In an instant, I am not young myself, and then look at those slimming men and women who are often brand-new, as if it were yesterday. Slimming men and women are the favorite, untouchable and frequent visitors to the single cycle. I can't feel the movies I saw in the cinema recently. I am always confused as if I haven't entered the state yet, and suddenly the whole play ends in a trance, which makes people wonder whether I am not deeply involved in the play or the play itself is too light. Yes, every movie I've seen recently makes me feel shallow. I didn't repeat some lines, reproduce some pictures, let alone try to figure out some plots. That's it. It's over. Then I haven't kept my roots for half a year. I have the habit of keeping stubs. Today, I really don't want to go out. Beijing is sultry. I still want to see my idol. This time it's not a combination of fat and Mimi. Fortunately, I didn't miss it.
Tell the story again, the plot is not spoiled. The whole movie is like a Hong Kong-style midnight snack. Johnston ate very hard, and the food made the film not boring. All kinds of snacks and meals are mixed in the thick background of Hong Kong flavor, and at one time there are many more shadows to pay tribute to the past. Especially when Sammi Cheng plays ten lovelorn heroines, she seems to see a slim man and woman, a dragon and a phoenix fighting, marrying a rich man and so on. , the epitome of the classic image, the Hua Zai who kills people in the morgue. My first thought is that this great man has great wisdom. The last bridge between them is a bit like a dragon and a phoenix fight. At first, the story was interesting. A stalker didn't know him, and then he got a little scared, looking for a little girl who had been missing for years. Later, every time I saw He Tongjia and Johnston standing under that street lamp, I was a little scared. Well, I feel very depressed. In the process of looking for Xiao Min, there are interludes, old partners are full of tacit understanding, and Hong Kong-style humor is relaxed. I don't know if this is a comedy, but what is certain is that the cinema is full of laughter from time to time instead of pretending to be happy. The case is quite trivial. Everyone seems to be suspenseful and mysterious, but they never usurp the role of the host, but naturally break. This is not a crime-solving drama, nor is it a juvenile Bao Qingtian, nor is it a Hong Kong film TVB's criminal investigation drama. It does not tell the case, but tells a story. So here's the story. When we get along, we will have feelings for a long time, and we will never forget something or someone, often because we can't see through it ourselves, only seeing what we want to see or take for granted, and subconsciously covering up the true face. So is love, and so is the situation. Johnston is not a detective, just restore the scene at that time and guess again, which is why I don't feel ugly when detective films become comedies, and why I am willing to hand in my homework after watching them in the middle of the night.
Having said that, we can't help but mention the two heroines inside, one is Susan Ho, and the other is the goddess Tintin, that is, Gao Yuanyuan. May I say that I like He Tongjia? Sammi Cheng is my goddess. My impression will always be high cheekbones, scrawny figure, military green trench coat, short red hair, carrying an oversized Hong Kong-style leather bag and more pants than skirts. I am silly when I speak, and I won't hide any emotions. This is what he looks like in Tong Jia. When she saw Johnston dancing with the goddess, she asked herself, where am I going? Gao Yuanyuan is still so beautiful, no matter how beautiful. Although the role has a little comedy effect, it is still unbearable. But not as popular as single men and women, it looks thin. Fortunately, this is a Hong Kong film, and there is no era and tradition of dog blood, so you don't have to be busy betraying, slapping and turning your face. You can have it with your friends and loved ones. In addition to the comic horror of hodgepodge, there is another moral.
Is the best Hong Kong film evaluated in recent years a chill? I remember recently someone said it was the best. I thought to myself, this is far worse than the injured city, far worse than the fork in the road, far worse. Fortunately, my childhood screen idol didn't let me down this time. Finally there is a movie. After reading it, I feel as satisfied as eating snacks in the night market of the whole street. My eyes are satisfied and my stomach is full. Johnston is really cute, Stuart's magic weapon is really cute, He Tongjia is silly and cute, Tintin is infatuated and cute, and Hong Kong films with love are less high-tech and heavy taste, so leave some memories. The best thing about Hong Kong films is that they are simple in expression, clear in relationship, natural and unrestrained in release, and the small ideas conveyed in them. Don't cling to what doesn't belong to you, don't be reluctant to part with it, don't miss what should be cherished, don't give up your efforts, and finally, don't forget the gentleness of acceptance.