Song Huizong and Evonne don't have many calligraphies, but each one is a classic. Because Song Huizong created the thin gold body, so far no one can surpass him in this kind of calligraphy. The calligraphy works of Shoujin style handed down from generation to generation include Shoujin Wenzi, Two Poems Borrowed from Wind and Frost, Summer Poems, Ou Yangxun Hans Zhang Postscript, etc., each of which is a classic.
Like most calligraphers, Song Huizong has a certain preference for thousands of Chinese characters. His two thousand-character works, Mo Bao, can show his profound calligraphy skills and extraordinary artistic charm. One of them was written for Tong Guan, with 10 words per line, and about 100 lines before and after, each word being one inch in size. Calligraphers in Song Huizong learned from Xue Yao in the Tang Dynasty. As the saying goes, the master leads the door, and practice depends on the individual. Song Huizong's calligraphy attainments also surpassed Xue Yao's. His calligraphy structure is very open, and his strokes are vigorous and unique. Contemporary appraisers of calligraphy and painting also praised Song Huizong's calligraphy and painting, thinking that his calligraphy structure is very handsome and correct, his writing style is fine but not heavy, and his brushwork is very delicate and energetic.
In a word, Song Huizong's calligraphy attainments are very high, far exceeding his achievements as a monarch. He is a romantic by nature and has had countless women in his life. He was called the brothel emperor by later generations. Perhaps this romantic personality is more conducive to Song Huizong's search for inspiration for poetry and painting. Judging from Song Huizong Evonne's calligraphy, he should be regarded as a former master.
Song Huizong Evonne, a man full of artistic talent, may be the husband pursued by those women, but he was born in a royal family, that's all. In other words, Song Huizong's Poem on the left is a classic, which was written by Song Huizong and Evonne in his forties. Whether it is the strength, momentum or some structure of the font itself, it is the first poem of Song Huizong and Evonne.
In Song Huizong's poems, the scene and artistic conception described in the whole poem are very quiet and beautiful, and the language is relaxed. "Colorful flowers are more and more brilliant among the green leaves and quietly open in the courtyard. In the early morning, a few dewdrops were scattered on the petals, crystal clear, and the flowers actually showed a shy posture. Under the setting sun, the red light of the sunset glow makes the flowers particularly pale, as if they were going to melt. " The artistic conception of this poem is so intoxicating, which shows the talent of Song Huizong and Evonne in poetry creation. As for the style of Fang's poems, there are 20 lines, each with two big characters. People can clearly understand the brushstrokes of each of Song Huizong's paintings, the natural and elegant fonts themselves, and the handsome "thin gold body" make people shine at the moment. Chen Bangyan later wrote a postscript to a poem by Evonne in Song Huizong, saying, "This copybook is like calligraphy and painting. It's like walking in the blue and listening to the wind and rain. " Chen Bangyan not only praised Song Huizong Evonne's poems, but also described Hui Zong's original "thin gold body".
Although there seem to be only 40 simple words, calligraphers who are familiar with the "thin gold body" know that the thin gold body looks simple, but it is really difficult if capitalized. In this way, Song Huizong Evonne's poem became the first poem in the history of China.