Clothing wrinkle painting materials line drawing art painting I collected and sorted out clothing wrinkle painting materials line drawing 2: Adding wrinkles to clothing In figure painting, the most troublesome thing for most people is clothing wrinkles. In fact, it is true, because cloth is a combination of multiple faces, and it is not easy to show three-dimensional sense and realism. Here, we will introduce you to two rules on how to find out the "key" lines in clothing. Wrinkles caused by pulling When the cloth is pulled, it will wrinkle along the direction of stress. Such as shoulders or knees, will produce radial folds around the lesion due to pulling. But similar to women's tight T-shirts, when the local pulling area is large, it is only necessary to arrange the folds in parallel along the stress direction. On the contrary, when the cloth is squeezed, it will produce vertical folds from the direction of force application. For example, underarm or elbow inside, T-shirt hem tied in waistband, etc. Squeeze & As long as the combination of pull and pull combines these two laws, basically every clothing wrinkle line can be explained. After that, just pay attention to the thicker the texture of the cloth, and the larger the interval between folds. Then, combining these rules and referring to some paintings or photos, you can confirm where wrinkles will appear and then apply them to your own paintings. Repeat this exercise, and gradually what you couldn't see clearly before will appear clearly in front of your eyes. In this example (pictured above), the characters don't have many clothes, but you can focus on the kimono on your arm. The vertical folds here are caused by the compression on both sides. I am not a person who is good at summing up and teaching, and I don't think I have this qualification, so I mainly introduce and recommend some good books and methods used in American commercial art. For the specific operation, I think it will be faster than me to read the legends and words in the book directly. Americans like to use formulas to solve painting problems, which is related to their large demand for commercial painting. Since Americans are good at using formulas to summarize, naturally there are many formulas to summarize the clothes folds that play an important role in commercial painting. First of all, let's talk about FrankJReilly, a teacher who taught painting in the Visual Arts Union in the early 1990s in the United States. Raleigh invented a drawing formula, which can influence students at any level. Among them, a large number of formulas are naturally summarized for folds. It seems a little obscure, and Raleigh's formula method is not intuitive from the present point of view, but as the origin of an ancient formula method, I still recommend reading the book Masteringdrawingthehumanfigure, which was written by Raleigh's followers and recorded all Raleigh's formula painting systems. The second name to mention is George Boehlmann, a famous sketch teacher in China. She also teaches at the new york Visual Arts Union. Burman put forward a more intuitive induction of folds, namely, seven types of folds. I don't know whether the seven types of folds were first summarized by Burman, but Burman is undoubtedly the first person to put forward this concept in modern sketches published in the United States. This book has been reprinted by Hu Mei, and its title is "Dressed Body Painting of Burmese People: Head, Facial Features and Face Painting of Burmese People". Although it is difficult for beginners to copy Barjman's brushwork, the first book in this book that puts forward the concept of fold classification is still worthy of reference. Next, GlennVilppu, an American modern sketch teacher, combined seven types of clothes folds with his own painting skills, showing greater ease of use. Villepoux's sketch method is called "VilppuDrawingManual", which shows a complete and vivid creative system, and the method of drawing clothes pleats is only a small part of its system. The sentence on the last page tells the essence of Vilppu system "todrawafold (anything) youmustunderstanddit". Anyone who wants to engage in commercial painting should learn from Villepoux's sketch. There are too many textbooks about his methods circulating on the Internet, whether it is those two huge video textbooks or those five e-books. Are worthy of further study. If you are not used to English textbooks, Jeff Mellon's Basic Course of American Character Sketch may be more suitable for you. It looks similar to Villepoux's textbook. In fact, Jeff Miron is one of many students in Villepoux. So this book-although the level of bevil's own textbooks is much worse, it can still be used as a good Chinese guide for reference. Burne hogarth is the only one who is different. His teaching system is always unique. Therefore, compared with the