The criminal gang headed by the code-named "painter" (Chow Yun Fat) has mastered the technology of making counterfeit banknotes, and it is difficult to tell the difference between true and false. They have made huge profits by trading all over the world, which has attracted the attention of the police. However, the identity of the "painter" and other members has always been a mystery, and the police's progress in solving the case has been challenged as never before. At the critical moment, Wen Li (Aaron Kwok), who is good at painting, opened a breakthrough in solving crimes, but the true identity of the "painter" surprised everyone.
In the film, when Aaron Kwok was locked in a police car, he immediately conceived the appearance of the driver Chow Yun Fat, and made up the story in front of the film with the appearance of Chow Yun Fat. He made up the story in the police station just to clear his innocence and frame a fictional person, so Aaron Kwok was the painter behind the scenes. A person is divided into two roles, which are presented in front of everyone. The timid one is his inner monologue, and the girlfriend is a beautiful girl who intends to be a neighbor. It seems that he has reached this point, and an evil force is pushing him. He resisted, but this force still exists. After he escaped, the two became one, and it really became a fake, and the fake became a real one.
The film is called "One like you", but the role is "Twin Shuang Dan". The most beautiful, nature is the opposite of Chow Yun Fat and Aaron Kwok. Twenty years ago, no one would have believed that these two people were "racing". The years when Fage became popular were the golden age of Hong Kong films, the kindness and loveliness in comedies, the ruthlessness in heroic films and the infatuation and disappointment in romantic films. Brother Fage's tall and handsome appearance blends his screen charm with his frankness. On the other hand, Aaron Kwok made her debut very early, but first of all, she was a young idol, and … she made excellent works along the way. His performance style is to grasp the characteristics of the role through hard work and diligence, so it is easy to appear stiff and heavy, especially suitable for that kind of neurotic role. Brother Facheng and Cheng Cheng's performances took two different paths, both of which were vivid, but Yin and Yang, heaven and earth collided and sparks flew.
By the way, I think Brother Fage's performance in the film is the best since he went to Hollywood. The painter himself is smart and multifaceted. Brother Fage convinced this man of his elegance, shrewdness and bandits. The plot reversal set by Zhuang can produce dramatic effect, which has a lot to do with his wonderful performance.
The female painter played by Zhang Jingchu is a key figure in the film. I don't know why the movie didn't arrange for her to speak Cantonese like the two leading men. Judging from Witness and Night and Fog in Tin Shui Wai, her Cantonese should be one of the best among mainland actresses. Speaking of this, I have to remind you that, like other Hong Kong films, it is best to watch the Cantonese version, because there are many language changes in it, which may be erased in the Putonghua version.
The biggest surprise of this drama, apart from the script, is that the four actors have used double or more ingenuity in characterization, listing the advantages and disadvantages of each role to the greatest extent (for example, Zhang Jingchu's performance, I didn't expect her tears to stay in her eyes all the time, and the tears will not be bound to stay in the depths, which is the most touching emotion). The subtle details of each character in the process of shaping are often the turning points of the plot, which are inextricably linked and guide the visual nerves of the audience.
Generally speaking, the film is good-looking and has five-star praise.