must go through repeated writing training. Under the guidance of scientific practice methods, it is the successful way to learn writing to improve gradually in repeated writing training. Specific efforts should be made in the following aspects:
First, stimulate motivation and cultivate the will to hurt.
According to the theory of psychology, motivation is the desire and intention to arouse people to act or restrain this kind of action, and it is the internal reason to promote people's behavior. Motivation is closely related to needs, and the basis of motivation is human needs. People's needs include physiological needs and social needs, and practicing calligraphy is a social need of people. It is necessary for primary and middle school students to practice writing in order to improve their writing level and master scientific and cultural knowledge. Adults' handwriting practice is the need to convey information and improve work efficiency; From the artistic point of view, practicing calligraphy is the need for people to pursue beauty.
People's need to practice writing is not spontaneous, but gradually formed under the guidance of practical experience and educators, thus generating emotion and strong interest. Only in this way can we better stimulate the motivation of practicing calligraphy. Otherwise, I'm not going to practice calligraphy, so I can barely cope. It must be a slippery brushwork, loose structure and slow progress; This will affect the interest in writing.
Will is especially important for people who practice writing. People realize the importance of writing, and after they have the desire to practice calligraphy, they should make plans, choose practice methods and practice step by step according to the requirements of practicing calligraphy. This kind of psychological activity, which consciously determines the purpose, dominates and regulates one's actions, and overcomes difficulties to achieve the expected purpose, is the process of tempering the will. It is not easy to practice good handwriting. As the saying goes, "write a word for a hundred days."
Practicing calligraphy should go through a process of repeated training, gradual improvement and formation of writing skills. In this process, you will feel bored, the practice time is difficult to guarantee, and the effect is not obvious. At this time, if there is no good will to practice calligraphy, there will be a phenomenon of abandoning the pen and not practicing. Therefore, it is necessary to strengthen the exercise of the will quality of practicing Chinese characters, overcome the difficulties encountered in the practice process with patience, perseverance and confidence, and take time out of your busy schedule to persevere. It is necessary to make long plans and short arrangements, seek quality instead of quantity, and write and practice every day. If you can write two or three words every day, you can practice more than two most commonly used words in two years. In short, we should make progress slowly, don't be discouraged, and our achievements are obviously not worthy of pride. As long as we don't stop and practice hard, we will eventually reach our ideal destination.
Second, step by step and practice the rules.
Step by step is a universal principle for people to learn scientific and cultural knowledge. This principle requires learning according to the logical system of disciplines and the development order of human cognitive ability, and gradually and systematically mastering basic knowledge and skills. This principle is determined by the strict logical system of subject knowledge itself, and it is also the objective requirement of people's understanding and ability development from shallow to deep, from easy to difficult, and there is an "order" to follow.
The composition of Chinese characters is a logical system from simple to complex, with strokes as the smallest unit. Practice writing should follow this systematic order and practice step by step. However, emphasizing step by step is not the only order. Because the relationship between strokes, radicals and structures of Chinese characters is interrelated and influential. For example, the strokes of Chinese characters and the structure of Chinese characters, in order, should practice the strokes first, and then practice the structure, because the strokes are the basis of the structure.
However, when practicing strokes, it is not enough to practice strokes alone, but also with the structure of words, because the same stroke has different forms of expression in different word structures. Only by combining strokes with the structure of specific words can we gradually write qualified strokes. At the same time, in the process of practice, we should also determine the key points and difficulties of practice according to the content of practice, and we should not allocate time evenly, blindly seek more and faster, be down-to-earth, step by step, make more efforts to master the main points of writing, and write articles well to achieve the expected goals.
To practice calligraphy according to the rules is to practice calligraphy according to the statutes. Only by following the rules can we practice calligraphy according to the rules. In addition to the above-mentioned step by step, we should pay special attention to the word "serious" when practicing calligraphy. To practice calligraphy, you must first be calm and enter a still world, so that you can write slowly. Look at the posts and the pattern, and write a comparison first ... >>
Question 2: How do adults practice writing (crash)? How do adults practice pen writing well?
1, first of all, let them completely forget the previous font, start from scratch, and start practicing from the most basic point strokes.
2. Then practice the structure. For pen words, the most important thing is structure, which directly affects the aesthetic feeling of words. Therefore, it is most important to write a good pen and ink structure. But now there is a difficult problem to solve, that is, it is difficult to forget the previous fonts, and old habits are often brought into new fonts during the posting process. To change this situation, the best way is to choose a block letter that is different from your previous font for copying. Practice orthography in block letters. Practice for a week or two or more, and you can achieve orthomorphism. In the right shape, I also want to choose a running script copybook that is completely different from my original font and I think it looks good to copy. If the font was stiff before, choose a bold copybook; If the font is sloppy, choose a rigorous copybook; If the font is plain, choose smart copybook; If the font is soft and smooth, choose a solid copybook; If the font is bloated, choose exquisite copybooks ... If you practice for two to three months, you can learn new fonts. The purpose of copying is to forget the previous words, remember the words in the copybook and use them.
