Then it is divided into several parts. The first narrative layout is the most dense and complete, and the overall narrative rhythm is extremely fast. The audience is completely pushed forward by the plot, and only after the plot is over will they have the opportunity to calm down and relive the emotional impact and turning point in the whole process. The second part introduces the antecedent, mixed with the historical sense of the period, which makes the whole story have a historical texture and a sense of helplessness in the historical turning point. The third part introduces the consequences, the exhaustion of the mind, just like heterodox, to no avail.
Among them, the first part has the most compact layout, and the plot is completed in one go, with almost no spare time in structure and time advancement. In the second part, when adding the cause and effect, some introduce the mutual squeezing and killing of Hong Kong gangs before the reunification too quickly, trying to form an epic feeling but lacking a real grandeur and massiness. The third part, under the framework of the legal system, has become a cat-and-mouse chase and killing, which means hand-to-hand combat in the first part. However, the prolongation of the plot and the easing of the situation on both sides have slowed down the overall rhythm and diluted the contradictions and conflicts. However, with the development of the trilogy, Hong Kong gangs and Hong Kong police compete for the control of the whole society, which is a large-scale, long-term and fragmented fragment. Thanks to the director's blessing and the narrative technique of the third staggered double-line narrative, the police bandit film reached a century-long climax here.
Moreover, the performance lineup of the whole series is extremely strong, and the performances of the film emperor level emerge one after another. In addition to the five Best Actors, Tony Leung Chiu Wai, Andy Lau, Liming, Chen, Chen, Chen, Chen, Chen and Chen all showed extraordinary acting skills. Even Sammi Cheng and Kelly Chen, who have been given a single role, have contributed to a higher level of acting since this film. Besides,
Therefore, Infernal Affairs trilogy is not only a series of box office miracles, but also its narrative system, performance level, Hong Kong-made movies' feelings about the changes of the times and the characters' sense of powerlessness in the changes of the times are unique in contemporary police films. Moreover, the exquisite layout and narrative skills are temporarily beyond. In recent years, what can be compared with it is that "cold" can also be mentioned!