It is also the best spokesperson for fashion.

David Downton, David Downton,

1959 was born in London.

Growing up,

The best hospitality for him is a blank sheet of paper.

however

What David didn't expect was that,

After a long time, he can make a living by painting.

▲ david downton was painting when he was young.

▲ The studio is your own painting, no less than Picasso's studio.

▲ You can create amazing works on an "interesting and knowledgeable" workbench.

David first studied graphic design,

His first work was in the early 1980s.

The cover of a computer magazine.

▲ david downton's 1998 fashion illustration in new york. Made of ink and cellulose acetate paper.

▲ david downton's 1998 fashion illustration for Christine Lacroix is made of ink box paper.

For 15 years,

David is a freelance illustrator.

No matter what happens,

He likes the life of a freelance illustrator.

▲ 1999 illustration of fashion designed by david downton for jean paul gaultier of jean paul. Black dress with black sunglasses is more brilliant. David takes Kate Moss as the prototype and shows the classic charm of fashion with popular style. This work is quite famous in the fashion world, and it is one of the most representative works in the field of fashion illustration in recent years.

▲ 1999 fashion illustration shot by david downton for Valentino. Similar to Lacroix, Eric and others, his colors are full of modernity.

▲ david downton 1999 London fashion illustration PalomaPicasso. The materials are gouache, ink box paper, and cellulose acetate paper coating.

▲ david downton 1999 completed paper-cut bottle stickers in London, with Iman as the model. Pan Tong paper is coated with cellulose acetate paper and then coated with ink.

David's works have simple and smooth lines.

Very textured and unpretentious.

It can well show the graceful posture of the human body.

Because of this unique painting style,

He was invited to do fashion illustration.

Among them, it includes

Carmen Dell'Orefice, an 85-year-old myth,

She is also one of David's muses.

▲ david downton's fashion illustration in new york in 2000 was modeled by Carmen Dale Orpheus and designed by ThierryMugler. This painting was first painted on Pan Tong paper with an oil pastel, covered with cellulose acetate paper, and then painted with ink.

▲ david downton 200 1 Portrait of Anna Peggy, editor-in-chief of a famous European fashion magazine. He successfully captured the soul of this "fashion godmother". Exaggerated color matching, playful expression, unruly attitude, combined with seemingly wild but very skillful brushwork ~ perfect!

▲ david downton painted a portrait of Amanda Harriet, the design director of Chanel in 2002.

He has always been interested in Lacroix, Antonio,

Eric, these artists worship you.

Therefore,

There are similarities between colors and lines in early painting styles.

He illustrated high fashion exhibitions for magazines.

From 65438 to 0997, he began to be active in high fashion shows in Paris.

At first, he was dazzled and completely unprepared.

But,

The Paris fashion show is really,

Inspire artists.

Paris has the most beautiful women and the best designs.

Everything here is fascinating.

When the model walks the catwalk,

David never paints.

Because he found it impossible,

He just takes pictures or looks at his watch.

Really feel every moving moment.

He seized any other opportunity to paint,

The model can't escape his eyes at any moment when he is still.

For example, during assembly,

Sometimes even when the model is resting at the press conference. ...

▲ Cosmetics are also his tools. It is the lingering between pens, and both colors are suitable.

David said: "When I first started painting, I thought it was my responsibility to restore clothes according to the catwalk on the stage." However, the first time I attended a fashion show was at Versace's show. Before Kate Moss disappeared, I only drew her arm! Therefore, it is the best choice to appreciate any details displayed by the current model. "

▲ The draft is also moving.

David thinks the most important thing is the feeling of the body under the clothes.

Then there are some details such as proportion and color.

However, this is more difficult to do.

▲ The draft is also moving.

David drew countless sketches of the design.

Then choose the best,

When the painting was almost finished, he began to be eliminated.

"decompose-reconstruct" them.

He continued to draw,

Until they look natural.

He is a world-famous media.

Such as The Times and The Independent,

And Harper Benjamin (Australian Edition).

Write a report about fashion.

And held three solo exhibitions in London.

He also held a solo exhibition in new york.

In recent years,

He also designs visual images for shopping centers in Hong Kong.

Draw illustrations for Vogue women's fashion series.

▲ In 2004, david downton painted the cover of Saturday Evening Post. This work was created in Paris and made of gouache, watercolor and paper.

▲ Advertising poster designed by david downton for Topshop's fashion show in September 2004. This brand is the work of young designers.

