1, arms crossed (bust):
Natural and comfortable basic movements, pay attention to pulling your shoulders back slightly, make your body more upright, and pay attention to abdomen.
2. Stand at will:
A more casual and flexible posture is suitable for some seemingly energetic objects.
3. Hands crossed (full-body photo):
When taking a full-length photo, wrap one foot around the other, but pay attention to focus on one foot, not the average center of gravity, otherwise it will look strange.
4. Hands rested on her hips and lowered her hands:
Many times, women don't know how to handle. There are actually only four answers: hands hanging down easily, on hips, in pockets or crossed on the chest. The point is to relax.
5. Put your hands in the bag:
This pose will make the model feel natural and comfortable, whether it is full or half-inserted.
6. Sitting posture:
Put one ankle on the other, and you will feel more relaxed. Try to shoot from a higher angle.
How to take a good business image photo, what are the main points? Taking photos of employees for company publicity and magazine articles is very different from taking photos of company activities, just like taking portraits in a professional studio. But this requires a completely different atmosphere, lighting and equipment. This paper introduces different types of corporate portrait photography.
Nikon d70070mm, ISO 400, 1/200, F/ 14.0.
in the room
Consider two situations-one in a typical office environment and the other in a studio.
General skills of enterprise photography
Establish a good relationship with customers. Communicate face to face with customers, ask for information about the company and ask correct questions.
Find out the exact needs of customers. Don't forget to ask whether the photo was taken indoors or outdoors.
Consider the premise (if the customer doesn't mind) and understand the problems you may encounter in the future, paying special attention to windows and glass surfaces, as well as walls and ceilings.
Provide a quotation according to your needs.
Be sure to schedule your morning photo shoot about an hour after the start of the day. People look too tired at night and may not get much benefit.
Office environment-scattered light
If you improve the ISO of the camera, you need to make sure that the camera can handle the noise. Please remember that high image noise is unacceptable for corporate photography. The setup of shooting with window lighting is very simple-you just need to make sure that the light source comes from the side or front of the subject.
office environment
If the window is just behind the subject, using ambient light without a flash will lead to a complete overexposure of the background because it is brighter outside.
In order to reduce the reflection of surrounding objects and windows, please use a minimum number of flashlights (preferably only once). It's better to use a soft box instead of an umbrella, because you can easily guide and control the lights without causing too much scattering. Tilt the soft light box to let the light shine directly on the main body without spilling all over the room (especially the windows).
Put the soft box on the side, so that it is not in front of the window, and make sure that the accessories are not visible in the reflection of the window. You can also put the light source in a higher position, face down at an angle of 45 to 60 degrees, and then shoot the subject with the camera. In this way, the flash will not be reflected on the window. Set the camera to manual mode, and when the flash is in the soft box, start it with the flash power of 1/4.
If the object is exposed correctly, but the room is too dark, lower the shutter speed to a lower value to contain more ambient light, and then lower the flash output or move the light box away from the object.
Several lighting schemes with different installations
Studio environment
The first scheme only uses two light sources-the key light (soft box) in front of the main body, and its backlight is higher than the background and points to the hair and shoulders of the main body. Since there is no fill light on the left side, the soft light box must be put aside slightly, otherwise there will be shadows on the other side of the face. If there is no other flashlight and the shadow is annoying, use a white reflector to reflect part of the light from the soft light box.
On the right side, light illuminates one side of the face, while weak fill light eliminates the shadow on the other side. Highlights visually separate the head from the background and add subtle light around the shoulders.
In this setting, the power of one light source (welding light) should be greater than that of the other light source (filling light).
Nikon d70055mm, ISO 200,1100, f/6.3.
outdoor activities
Although you can always use available light without a flash, maybe you can add some reflectors to eliminate shadows, but using non-camera flash as supplementary light all day can make your subject stand out. Starting from the shaded area, set the main light source as the light source in the studio. Because of the richness of ambient lighting, in most cases, you don't have to worry about setting side lights, so a single light source can do well. Keep the camera in manual mode and measure the exposure of the background instead of the subject.
Camera body and lens
If the flash is strictly used for shooting, any digital SLR camera should do so. If you shoot in barrier-free/low-light conditions, you may want the camera to handle noise well, because you may shoot at a higher ISO setting than usual.
Camera/flash settings
Image quality: original.
White balance: automatic.
Auto ISO: The basic ISO for turning off the camera (Nikon is 200, Canon is 100).
Focus mode: af-s.
Camera mode: Manual. Start with shutter speed1100-1/200 and f/4.0, and then start from there.
Photometry: It has nothing to do with shooting in manual mode.
Active D-Lighting: off (Nikon only). If it is RAW shooting, it does not need to be enabled.
