Eye of the Sky (CCTV also made a special report for this animation at that time). If you are below 13, if you can insist on reading these two cartoons, you can take my words as fart. Both of these books are about God calling for miracles. What is the longest cartoon? I admit that there are more than 1000 episodes. Comrades, can you watch it? I watched less than three episodes in junior high school at that time, and I stopped watching the Eye of Heaven. Science fiction doesn't matter, except what the aliens were in the eyes that day. When it comes to science fiction, the ultimate fantasy arrival boy is not comparable. Generally speaking, China's cartoons can only be called cartoons, and their childishness. My fourth-grade brother didn't even read Japanese stories, which is very suitable for the general public. It can be said that the TV series released are almost the same. I remember watching Naruto, when my uncle died, I was a master. It's okay to shed tears. The Japanese are more inclined to talk about life and the world, which is far from good for China. China's cartoons tell right and wrong and talk about the naivety of simple ideas, which my brother admires, so China can't do at all.
2 Seiyuu This is also the place where young people in their twenties are allowed to watch the same stories as reality shows in Japan. The other thing is this. Think about it. When watching a movie, the voices coming from it are all children aged 3-4. Some of them can stand and watch, even if it is a blockbuster, Japan's strength in this respect is admirable. All the sounds are professional, and the rendering power of the sound is very strong. This is unheard of in China.
China is very powerful on the screen. Why? Because only people in China can remember those characters (it is estimated that people below 10 can't remember what they look like). Maturity on the screen gives people the same feeling and sound. In China's animation, all I see are children who are not in 1 grade. I don't know whether to look for cats or balls everywhere in big cities (this is called "action adventure"). Looking at the Japanese application of character trees and backgrounds, people feel that the atmosphere is mature and steady, and everyone's personality can also be said to be painted on their bodies, which is invisible in China.
I really don't want to say anything about music here, because I'm afraid people in China will slap me: YEM19: YEM16: YEM15. But I also want to say: yem26 watches Japanese anime, and the application of music can be said to be perfect and well matched, and China is lucky that you can hear music in it. Do more "whew" and "brush" actions.
5 Concept China has no concept of Japanese movies, which is the most important thing. Why did SARFT ban Japanese films? This is the most important, because it will affect children's psychological growth. This is also a fact. Considering that Japanese children probably can't accept real knives, it is not suitable for cutting blood to see red. But ask, then you can move the time back and put it in the same time period as TV series, so you don't have to look around all the time on the Internet. Only let it go. I have this idea. Some powerful cartoonists have gone abroad to seek development. Do you think so? Look at the pictures drawn by humorous masters, which are not much different from those drawn in Japan. Prove that there are still many powerful cartoonists in China. My dad said I was naive when I watched cartoons. COSPALY is full of Japanese in my life (if there is that blue cat or eye in it, it is probably crazy).
From SEED in 2003 to Desitiny now, Gundam's whirlwind once again swept the whole animation industry, and the previous works such as 0079 and 08MS brought us endless audio-visual enjoyment. Gundam series, as one of the three Japanese animation works that caused social phenomena (the other two are space battleship Yamato and EVA), its popularity and enduring popularity not only attracted our attention, but also caused us to reflect on domestic animation and its gap?
At this stage, comparing domestic animation with Gundam series works can be said to be a brilliant idea.
One of the gaps, the theme. I envy the imagination of Japanese animation creators, ranging from national politics and military affairs to trivial matters of life, and can make high-quality animations. Gundam series is based on the war, and since 0079, many subsequent works have been created. There is no doubt about the choice of theme. Once, domestic animation had a golden age. Sanmao, Sheriff Black Cat, Hulu Brothers, The Adventures of Sloppy King and Shuke and Beita all became classics. But what about now? Romance of the Gods, such as The Journey to the West, has been remake again and again. No one dares to say that these two books are not treasures, but eating abalone and bird's nest every day will be boring. And all the plots in the TV series have been exposed, and the rest is just a clip. No one will be interested in something stale. Theme has become the pain point of domestic animation at this stage. Why did the United States dare to sell three unrelated works, Fortress of Time and Space, Riding the Southern Cross in Time and Space and Genesis of Mecha, to China in a dialogue to earn copyright fees? Because of him, Americans know that you haven't seen it, fresh!
The second gap is the plot. The reason why Gundam series is enduring is entirely because the works of past dynasties can bring forth new ideas and play new tricks in the big environment of war. Although it is sometimes exaggerated and even has obvious bugs, it does have ups and downs, which makes you want to continue reading. On the other hand, the domestic animation, the son of a big head and a small head, Blue Cat asked 3,000 questions. Such a naive topic, empty content and old-fashioned plot made us very helpless after reading it. This is the imagination of China people? ! The boring plot of domestic animation forced China animation to fall in love with Japanese animation.
