There are blue bricks in front of the spring hall in the temple, Koishiyama at the southern end, a half pavilion on the western wall called Cold Spring Pavilion, and a clear spring in the stone building called Han Biquan. That year, the hospital was turned into a medicine bar, and peony was planted everywhere. Every year in late spring, this is the only place in the garden where the spring breeze is still there.

Peony flowers and peony flowers in the front yard of Dianchunyan became very famous after the renovation of Netscape Garden in Quyuan Village.

The layout of the courtyard in front of the temple is exquisite and elegant. In addition to the outdoor small room in the north, there are rockeries on the east, south and west sides of the courtyard. These rockeries are endless and short, creating a magnificent momentum in a narrow space.

Dianchun Table is the study room of Netscape Garden, which can inspire people to study hard. The environment of the small courtyard is quiet, and the buildings, stones and flowers are arranged in an orderly way, concise, neat, elegant, simple and natural.

The main building of Dianchunlong Courtyard is Dianchunlong Hall. Dianchunmao is a three-room building with a mezzanine facing south. There are three main rooms and two middle rooms. The plane is uneven, the height is scattered, and the shape is changeable.

There is a cloister in front of the main house, a stone platform in front, and low stone railings and benches around it, which are quite hierarchical. On one side of the hall, there is a short corridor connected to the exit, and there are diagonal bars in the corridor. On the high wall on the side of the short corridor, there are various leaking windows, which vaguely reveal the scenery of the main scenic spot of Master Wang's Garden, making the corner of the courtyard that was originally blocked seem to be separated and closed.

In the corridor of just over ten meters, wooden fences, stone fences and inclined fences are used to divide the space and decorate the flowers and trees, which not only adds vitality to the small courtyard, but also makes the local facade varied and distinct, showing a quiet aesthetic feeling and a simple and natural artistic conception. An irregular rock stands in front of the stone platform as a stepping stone, which just echoes the peaks standing along the wall in the small courtyard to show the remnants of peaks and strange stones, making the transition between architecture and courtyard space smooth, natural and seamless.

In the open-air courtyard of Dianchunyan, there are grotesque peaks with different postures along the wall, and the grotesque peaks are supported by white walls and tiles. Evaluating the rocks in the courtyard is like facing an ink painting with walls as paper and mountains as scenery. Against the background of dense and decent green trees and flowers, the scenery in the park has increased sharply, stopping to ponder, which is memorable and endless.

Accompanied by rows of peak stones, gardeners cleverly hid the cave in the open courtyard. The road in the peak was hidden in the forest, while the cold spring was deeply hidden in the cave next to the cold spring and the semi-pavilion. In the empty space, caves, roads and springs are cleverly hidden in rocks and forests, which is very subtle. In the north of Dianchunlong Building, there is also a closed space. Through the window of the building, you can see the framed pictures of plantains, bamboos, plums and towering rocks hidden in the space directly behind the building. These are wonderful products.

This treatment not only adds a window view to the back window of the building, but also exposes the hidden small space skillfully, and naturally and moderately uses the gardening technique of hiding in the open air, which is just right.

At the same time, a lot of efforts have been made in paving the way. He used pebbles, broken bricks, tiles, broken porcelain and other ordinary things to pave alternately and make various patterns, which were pleasing to the eye and quite interesting.

The artistic treatment of paving the national courtyards in Yunnan and Spring, to a great extent, highlights the quiet atmosphere of the garden, and also expresses a certain sense of space expansion and architectural extension, which reminds people of the unity and coordination of garden architecture.

It is precisely because of its unique artistic charm and proper gardening techniques that Dianchunlong's quadrangle building was built in the glass hall on the second floor of the Metropolitan Museum in New York, USA.

This wonderful flower of Lin Bao National Cultural Library has shown and promoted the excellent landscape of China's garden culture and art to the world, and won the appreciation of people from all walks of life at home and abroad for its dignified and beautiful, refined, elegant and charming charm.