The optical power of the key: 1/4. Turn off other flashlights, start them at a quarter of power, and adjust them as needed.
Supplementary optical power: 1/32. After the key light is installed and configured, add a fill light, which is set between 1/32- 1/64.
Backlight power:116.
Photographers strongly advise not to shoot the flash at maximum power, and reduce the aperture or increase ISO.
take a group photo
Because more light is needed, it is more difficult to take a group photo. If you only have three or four people, you only need a soft box or umbrella to get good exposure (as long as they are close, you may need a bigger background). If the group is large, plan to add more lights or use bigger and stronger lights.
It is best to take a group photo in a cool place outside, because there is no need to worry about dimming and ensuring uniform distribution. Talk to your theme group and prepare a good joke or two to make the group members laugh naturally.
If you want to shoot a group in the office, it's best to shoot the reflected light from the ceiling. If you have a small group of 8 to 10 people, the distance is very close. If you can bounce it off the white ceiling, you can use a flash.
If there are more people in three rows, you can set two or three studio brackets with external flashlights, and set them to manual mode with a quarter or half of the power, making an angle of 30-45 degrees with the composition. The output of the flash obviously depends on the ambient light intensity in the room.
Make sure that the light reflects and strikes the middle of the group (the middle row), not the front row or the back row. In this way, the light will be evenly distributed in the whole group and illuminate everyone.
This is a simple lighting scheme, which can be used for group photos.
Business people, how to wear a suit? As far as photography is concerned, the photography of business people can be regarded as the image display of enterprises. Of course, in order not to make the "image photo" unattractive, it needs to be updated regularly. The rest is to find a master portrait photographer, who will consider how the various elements in the clothing match and highlight the image of business people with photos.
First, the choice of coat.
Please pay attention to this detail when choosing a business photography suit. The shoulders should be flat, without unnecessary creases, and conform to the basic image style. Usually casual wear will lose its style in these places, so it is not suitable for taking business photos:
Deep collar makes people slimmer. It seems to lengthen the figure and add elegance to the portrait.
The width of the side must match the shape of the collar of the shirt and tie.
The density and quality of clothing fabrics will definitely affect the image of portraits.
Try to stand in front of the mirror and try several postures before taking pictures, and pay attention to the folds of the fabric when using different shirts. Through the test, you will know which images are better, which are not perfect, and so on. Photographers will tell you a better perspective when taking pictures, but knowing your strengths in advance can help photographers more and save time for taking pictures.
1. 1, you can choose the dress in the clothing.
A tuxedo can correct some defects in the figure. Emphasize posture, harmony and elegance. Generally speaking, this advanced style is a symbol of intellectuals. But it takes some skill.
In order to make such a suit look natural, I suggest you walk in front of the mirror before taking pictures and get used to your image. If all the details and gestures are chosen correctly, the man wearing a tuxedo will get a special external image.
In principle, any casual coat, especially a dark coat, can avoid unnecessary external visual impact and let the viewer focus directly on the face of the portrait.
In this case, it is easier for portrait photographers to construct a harmonious composition.
1.2, a casual coat helps to shape your fashionable appearance.
Effectively emphasize originality and human characteristics, which is very suitable for people engaged in creative undertakings. There is no need to limit the color of the coat, it depends entirely on your external image requirements. However, when choosing the shooting location, the photographer must consider the style of the clothes, so that the style of the clothes and the background (background) in the photo have a * * * sound.
Second, the choice of shirts.
The shirt fully shows the lines and proportions of the shoulders, and the unbuttoned collar improves the proportion of the portrait. In addition, the unbuttoned top button on the light-colored clothes can't make the light reflect out of the lower part of the chin. This is especially true if you need to "lengthen" your neck or adjust the lines of your chin.
2. 1, dark shirts, tops and cardigans make the chin and neck more elegant.
Simply put, black or dark clothes will have edges and corners on a portrait's face. Make the photos more graphic and add drama to the plot. Under the low-key (shadow), the portrait in dark clothes is particularly impressive!
Third, the choice of ties, hats and jewelry.
I suggest you use these fashionable small objects in the photo to express the taste, state and personality of the portrait being photographed. These are just the elements for the observer to quickly form the psychological portrait of the characters in the photo.
Fourth, the choice of T-shirts and sweaters.
This is a similar style that many young entrepreneurs often use. They hope to enjoy more freedom in photography.
Moreover, when you need to point out a business style, but only jeans and T-shirts are provided among the available elements, you only need to rely on vivid emotional information to make the portrait three-dimensional and informative.
Verb (abbreviation for verb) photography style
For a person, in order to complete different types of business portrait photography styles, various formats of business portraits are needed. For example:
-A serious and formal portrait
-Casual portraits of illustrations and publications.
-Unique portrait creation, unique author style.