3, to arrange the relationship between word and word, line and line, which is the so-called composition.
4. Draw lessons from the use, structure, composition and charm of brush calligraphy, and give full play to the inherent characteristics of pens.
Only in this way can the art of pen calligraphy flourish and make her have strong and permanent vitality. Otherwise, pen calligraphy can only be a vassal of brush calligraphy, and it will not develop and innovate, and it will not have strong and permanent vitality.
Question 3: How to practice writing quickly? First, the writing font has been formed. Can you change it? How?
A: It can be changed, and it won't take long. Many comrades think that the style of writing has taken shape and is getting older and older, and it cannot be changed ... This view is wrong. You know, it is not difficult to write a good hand, nor is it unattainable, but you are extremely diligent and eager to learn, as long as you use the right method and correct your old writing habits. Specifically, when you practice writing, you must correct your writing posture and writing method, which is the first condition.
Here are two examples of ancestors practicing calligraphy. Now I will talk about this problem with my own experience.
As we all know, Wang Xizhi, a book sage in China, first studied books in Wei Shuo, and later saw the famous works of Zhong You, a famous scholar of the previous generation, so he changed to a beginner. It is he who, as a link between the past and the future, turned the simple calligraphy style into a beautiful and fluent modern style, and made creative contributions to the opening of letters, lines and cursive scripts. This is Wang Xizhi's historic contribution in the history of calligraphy in China.
Besides, Yan Zhenqing, a beginner of Chu Suiliang, learned the law from Zhang Xu. He used the brushwork of seal script to write dignified and dignified regular script. It was he who created a new style other than the two kings.
I will learn Zhong Shaojing's regular script first, then Ou Yangxun's and Huang Ziyuan's regular script, and Huang Ruozhou's running script. I feel that I still have a long way to go, but I still have to work hard. But no matter how many years it has been written, it can be changed.
Some comrades suggested: is it ok to write a pen to imitate a brush copybook? Practice has proved that the same effect can be achieved.
No matter how old you are, no matter whether your writing is shaped or not, you can write well as long as you are diligent and firm and realize that this is crucial to your work and future. After some hard work, you can write well.
Although it started too late, many famous teachers didn't start learning until after thirty. Liang Hao of Song Dynasty was admitted to Jinshi at the age of 82. He chanted, "I also know that young people are eager to get into the business and strive to be the boss is mature." In the Ming Dynasty, when Li Zhi abandoned his official position and decided to write a book, he was 54 years old. His masterpieces "Burning Books" and "Collection of Books" were completed at the age of sixty-four and seventy-three.
Achievement lies not in age, but in ambition and perseverance.
Second, where should I learn to write?
Answer: First of all, you should choose your ideal copybook and consider whether it is similar to your own font. After you choose it, read it several times and analyze the main points and structural rules of the font. This is called "expressing meaning in words first", then describing it with transparent white paper first, then copying it and memorizing the key parts of each word. The specific steps are as follows:
Writing posture and writing.
(1) Sit up straight, with your shoulders flat, your back straight, your body and head straight, not low. The eyes are about one foot away from the desktop, and the chest is about three inches away from the edge of the table.
(2) Hold the pen straight, the nib should be straight, and it is forbidden to tilt inward (as long as the palm is flat, the nib will naturally move forward); The tip of the index finger is about an inch from the nib. If the pen is not straight or the nib is tilted inward, it is difficult to write well and it is difficult to write well. Even if you write with a pen, you should move your right hand. At the same time, the lines written have no backbone and rhythm, and the font is not generous.
(3) Inclination of the pen: write big letters up, the inclination of the pen is slightly larger, write small letters down, and the inclination of the pen is slightly smaller. Generally, the slope should be inclined at the index finger joint, and the strokes written here are either rigid and flexible. The inclination of the pen is not suitable, and the speed of using the pen is limited, so you can't write floating and verve glyphs, so you shouldn't tilt at the "tiger's mouth".
(4) Hold the pen easily and then move freely; Hold the pen too tightly, and the written words will not be open and generous. According to the middle school lecture, in a class of 50 students, 45 students hold the pen incorrectly or the tip of the pen tilts inward, and so does the university. It is precisely for this reason that these students' handwriting is not like a hook, and the strokes are piled horizontally.
