Woody Allen made up Amy Ray, a jazz guitarist in the 1930s, in the film Sweet and Real, which was filmed by 1999. Ray is rude, arrogant and boastful. He likes stealing and pimping, but he is the best jazz guitarist. Woody Allen tried to tell people through grotesque thunder that art has nothing to do with morality. Woody Allen is particularly keen to show how an artistic genius can become a "superficial and despicable" person in real life. "Just like Picasso, look at his paintings. He is a very sensitive and enthusiastic person, which is not the case in real life." Hugh grant recalled after filming "Amateur Thief", "He said that there was a character about a charming and educated British man who eventually degenerated into a gangster and immediately thought of me." This thought is the little old man's recognition and praise for hugh grant, including his understanding of Picasso, a controversial figure with a glorious achievement. He has repeatedly expressed his disdain for packaging tall people in movies, believing that arrogance to anyone can be broken with a poke. Behind all the fame, there is a pool of mud, including the latest Oscar hit "Blue Jasmine", which is also talking about the emptiness of human nature in front of today's gap.
Just like Salinger wrote some shocking and brilliant words of Hui Ze's generation, the original intention was just to please a woman. Woody Allen admitted that he was a director to meet beautiful women. Film directors and screenwriters in the world can all be regarded as professions holding legal documents. So Woody Allen brazenly asked his life partner to be the heroine of the film. For example, mia farrow starred in Woody's films 65,438+065,438+0 times, and even after their lawsuit, he recommended her to play a role in his films. Most of Woody's films are autobiographical, entangled with paranoid exploration of life and death, love and crime, sex and desire, morality and responsibility, and women are an open channel for him to deconstruct and reveal the secrets of the world on the screen, so Woody Allen's endless films are called "private movies", and the word "private" is mysterious. As we all know, Woody Allen's salary is not high, but his heroines, such as diane keaton, Scarlett Johansson, mia farrow, Gilardine Peggy, julia roberts, Judy Davis, Penelope Cruz Sanchez and Cate Blanchett, all know that although he is too lazy to attend the award ceremony, the little old man's film is an Oscar through train, and they readily accept his compliments, such as "Beauty makes people want to commit crimes" (Scarlett Johansson).
Woody Allen's attitude towards women is a contradiction between love and aggression, understanding and injury all his life. Woody Allen, accused of sexually assaulting her adopted daughter, is also a friend of a woman who is willing to talk to women on the phone for hours. He spoke highly of women and said, "They are charming and complicated. They should never show that male roles are superior to women ... Men should usually be inferior because they are not as down-to-earth as women." There is an incomplete statistic. At the age of 79, he made 74 films in 48 years, actress 179. At this year's Golden Globe Awards Ceremony, Woody Allen's girlfriend in 1970s, diane keaton, the starting point of her female film, and her absent ex-boyfriend took the stage to receive the awards. Keaton dressed up as "annie hall" and sang a song of friendship for him, which moved the audience.
Not all the little old man's predecessors are so tolerant. Woody Allen's harm to Dillian and his adopted sons and daughters except Song Yi is obviously unforgivable. The open letter sent by adopted daughter Dillian Farrow was not the first bullet of her child. Not long ago, Allen's son said in an interview after this year's Golden Globe Awards ceremony that the old man was "busy fooling around with his daughter". It can be imagined that if the accusation of sexually assaulting a young girl is established, Woody Allen will face a wave of denunciation and declassification in the future, which is far greater than that of Salinger, who is called "unable to escape from the female world", and the degree of infatuation, shaping and destruction of women is far greater than that of Picasso, who has portrayed and hurt countless women all his life.