"Being able to be slightly" focuses on the movements of shoulders and arms. The dancer's arm movements take the shoulder height as the standard and the wrist movements as the active axis.

The sleeves of the performer's clothes are so long that the audience can't see the movements of his wrists, so an appreciation method is formed to observe the movements of his elbows and arms through the sleeves. In addition, there is the action of akimbo. The performer either akimbo with the other hand or hand-held objects, or akimbo with both hands. The thumb and forefinger of both hands can be placed at the left and right waist positions at will, and the face presents a state of meditation. Nenglue also pays attention to the movement of feet, which is meaningful and gives the audience different feelings through the sound of dancers stepping on the floor. In the Japanese energy rate, dancers can see the action of landing on their knees after the high jump.