As I said before, writing is good or bad, and posture is absolutely related to writing. Just like a carpenter sawing wood, if the posture and grip of the saw are incorrect, even if the "line" is drawn straight, it will be sawed askew. This is the same as writing good words.
Third, how should the steps of learning calligraphy be arranged?
Answer: Let's talk about the basic strokes of regular script, that is, point, horizontal, vertical, left-off, grip, lift, hook and fold.
A word is like a machine. When the basic strokes are practiced, it is equivalent to processing the "parts"; Practicing radicals well is like starting to "assemble"; Practicing the whole shape is equivalent to entering the "final assembly". In other words, learn "decomposition" first, and then learn "coherence". Therefore, regular script is the foundation, and basic strokes are the foundation of foundation.
When practicing writing basic strokes, you should practice them in different categories. For example, when writing "hey", you should put "hey", "hey" and "hey" >>
Question 4: How can I practice pen writing by myself? Don't be half-hearted, persevere. That's it.
1. Read the post before posting. Anyway, that's what my teacher taught me. You might as well refer to it. The so-called reading sticker is to pick up a copybook and carefully try to figure out the brushwork, such as how to compose a composition-that is, the structure of words. I don't care much about starting from the point of view.
2, look at a word, remember its structure and writing, and read silently. Finish it in one breath.
Maybe this method seems to be slow at first, but it is the most rewarding. This is how you develop your own style.
People who learn from me live as if I were dead. These are the words of my predecessors, and I hope they will be beneficial to you or others who want to write good calligraphy.
Question 5: How do adults practice pen writing well? Adults have their own writing habits, and it is difficult to get results. If you want to write well, you must first improve your writing habits, slow down and don't rush for success. You should observe every word in your favorite copybook, choose three or five words with complicated structure every day and keep practicing.
Generally, you need to practice writing, so it is easier to achieve the effect with a hard pen (pen) or a brush, but if you just correct your own font, you can use a ballpoint pen, fountain pen or even a pencil.
Nowadays, no matter what age, most people choose writing brush, because writing brush is soft and difficult to practice. If you can write calligraphy well, it is no problem to practice with a hard pen.
You can use any pen now, but you must choose the copybook that suits you. It is best not to use running script or cursive script first, and practicing regular script is the foundation. In addition, write as big as possible. Just try it yourself. It looks good when you are young, but it doesn't look good when you enlarge it, because it's almost impossible to grasp the structure after the words are big. When you start practicing, you can write a little bigger. When you get used to it, you will have a good grasp of the structure, and it will be better to write big and small characters in the future. The key is to insist on writing for 20 minutes every day rather than writing for two hours every weekend.
Question 6: How to practice pen writing well? 1。 Which font to choose depends on personal preference and working environment. If you are a student, and you are a primary school student or a junior high school student, there is no doubt that you are writing in regular script, which can lay a good foundation for your font and writing habits (in this age with many exams and homework, it is unacceptable for such a young child to write a dragon and phoenix dance, no matter how good it is, the teacher will say, Ah ~ Pay attention to the impression of the scroll, let's go, let's go, and so on). Running script is recommended by high schools and universities (I don't know whether it is more casual than running script, or whether they are actually the same thing), because running script can provide convenience for self-study and business work records, and it looks smart and mature, doesn't it? It is convenient to record all kinds of speed and personal image after work, and it is also recommended to write a book, which can lay a good foundation in college. =============
2. What kind of copybook do you choose? Calligraphy (excluding artistic calligraphy), especially the same font, has the same characteristics and rules to follow, but after adding the calligrapher's personal experience and aesthetic orientation, the font structure and shape will also have different characteristics. This is a matter of opinion. For example, when I go to the bookstore, Sima Yan and Pang Zhonghua are everywhere, but I personally don't appreciate their fonts. Just practice for children in grade three and below (especially in Pang Zhonghua here). If you go to a bookstore with relatively complete resources, you will find that if the shelves are full of running scripts, the styles of different calligraphers are very different, and the same words are written in such a different way. For example, I practiced Li Fangming in high school. To tell the truth, I only thought it was very elegant and wild (very beautiful, really, but it felt like cursive script), but I didn't find it difficult to control, especially when I didn't practice well myself. My own handwriting was really messy. Later, I also looked through the fonts of Tian Yingzhang and other grounded calligraphers, but I still don't think it looks good from my personal preference. I practiced a lot later. Generally speaking, Zhang Kejiang, a calligrapher in Huanggang, Hubei, has both practicality and aesthetics, and is suitable for daily life. ==============
3, what method. Just use ordinary copybooks with copy paper. The point is persistence. As for the use of balanced grid or stepped grid, I think since you have chosen the font you appreciate, you can imitate what this font is.