The third gap is characterization. Over the past 20 years, he has created many classic protagonists, Amro Xia Ya Camus, including Kira Aslan Bird, who is now active, and even a number of supporting roles, which we can't forget. Each character has his own extraordinary experience, his own thoughts, and a shining side, which makes us excited and moved to sigh. Domestic animation, except for a few classic characters created by old films, is mostly forgotten because of lack of personality. Some unforgettable characters are not how good the animation is, but how bad it is. This is really a kind of sadness.
The fourth gap is educational significance. The meaning of gundam has not changed for many years, and it is extremely thorough in animation, that is, to eliminate war. Such a heavy theme can be displayed in animation, first of all, we must admire the expressive force of animation. In fact, many Japanese animations have left deep introspection after entertaining the public. The average age of Japanese animation audience is 32 years old, but the animation popular in Japan is regarded as a scourge in China. Who is the domestic animation for at this stage? Children under the age of fifteen. And its educational significance is just to teach children to be polite and hygienic, and to walk on the sidewalk to see the traffic lights when crossing the road. I don't understand this. Cartoons teach five stresses and four beauties, so what are the parents of these children doing?
The fifth gap is animation music. Japanese animation basically has its own soundtrack, and Gundam is no exception. OP, ED, IN and OST all have them. Among them, there are many classic works, which are brilliant in the wind and rain, and near ED4 in Desitiny. You and I are similar. Xiao Zhi's car is a divine comedy that has not been listed for thousands of years, and it is the favorite of countless anime fans (statement: my favorite is the eternal loneliness of the universe knight OP2). The combination of high-quality music and animation, Japanese animation flies higher and faster with music as its wings, and also makes domestic products chase further and further. In contrast, my memory of domestic animation music still stays in the "gourd baby, gourd baby, seven flowers on a vine" decades ago. However, such rhyming and popular animated songs have not been carried forward. On the contrary, China's junk pop music has repeatedly rushed out of the country and held concerts in Southeast Asia. Japanese animation earned a lot of RMB under the impetus of music, but how many yen did China earn from music?
Gap six, seiyuu. The importance of seiyuu to animated characters is self-evident. It is estimated that Selan's voice in Desire 40 is so excellent and creepy that many people have goose bumps all over the floor. But that's what you want! Creating an animated character with sound is more perfect than any other means. Lin Yuanhui, Shi Tianzhang, Koyasu Takehito and Otaku have created countless classic images with their unique voices. In the late 1980s and early 1990s, China introduced a large number of animations, and the translation unit headed by Liaoning TV Station trained a generation of animated voice actors represented by Fang. However, in recent years, the ban on Japanese animation has made China seiyuu a successor. At present, the dubbing of domestic movies is basically a guest appearance of various children's program hosts. In terms of seiyuu, compared with Japanese, China has not yet started.
The seventh gap is the production level. Along the way, Gundam's pictures became more and more beautiful, and people in China were envious after seeing them. Japanese animation, every detail is hand-painted, and it becomes animation through the coherence of a large number of manuscript papers. Why can Japan be so meticulous? Because people have a lot of animation talent. China lacks such talents and refined capital. Then why is there a shortage of talents? Because the concept of studying for five thousand years influenced China's parents: "Watching cartoons has no future, and engaging in animation is more circuitous." Before we had time to have a little idea about animation, the elders had already made a gesture to nip our ideas that might sprout at any time in the bud. With this kind of thinking, it is no wonder that China animation has not improved for decades, and it is no wonder that my classmate Shi Taizhu will say, "If domestic films can achieve half the level of Japanese animation, I will stop watching Japanese animation."
The eighth gap is the level of industrialization. Nowadays, Gundam, SEED and Desitiny, two works with strong commercial elements, have once again become one of the most successful animations. Judging from the advertisements of ten thousand generations after OP and ED, the industrialization of Japanese animation is not a day or two. When China Animation thanked a company at the end of the film, Japanese animation had already raised enough expenses for redevelopment under the sponsorship of advertisements. In China's words, this is called sustainable development. Not long ago, the first animation festival in China was held in Hangzhou. According to on-the-spot reports, even if the country has the intention to strengthen the animation industry, the host government is drunk and vigorously hypes this signboard for the local economic construction for the first time. Can China animation develop rapidly in this environment? I don't know.
There is still a long way to go to make anime works that foreigners like. The purpose of this criticism is only to hope that after 20 or 30 years, I will no longer have the above sighs.