▲ david downton was commissioned by Vogue (China Edition) in 2005 as an illustrator of ValentionFitting. Is made of ink, gouache, paper and cellulose acetate paper.

▲ david downton's fashion illustration for YSL in 2006. The materials are ink, watercolor and paper.

▲ david downton's fashion illustration for YSL in 2006 consists of ink, gouache, charcoal pen and paper.

▲ david downton is a fashion illustration commissioned by Madame magazine (German edition) in 2007. This painting is first painted on paper with an oil pastel, covered with cellulose acetate paper, and then painted with ink and gouache.

▲ david downton's illustrations were commissioned by The Times of London in 2007. The materials are ink, gouache and paper.

▲ david downton drew an illustration for his magazine PourquoiPas in 2008. The model is Tita Wantis, and the costume is designed by Lacroix. The materials are ink, gouache and paper, and the cellulose acetate paper is covered with a film.

Does David paint sexy dancers vividly ~

Work hard, the iron pestle grinds into a needle ~

If you want to have the ability to surpass others,

I will be able to practice to the extreme!

Fashion illustration Foundation | Detailed Illustration Steps of Fashion Figure Proportion Tutorial Fashion figure, also known as "sketch" human body, is a basic fashion figure. We can design clothes or draw a floor plan on the basis of drawing the human body, which is also the starting point of fashion illustration.

Outline the fashionable human body

First of all, you must be familiar with some proportional rules.

The fashionable human body is measured by "head length", and each head length represents 1 inch. In general, the fashionable human body is basically 10 head length, but it doesn't mean that the head length of 9 or 1 1 is completely incorrect. More often, it needs to be decided according to the characteristics of the clothes painted. For example, loose shirts, big sleeves or big collars, and many details of corsets, you may have a long waist and neck; If it is an exaggerated bat sleeve, the arm should be longer. If it's a skirt, you need longer legs.

Different clothes need different emphasis, and different emphasis needs different exaggeration.

The following is an example of a human body with a head of 10:

1. Draw a vertical line on the paper and divide it into 10 intervals. The top line is 0 and the bottom line is 10.

Each line represents a different part of the human body.

2. Head: Draw an ellipse between 0 and 1. The chin is just on the 1 line.

3. Shoulder and neck: Draw the neck and shoulder between 1~2. Shoulder width is about 1.5 head length (special style clothes may be different).

4. Waist and hip: Draw a line from both ends of the shoulder (shoulder line) to the waist line, and the waist width is about 3/4 of the head length. Draw a line from both ends of the waist (waist line) to the hip (the highest point of the hip is 4). The width of the hip is greater than the head length and waist, but less than the shoulder width.

5. Legs: Draw a tapered straight line from both ends of hips, from 4 to 10.

6. Foot: Draw a triangle on the outside of the lower end of the leg. The base of the triangle is the toe, and on the line 10, the vertex of the triangle is the ankle.

7. Arm: Draw a tapering line down to the wrist at the shoulder line.

8. Hand: Draw the hand roughly with rectangles and triangles, with the fingertips on line 5.

Now a rough basic human body has been drawn.

9. Smooth all parts of the human body. (The head, neck and shoulders are naturally connected, and the lines from armpit to waist, upper hip circumference, buttocks and crotch to ankles, feet and arms)

Regarding the comparison of ideal figure of fashionable human body, we actually need to be flexible and accept the changes of fashion. What looks perfect in one era may look particularly strange in another. For example, if you look at Monroe in the 1950 s by current standards, many people may think that she is a little fat ~

The following criteria determine the "perfect" fashion figure of a certain era:

Models or celebrities of that era

Emphasize the body parts and certain postures of the characters.

Fit clothes and underwear or other decorations, or no decorations.

Generally speaking, the fashionable human body must be higher than the ordinary human body, so as to better display fashion and highlight the effect of fashion in photos or artworks.

Thank you for coming often!

For more wonderful hand-painted tutorials, please pay attention to the follow-up updates. (The article starts with the official account of WeChat WeChat, and you can leave a message saying that you are interested. )

Fashion Illustration | Can't draw renderings, starting with oil pastels ~ Zero foundation can also be a perfect counterattack.