Finally, it is emphasized that these hardware conditions or planning methods are not necessarily the most critical. If you want to write well, the key is: practice more, understand more, and persist for a long time!
Question 7: How to practice writing quickly? It takes perseverance to get results over time. If you go to a post this month and write neatly, it will still be effective.
Question 8: How to practice pen writing well? Really, how come you haven't made progress after writing regular script for almost two years? I think we should improve our methods. Do you really practice your handwriting with your heart? To practice pen writing well, we must first learn to love it, so as to ensure that we can study it wholeheartedly. Read more books on the history of words, write more words that have not been copied, innovate, scrutinize the common points of fonts and use them flexibly. People say that writing is a matter of one's appearance, and writing well has many advantages. Here are some articles you can read, hoping to help you: how to write a good word with a pen.
Zhang Changchun
Since American wortmann invented the pen in 1809, the pen has become popular all over the world. Because of its fast writing and convenient carrying, it has become an indispensable writing tool in modern life. Mr. Lu Xun's early wise prediction that "the brush will eventually be no match for the pen" has been fully verified today.
"Words are heartfelt words, and words are heart paintings." "According to his handwriting, you can see him." Writing a beautiful and unique pen can not only add a lot of color to people's external image, but also exert a subtle influence on people's internal temperament cultivation. The advantages of good handwriting are recognized by most people, and to some extent, it has been considered as the embodiment of the second image and cultural accomplishment.
However, as we all know, China's Chinese characters are difficult to write. Therefore, it is particularly important to practice calligraphy as soon as possible. Below, I will make a simple communication with you from four aspects:
First, the characteristics of pen characters and pen calligraphy
Although the artistic effect of pen writing is not as rich as that of brush writing, it is far superior to other hard pens such as pencils and ballpoint pens. Because of its elastic nib, the strokes written are the same thickness and can also give people a sense of beauty.
The beauty of pen words is mainly manifested in line, font structure and composition format: pay attention to the rhythm of priorities with pen to make lines beautiful; Pay attention to proportion, symmetry, stability, balance, change and echo in modeling, and the glyph structure will be beautiful; The layout is neat and changeable, diverse and harmonious, and the composition format is beautiful. These are also the principles and standards for appreciating pen calligraphy. )
The characteristics of pen regular script are: paying attention to Teton, hiding dew, Fiona Fang, speed and so on; The strokes are neat and orderly, with distinct layers, strong and forceful, stopping without continuing, straight without being stiff, smooth and natural; Structurally, it emphasizes the balanced distribution of strokes and radicals, stable center of gravity, appropriate proportion, correct font and standardization.
Pen running script is a kind of writing between regular script and cursive script. That's what people usually write and say. Can be linked, uneven size, save strokes, change the order of strokes, and try your best to change things. It is easy to write with coherent momentum, density and ups and downs, and it is easy to show artistic effects. Of course, writing quickly and easily is very useful (today we will focus on running script).
Second, the current situation of contemporary college students learning books
First of all, bad writing habits are difficult to correct.
For a long time, the style of pen and ink has been considered to have no too many rules, and it seems that it can be played at will and out of control. Many students' bad writing habits have been stereotyped for many years, and it is really difficult to correct them in college. For example, many students, especially some girls, are used to careful writing, and it is often difficult to get them to talk. The resulting psychological stereotype makes those calligraphers and professors feel irreparable.
Secondly, pen characters have certain limitations when choosing copybooks.
Pen calligraphy is different from brush calligraphy and has an authoritative basic copybook. Over the years, pen copybooks have mushroomed, overwhelming, but mixed. Even an excellent model may be because people are not used to it psychologically and are not good at evaluating what novices can use. I contacted hundreds of students and found that most of them used the copybooks of Sima Dong and Si Mayan. In fact, their handwriting does not conform to practical standards, nor does it conform to the basic theory of pen writing. Wang Zhengliang, Honggen Shen and Gu Zhongan are all good. )
Thirdly, it is urgent to strengthen the ability of appreciation and cultivate a correct aesthetic view.
On the premise of "flying and dancing" as beauty, the brushwork is messy, artificial and unnatural, and of course the aesthetic consciousness is extremely superficial. Quite a few students have a poor foundation in regular script, at least lines and strokes are indistinguishable. They think regular script is not good-looking, too slow and rigid, and cursive script looks good. Write quickly and freely. They only stare at an unrestrained person, but ignore the truth that "the cursive script is written, and the gods can't recognize it." This is not >>