aforementioned, Huo Jiasi's clothing pleat classification system in sketch dress has both similarities and obvious differences. Although this book has its own system, it can still be cross-referenced with the above system. Huo Jiasi's analysis of "force" in this book deserves careful study. The above books are all systematic summaries and generalizations of folds. The authors are all American educators, and the groups they face are also biased towards commercial artists, that is, they need to be creative and systematic. As far as pleats are concerned, the above books (except the first one) are worth spending a lot of time studying. However, any method can not be separated from the understanding of the structure. Folds are just appearances, and the structure under folds is really worth studying. This is another topic. I am not qualified to say it, so I won't say much. -first, there is a core principle in drawing the outline of clothes folds, that is, the outline opens its eyes. Mechanically speaking, there are two main forces for clothes to be placed on the floor. One is gravity. One is self-support. So when painting, I know in my mind how these two forces pull clothes. This is the most basic. Then on this basis, I will learn to analyze the relationship between clothes and fabrics (all my pictures are taken from the works of Japanese cartoonist Hideki Xiamu). Her ability to draw wrinkles is excellent, whether it is lines or structures. )。 See the figure below. The man in the black jacket is sitting. If you are looking for a support point, your arms, shoulders and thighs are flat. As a result, the whole dress hangs on these points. So you can see a very smooth transition near the cuff. Because the arm is squeezed by the big arm and the small arm, the clothes will produce many wrinkles. In addition, due to the tightening of some folds in the arm, the ends of unstressed folds will spread in all directions. Instead of concentrating in one place. Second, the importance of materials. In addition, the material of cloth is also an important factor that will affect the formation of wrinkles. The thicker the cloth, the smaller the wrinkle space and the neater it will look. The thinner the cloth, the more complicated the wrinkles will be. The woman in the picture above, the top (very thin) and skirt (very thick) are in obvious contrast. The essence of triple fold structure fold is the bulge of cloth. It can generally be considered as a triangle. The thinner the cloth, the steeper the concave-convex slope. On the contrary, it will be smoother. But when the cloth is lifted, there will be more or less deviation. Just like the hillside we usually see. It either leans to the left or to the right, and on the steep side, a concave "cave" will be formed inside. This hillside with a "hole" is, to some extent, the basic unit of folding. If you look closely, you will find that almost all folds come from this basic unit. _ 4. Show the elasticity and sagging feeling of the fabric. It is also worth mentioning that the less independent support points (looseness), the smoother the lines displayed by the fabric. On the contrary, it will be more complicated (tight) Because the cloth bears gravity. Therefore, at this time, we should pay attention to the drape of the fabric, some will fall straight from the support point, and some will draw a tangent from the support point and then fall. For example, the part of the man's calf in the first picture. Another example is the following figure, which shows the changes of the folds on the knight's shoulder armor and horse's ass due to the tightness of the support points in the cloth. Learn to draw many pictures, illustrations, comics, comics. How to draw a wild werewolf in the mini world? Promise to draw a lead stick figure. 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Comic Handdrawn Sketch Tutorial [Theme] # # Drawing Mini World Characters Mini World Quality Tutorial Drawing Mini World Beauty Hand-painted # Drawing Daily # Daily Painting # Manual # Stick figure # Mini World New Skin Tutorial # Painting # Painting # Hand-painted colorful lead copying colorful lead painting colorful lead drawing # Hand-painted colorful lead practicing colorful lead beauty drawing colorful lead children's surreal colorful lead colorful lead colorful lead drawing marker cartoon hand-painted marker 2022-02-/kloc 2. Then slowly draw down the queen's body and clothes, hands hanging in front of her, and the skirt is in the style of fluffy skirt. After the queen's hair was painted reddish brown, the crown on her head was painted gold, and her face and other exposed parts of her skin were painted pale pink. Finally, paint the queen's dress in red and pink, then draw two blushes on the queen's face, and a simple queen will be drawn. The above is the painting method of Queen Oveglia, I hope it will be useful to you.