Director: Chen Desen Actor: Andy Lau Karen Mok Felix Wong Yat Wa Cherrie Ying Lin Jiadong
Introduction: This film is Andy Lau's latest work in 2005. The biggest selling point of the film is, of course, that Andy Lau played from a teenager to his eighties. The magical modeling design lets people see the transformation process of Andy Lau, who has worked hard in the film industry for 20 years, from youth to middle age and from middle age to old age. Watching this movie in advance is probably the original intention of many people. In recent years, Andy Lau has done a lot of articles on the image in the film, from the chubby figure in "Slimming Men and Women" to the muscular man in "Big Man". This film is also a gimmick in the age span. Idol has made Andy Lau young, but it is also the biggest obstacle to his acting breakthrough at present. Various shapes are also a good way to change the stereotype of idols.
Many movies have the plot of growing up overnight. Maybe every child has such a Meng Tong when he was a child. The film does not take the growth of children as the only clue to promote the development of the plot. Growing up only makes him look at his original life and world from a new perspective, and turn misunderstanding and hatred into understanding and tolerance. At the end of the film, it didn't bring the children back to their original lives like many other films, but made Andy Lau a little irretrievably old. Although cruel, the theme was more vivid. In addition, the cameo starring Xiaogang Feng also makes the film more interesting. A wandering professor who speaks Beijing dialect is deeply impressed.
Scene 1:
Feng: Life is a process. Sadly, it cannot be repeated. Fortunately, there is no need to repeat!
Liu: Uncle, I know I was wrong. Please help me! I really want to .. go back to the past, I .. dare not, not next time.
Feng: Oh, it's not too late to understand. I told you a long time ago that the future is full of hope. Even if there is only one day left in your life, live well!
How simple, there is always hope. Life is a recyclable and non-recyclable process. )
Scenario 2:
At the gate of the cinema, the music started. ...
Liu: Miss, it's over! Why don't you go? It is getting late.
Answer: the waiting person has not come yet.
Liu (looking back): By the way, miss, will you be angry if the person you are waiting for hasn't come yet?
English (laughs): No, I have plenty of time!
Liu (with a wry smile): It seems that everyone thinks they have a lot of time except me.
Now we have more time, so we should always have hope. Hope, not despair. The experience of growing up is to let us experience pain, but life is still beautiful. )
The future of this world is full of hope! (Isn't it also reminding us? )
Scenario 3:
Father Nobita: No one in my family can live without it!
Home is warm, and the house is the carrier of home. There are no warm houses, only some cold bricks and buildings! )