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Must the seven laws be written according to the strict requirements of leveling?
Yes, the seven laws must be written according to the strict requirements of training.

The four tones of Chinese characters are divided into two categories: flat tone and flat tone. The first sound (flat sound) and the second sound (flat sound) are collectively called flat sound. There is no fluctuation in the flat sound, which is relatively long. The third tone (rising tone) and the fourth tone (falling tone) are collectively called tones. Words with old sounds are also classified as sounds. It means inclined, which means uneven. The word "flat" is very important in the arrangement of poems, and all metrical poems are flat. Although ancient poetry is not so strict in its requirements for flat tones, in general, it should be properly arranged to make the tone of the poem ups and downs, musical and catchy. How are the flat tones in metrical poems staggered? For example, the fifth and sixth sentences of Chairman Mao's Seven Laws "Long March" say, "The Jinsha River is warm with clouds and cliffs, and the Dadu Bridge is cold with iron." Its flatness is "flat, flat, flat." Every two words have a rhythm. In the flat sentence, flat is followed by flat, flat is followed by flat, and the last word is flat. But the first sentence is flat tone followed by flat tone, followed by flat tone, and the last word is flat tone. This is leveling alternation. Summary table of pentatonic tones: the first and second words in the first sentence are pentatonic tones; The first word and the second word of the first sentence are both flat tones with seven tones; The second word of the first sentence must be even and flat; The second word of the first sentence must be even and flat; The first sentence rhymes with five tones; The first sentence doesn't rhyme with pentatonic. The first sentence of five poems rhymes. The first sentence of five poems rhymes but not rhymes. It's flat, flat, flat, flat, flat. Even, even, even, even, even, even, even, even, even, even, even, even, even, even, even, even, even. Fairness (rhymes) Fairness, Fairness, Fairness, Fairness (rhymes) Fairness, Fairness, Fairness (rhymes) Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping (rhymes) Pingping Pingping Pingping. Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat. Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping.

Regardless of the situation of leveling, it is roughly as follows, but there are rules to follow.

Difficult to preserve

Every flat and irregular sentence is called an embarrassing sentence. If you use awkward sentences in regular poems, they will become antiques.

The type of rhythm. Specific format (five words "flush" and seven words "flush"

Ping and Ping ") can also be considered as one of the difficult sentences, but it is natural that it is often used to that extent.

It's different from ordinary awkward sentences. Now let's say a few difficult sentences: it's also quite common in metrical poems, but before

The word "save" must be followed by the word "save". The so-called "salvation" means compensation. Generally speaking, the front

The flat sound should be used where it should be used, and it must be added at an appropriate position (or often) behind it.

The following three situations are more common:

(1) Where "flat and flat" should be used, the first word is flat, and the third word compensates for a flat tone.

To avoid loneliness. In this way, it becomes "plain". Seven words are "even, even, even"

Replace it with "Pingping Ping". This is an inspirational sentence.

(2) Where the word "flat and flat" should be used, use the fourth word (or three or four words together).

Voice), the third word of the sentence should be compensated with a flat voice. In this way, it becomes "(Beijing) Beijing (Beijing),

Ping (ping) ping. "Seven words into" (Ping) Ping (Ping) Ping, (Ping) Ping, (Ping) Ping.

Ping. "This is to save each other.

(3) Where the word "flat and flat" should be used, the fourth word should be used instead of the third word.

Sound. Seven words is the fifth word, and it is ambiguous. This is a semi-paradox, which can be saved or not, (1) (2) is a little strict.

It's different.

When poets use (1), they often use (2) or (3) in sentences. This constitutes a self-help sentence, and

It constitutes the salvation of the sentence. Now try to give some examples to explain.

Xia Xun's home in Songshan, Su Wu

li po

I stayed in a farmhouse at the foot of Wusong Mountain, and I felt very depressed and lonely.

The family is suffering from autumn, and the neighboring women are cold at night.

The owner of the house, the old woman, brought me rice, full of white rice like moonlight.

People are drifting away, and three thanks can't be eaten.

The word "five" in the first sentence and the word "silent" in the second sentence should be in a flat voice, while the word "nothing" should be in a flat voice, which not only saves the second sentence.

The first word also omits the third word of the first sentence. The sixth sentence is lonely and helpless, which is the same type as the second sentence, but

It's just a self-help sentence, which has nothing to do with the fifth sentence.

To Li Bai at the end of the sky

[Tang] Du Fu

A cold wind is blowing from the distant sky. What are you thinking, old friend? ?

Goose never answers me? Rivers and lakes are flooded by rain.

A poet should be careful to prosper, but the devil can trouble a vagrant.

It should be * * * ghosts. Throw him the poem and let him drown himself in the Milo River!

