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1in the autumn of 984, the Xunyang County Museum received news that an ancient tomb had been discovered by the Han nationality in a county in Henan Province, and sent me, Lu Jiheng and me to check it out. When we snatched a pile of Han dynasty pottery from an ancient tomb more than 20 feet deep, we found a beautiful copper jar engraved with the inscription "Xunyang weighs seven pounds", which kept our burning eyes burning for a long time.

The pot is 24.4 cm high, 8.3 cm in diameter and 52.5 cm in belly height. Round mouth, high collar, bulging belly, round, much like a young woman in labor, although she will be in labor, but her expression is serene and luxurious. The left and right ventral sides are decorated with a pair of rings, the neck is decorated with a large number of banana leaf patterns, and six wide chord patterns are decorated from the abdomen to the circle foot, and a flat belt is decorated between each chord pattern, which is round and rich, noble and abnormal female life. The inscription on the seal script of "Xunyang weighs seven pounds" has two vertical lines, three words in the first line and two words in the second line. The handwriting is deep and clear, which is obviously the handprint of Lang after he married the "Pavilion".

Judging from the inscription, 250g/kg is slightly higher than the measured average value (1 kg, 244g) of Manchu Han Tomb 14 bronzes with inscriptions in the early Western Han Dynasty, and slightly higher than the measured average value (1kg, 254g) of Chang 'an Shanglin the late Western Han Dynasty. In other words, this pot is originally a container for wine. Because of its inscription, its identity has changed and it has become a weighing instrument for measuring wine. Remind people that a maid-in-waiting becomes an aunt or a hostess is listed as a foreman. In short, at that time, the county museum was in its infancy and the housing was tight. The most precious cultural relics in the safe are locked in the small room where I stay and run, and the keys are hung on my belt all day. Whenever provincial and local experts come for ten days, the curator asks Xiao Wu to open the safe under the Cooper tree quickly. I carefully held out a few treasures and let them be squeezed under a magnifying glass, lingering. This pot naturally adds luster to the establishment of Xunyang Museum and becomes an important historical material for us to show off Xunyang.

199 1 At the beginning of the year, the new Shaanxi History Museum was completed soon. Mr. Glasses went to Xunyang Museum with superior documents to collect a batch of national first-class and second-class cultural relics. Although everyone is very reluctant, the small arm can't twist the thigh, and the pot of "Xunyang seven pounds" has not been spared. For a moment, I felt sad like a lover who was forced to get married. It was not until the fifth year of the museum's opening that I stepped into the gate of Shaanbo and searched for my old "lover" among more than 370,000 precious cultural relics displayed in the museum. I found my "Xunyang Seven Jin" copper pot at a glance on the bronze showcase of the Han Dynasty. Her style remains the same, and my love remains the same. I quickly locked my eyes for a while, but I couldn't lock the overflowing tears, so I had to release my deep nostalgia. At the risk of sounding the alarm, give her a hug. The brief "death" seems to have passed through the dust of a thousand years' history, and life has been sublimated in an instant: breaking the lock means opening, and stepping out of the self means success.

The word "Xunyang" here and now is no longer a geographical concept, nor a historical concept of a tiny place on the bank of the Han River, but a great Xunyang consciousness from Bashan across the Qinling Mountains to Shaanxi. This pot no longer belongs to the exclusive material form of a certain party, but becomes the public spiritual wealth in a broader sense. She explained that the more public wealth, the greater the value of Xunyang; This is like Shaanxi going to the world and mankind going to space. Whoever gives up the narcissistic complex of history first, takes the step of historical individuality first, and sublimates the great realm of historical lessons first, will arrive first.

Facing the elegant and dignified architecture of tang style in Shaanxi and Bo, I will bid farewell to the copper pot that "Xunyang weighs seven pounds" in the old consciousness, and tears will flow out again. I will silently sing in my heart: "As long as you live better than me, I will chase the tide in the wind; As long as you develop faster than me, I will break the shackles and love ... "

Uncle Shan, I hope you can tolerate my recklessness and let me see you put the 5,000-year history of Shaanxi into the vanguard of mankind on your other 10 anniversary.