Personally, I like Du Like Qi Feng's films very much. I have seen almost every excellent film of his. Friends who have Hong Kong films will definitely watch the works of these directors, such as Wu Yusen's Jianghu films, Stephen Chow's comedies, Tsui Hark's martial arts films and Du Qifeng's gangster films. It should be said that Du Qifeng has tried movies in many fields, but the most successful one is his film noir. Recently, the Du Qifeng gangster film "Anti-Drug" was released, which set off a small box office climax. After Du Qifeng co-produced the last film "Drug War",

Another film with pure Hong Kong flavor has been recognized by ordinary mainland audiences, and these two films can still maintain a certain level of excellent Hong Kong films after the fall of many great Hong Kong directors. Perhaps in the next few years, if Du Qifeng continues to attack the mainland market, and if he maintains his film level, I believe that the box office appeal in the mainland will be better and better. In the early days of Du Qifeng, many comedies appeared in everyone's field of vision, such as Ghost of Joy III, Eight-Star Good News, Seven-Year Itch and Arch of Lucky Star. Although some remarkable works were added to the comedies made in Hong Kong at that time, I believe that these were not the films that Du Qifeng really wanted to make, and Alang's story became a turning point in Du Qifeng's film genre. The serious work was entrusted to.

Also let Du Qifeng nominate the Hong Kong Film Awards; In the following years, Stephen Chow and I co-produced The Judge of Death and Ji Gong, which were fairly successful at the box office, but it was hard to see Du Qifeng's style. "Hero Trio" and "Barefoot Boys" show us another expert who shoots martial arts films besides Tsui Hark. It can be said that Hero Trio is an imaginative masterpiece that is very close to Hollywood action movies, and Barefoot Boy has also been forgotten in many excellent martial arts movies. Knowing the appearance of Du Qifeng's "Gunfire", a kind of fresh blood from film noir has been injected into the Hong Kong film industry, and you will see delicate characterization, complex relationship between characters and suspenseful plot, which all constitute a unique Du Qifeng-style gangster film; In addition, the high output of Du Qifeng and the high output of films of a certain quality level are commendable. Other films worth mentioning are Death Gold, Wen Que, Detective, Underworld Trilogy, Hundred Years of Harmony, Big Man, I saw a ghost in my left eye, Dark War Trilogy, Zhong Wuyan and Slim Men and Women.