The first sentence is a specific flat pattern, with "flat" instead of "(flat) flat" (see above

Text). The word "several" in the third sentence is awkward, and the word "autumn" in the fourth sentence is quietly omitted. This is Class Three.

Say goodbye to the ancient grassland

Bai Juyi

The long grass is so lush that the withered grass will thicken the color of the grass every autumn and winter.

Wildfire can't burn it out, but the spring breeze can revive it.

Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey.

I once again sent my bosom friend, and the thick grass represented my deep affection.

The word "no" in the third sentence is awkward, and the word "blow" in the fourth sentence is quietly omitted. This is Class Two.

Xianyang chengdong tower

[Tang] Xu Hun

High-rise Wan Li sorrow, willow like Tingzhou.

The red sunset is in the temple outside the temple, and the wind has not yet come, and the wind has already blown the buildings in Xianyang.

At dusk, birds fly in the garden, and in late autumn, cicadas chirp in the leafy trees.

Passers-by don't ask about the past, only the Weihe River flows eastward as always.

The word "sun" in the third sentence is awkward, and the word "desire" in the fourth sentence is awkward. The word "wind" not only omits the word "desire" in this sentence, but also omits it.

The word "day". This is a combination of (1) and (2).

Xincheng Road Middle (1)

[Song] Su Shi

Dongfeng knew that I was going hiking and blew away the rain accumulated between the eaves.

Clouds on the ridge are covered with floc hats, and bronze finches are hung on the trees on the first day.

Wild peaches and bamboo hedges are short, and streams and willows shake sand and clear water.

Xiqiao people should be the happiest, cooking celery and burning bamboo shoots in spring ploughing.

The word "bamboo" in the fifth sentence is awkward, and the word "self" in the sixth sentence is awkward. The word "sand" not only omits the word "self" in this sentence, but also omits it.

Say the word "bamboo" This is a combination of (1) and (2).

Yeboshui village

[Song] Lu You

The arrow at the waist has withered, and there is no time to breathe.

Lao Tzu is still as good as the desert, so why shed tears for the new pavilion?

It's a shame to die for your country. You can't make others green!

Recalling the rivers and lakes, lying and smelling the new geese falling cold.

The word "You Wan" in the fifth sentence is awkward, and the word "Xiang" in the sixth sentence is awkward. The word "nothing" is not only a kind of self-help, but also a kind of

Save each other. This is a combination of (1) and (2).

From this point of view, regular poetry is generally always harmonious. Some metrical poems seem illegal, but they are actually useful.

It's hard to save up, which is still in line with the law. This difficult practice is more common in Tang poetry. After the song dynasty, those who pay attention to temperament

Poets such as Su Shi and Lu You are quite good at this. Of course, there is no need to imitate today. But, you know, depression.

The truth of salvation is helpful to understand Tang and Song poetry.

The so-called "135 regardless"

There is a saying about the training of metrical poems: "No matter what 135 is, 246 is clear."

This refers to the seven methods (including seven sections). It means that the level of the first, third and fifth words can be

In any case, the levels of the second, fourth and sixth words must be clear. As for the seventh word, naturally, points are also required.

Ming. As far as five-character rhyme is concerned, it should be "whether one or three, two or four are distinct."

This formula is very useful for beginners because it is simple and clear. However, it is divided into

The analysis of the problem is not comprehensive because it is easy to cause misunderstanding. This has a great influence. Because it is not comprehensive,

We can't help but criticize it appropriately.

It is not comprehensive to say "135 regardless" first. "flat and flat" in a five-word format

, the third word can not be ignored, in the format of seven words "occasionally flat", the third word can not be ignored.

Theory, or you will be lonely. In the specific format of the five-character "Pingqi", the first word cannot be used either.

Regardless; In the same way, in the specific format of the seven-character grid "flat and even", the third character can not be ignored.

The above is the first word of five words and the third word of seven words, which cannot be ignored under certain circumstances. As for the third word of the five words,

Generally speaking, the fifth word in the seven words is based on the principle of "theory"

In short, a seven-character sentence can have three words regardless, and a flat-tone sentence can only have two words regardless.

Five sentences can have two words regardless, and flat sentences can have one word regardless. " 135

No matter "is wrong.

Moreover, the sentence "246 is clear" is not comprehensive. The second word in the five words "totally different" is correct.

The word "distinct" in the second and fourth words of seven words is correct, but not necessarily in the fourth and sixth words of five words.

"clear" According to the specific format of "flat" (five words), the fourth word is not necessarily "Qing";

Press "Ping Ping", and the sixth word is not necessarily "Qing". Another example is "plain"

This format can also be changed to "ping", and a flat tone can be compensated in the third word of the sentence.

Yes Seven words and so on. The words "246 clear" are not completely correct.