Tutorial | Waiguoren Peanut Chicken Zero-based Hand-painted Color Lead

Ten miles of peach blossoms in the world are not as good as a plate of old mapo tofu. Zero-based Hand-painted Lead Course (2)

This course introduces the design method of the most popular trend art illustration in recent years. The design style of this kind of pictures is very individual. In the production, some splash and highlight elements are used to decorate the characters to show the dynamic and artistic feeling of the picture. Coupled with the unique tone, the picture looks more personalized. Some materials in the tutorial need to be downloaded online by yourself. Final effect

First, make a mask of a girl's photo. Click the button in the circle and you will get a white square in the photo layer. Then, use the black pen tool or brush tool to erase the background. Please make sure that you are dealing with the white box, not the photo itself. )

Step 2: Adjust the hue/saturation of the image, and drag the middle anchor point to the gray area to make the model gray. Another simpler method is to hold down CMD+Shift+U (CTRL key in PC is usually the same as cmd key in Mac). Create a new blank layer and put it at the bottom. Perform a new layer of fill coating solid color on it. Adjust the size of the model photo. Through adjustment, I slightly reduced the photo to make it more suitable for the work. The shortcut key for resizing is cmd+T. (In the state of resizing, try to hold down shift, ctrl or cmd occasionally to get different effects. )

Third, copy the layer. Perform layer copy layer (model layer), or press cmd+J, and then perform layer creation and clipping mask. Now there should be a small arrow on the top floor pointing to the lower floor.

#p# Subtitle #e#

Fourth, process the top layer. Perform image adjustment shadows/highlights. Click the checkbox Show More Options, then change the number of shadows to 100 and adjust the midtone contrast to-100. Then use the filter to blur Gaussian blur, and the radius value is about 3.0. Then change the blending mode from normal to bright. The Opacity check box is next to the blending mode, and make sure that its value is 70%. In addition, in this clipping mask layer, cover the face with a mask to make the face less blurred. If all your steps are correct, it will look like the picture below.

5. Copy the model layer at the bottom and put it at the top, then set it as a clipping mask. Then, perform image adjustment shadow/highlight at the top level. Refer to the parameters in the figure below, and finally brighten in the mixed mode.

Sixth, copy the top level. This time, only the right hand of the model is used to cover the rest. Then perform image adjustment curve. If the adjusted appearance is not as white as you want, change the blending mode to light color. Copy the layer on the right. Select two right-hand layers at the same time and merge them by performing layer merging. Set this layer as a clipping mask.

Seven, set the background to black. Double-click the layer, select color overlay, double-click the red square, and select black. Open your splash picture in another window, and then select a color range. When you have the desired selection, click OK. In many cases, what you don't want is selected in this constituency, so perform selection inversion to correct it. Now, drag the splash picture into our work window. Convert the picture to grayscale by executing cmd+shift+u, and repeat step 7 to make it whiter.

#p# Subtitle #e#

Eight, use the mask to correct the splash and make it coordinate with the model's boots. In addition, this layer should be placed at the top, not in the clipping mask of the model. Then according to your own wishes, use a splash brush to smear around. Use different transparencies in different places to get a good light feeling after mixing. In addition, you can add some other special brushes. It should be noted that these operations are all carried out in the mask. Remember: the two model layers should always be at the top, and so far, everything else we put in should be at the bottom. Now let's add some splash. Insert a new splash screen picture, or copy a previous picture.

Nine, use a splash brush to add different colors to different layers.

10. Create a new layer on the background layer and draw a triangle with the lasso tool. When the triangle selection is activated, use a brush to smear outside the selection to achieve such a cool effect.

Eleven, go back to the white background layer again, and add more gray in the middle. Double-click the layer and set the following parameters.

#p# Subtitle #e#

Twelve, add more splash, but this time draw behind the model layer, not on the mask. Draw some triangles and circles. I added purple to triangles and white to circles, and reduced their opacity. You can also find these graphics in the palette of the shape tool. Create a line with the lasso tool, make it exist in the line made in the previous background, and then move it up slightly. In this way, you get additional effects. In this line, I used purple, and the opacity was reduced to 5%.

Thirteen, put some balls at work, or other things you like. I put some of my little things in Illustrator and added some effects with grid tools. Then, I pasted them into Photoshop and changed its blending mode to a color filter. Draw some shadows behind these things with a brush. In addition, you can also tone these shadows with white.

#p# Subtitle #e#

Fourteen, light effect. I will show you how to make those lighting effects. However, this is just a cursory look, and it takes a little practice to master it yourself.

Make some twinkling stars and polish their white parts, which will make them really shine. Finally, add something simple.

16. Check your image carefully and look for those unnatural places. My hands are a little strange at the moment. Create a new layer and put it on the clipping mask of the model. Draw the edge of the hand with a white brush to make it look sweet. Next is the final product!

#p# Subtitle #e#